Rodgers Providence 330 Bedienungsanleitung

Owner's Guide

PRO DENCE330

ROffiERS®

INSTRUMENT

CORPORATION

The

sound

choice!

RODGERS

Instrument

Corporation, Hillsboro,

Oregon

OWNER'S

MANUAL

Rodgers

Providence

330

RODGERS ORGAN COMPANY

Hillsboro,

Oregon

RODGERS PROVIDENCE

330

The tonal

design

and

mechanical

layout

the

Providence

330

provides

very

complete

three-manual

classical

instrument

capable

meeting

the

needs

for

every

type

worship

service

well

supplying the

necessary

resources

for

concert

work.

All

elements

that

are

essential

for

practice

and teaching

work

are

incorporated

in the

organ's

design,

which expands the

usefulness

of the

Providence

to include

educational

institutions

and

private

instructors.

This

booklet

aguide

the

resources

the

Providence,

but

far

from

exhausting

the

complete

tonal

range

and

color

available

this

fine

organ.

There

are

many

practical

suggestions

offered

this

book-

let

which

may

altered

fit

personal

taste

and

need

by you,

the

organist.

further

information

desired

any

assistance

needed,

please

calIon

your

local

Rodgers

Organ

Dealer

who

will

be happy to

assist

you and

also

give you

names

competent

organ

instructors

your

area,

desired.

Remember

that

your

dealer

always

available

to help you

use,

the

best

advantage, the

musical

resources

available

to you

from

Rodgers

Organs.

RODGERS

PROVIDENCE

THE

THREE-MANUAL

CONSOLE

the

art

organ

building

has

evolved

over

the

centuries,

certain

features

of the

instrument

have

become

less

standard

organists,

by a

process

elimination,

have

gradually

culled

out

"innovations"

that

served

practical

purpose

but

merely

got

the

way.

extreme

example

this

type

thing

was

the old

"thunder

pedal"

some

the

older

European

organs.

This

pedal,

when hitched down, would

cause

the

lower

four

five

pipes

the

Pedal

Division to sound

simultaneously,

giVing a

rumble

effect

thunder.

Such

devices,

except

Theatre

Organs

where

they

were

useful,

are

happily

extinct.

The

modern

console

miracle

of convenience and

practicality

due

to the

process

evolution

that

produced

it.

The

combination of

three

61-note

beveled

and tilted

keyboards

and the

32-note

concave and

radiating

pedal-

board

gives

the

organist

the

necessary

console

fleXibility to

perform

organ

music

written,

without

compromise.

addition, the

various

tone

colors

are

conveniently

available

distributed

into

divisions

according

their

traditional

scheme

in the tonal

des

ign

the

organ.

GREAT

ORGAN

This

division

the backbone and

main

substance

of the

organ,

characterized

by the

Principal

Chorus

the

major

sound.

This

backed by a

softer

Flute

Chorus.

Together,

they

constitute

the

principal

sound

used

lead

congregational

singing. The

other

manual

divisions

relate

some

way

the

Great

Organ,

and

are

playable

on the

Great

manual

by the

inter-manual

couplers.

CHom

ORGAN

This

division

is typically

softer,

deriVing

its

name

from

the

fact

that

this

division

used

to accompany the

church

choir

softer

works.

com-

posed

soft

Principals

(or

hybrid

stops

on the

Providence),

complete

Flute

Chorus,

and

soft

solo

reeds.

This

gives

the CIloir Organ sound

ideal

soft

but

rich

texture

essential

for

accompanying

choirs.

The

Rodgers

Choir

Organ

serves

an additional function

Positiv

division

when

the

Great/Choir

Chiff is engaged, giving the flute the

percussive

harmonic

attack

typical

the

German

Baroque

Organ.

The

organ's

percussions

(Harp

and

Carillon)

are

also

located

in the

Choir

Organ.

-2-

SWELL

ORGAN

The Swell division

the

first

organ

division

expressive,

being

placed

in abox with

venetian

blind-like

swell

shades

the

front,

which

open and

operating

shoe

pedal

located

above the

pedalboard.

The Romantic

organ

sounds

(strings

and

celestes)

are

located

this

division,

addition to the

secondary

Diapason

chorus,

Flute

chorus,

and the

major

Reed

Chorus.

PEDAL

ORGAN

The

Pedal

organ

(pedal

clavier)

contains

the

lowest

pitched

voices

which

provide

the foundation

for

the

entire

tonal

mass

the

organ.

The

stops

are

mostly

Diapasons and

Flutes

which

provide

the

necessary

firm

found-

ation,

and the

pedal

Reeds which add the

power

and

color

this

division.

The

manual

divisions

couple

the

pedal

for

addtional

reinforcement

and

clarity

the

pedal

line.

ENSEMBLE

The

most

important

factor

in the sound

organ

ENSEMBLE.

Basically,

ensemble

refers

to the

manner

in which the

various

stops

complement

each

other,

and

especially

how

large

combinations

sound

collectively.

one

stop

should

overpower

the

basic

ensemble,

but

each

stop

should add

its

own

color

and

quality

to the

overall

sound.

further

explain

ensemble,

will

explain

CHORUS

applies

organ

sound. AChorus

constructed

combining

stops

the

same

tone

quality

(family)

successive

unison

pitches

(16',

8',

4',

2'),

generally

avoiding

the

non-unison

pitches

(2-2/3'

and

1-3/5').

constructing

the

chorus,

the full

spectrum

the

family's

tone

quality

sounds

the

playing

single

chord.

further

explain

the tonal

design

the

Providence

330, we

will

analyze

the

major

tone

families

the

organ,

their

location

and

reasons

for

their

placement

•.

-3-

THE

MUSICAL RESOURCES

THE

PROVIDENCE

The

Voice

Families

of the

Organ

(Diapasons,

Flutes,

Strings,

and

Reeds)

THE

DIAPASON FAMILY

The

Diapason

family

the foundation tone of the

organ,

being

completely

unique

the

instrument

and not having any

orchestral

origin.

The

importance

the

Diapason

can

further

expounded by the

word

"Principal"

which

frequently

appears

on the

stop

which

denotes

the

basic

pitch

level

of a

division.

The

boldest

and

best

developed

Diapason

Chorus

the

Great

Division. On the

Providence,

the

Diapason

Chorus

on the

Great

consists

of 8'

Principal,

Octave,

Fifteenth,

2-2/3'

Twelfth,

Fourni-

ture

III

Mixture,

and

16'

Gemshorn

Diapason/String

hybrid).

The

Principal

denotes

the

basic

pitch

level

of the

division

with

the

other

names

showing the

pitch

relationship

to the

Principal.

The

8',

4',

and

2-2/3'

are

voiced to blend

clean

and

brilliant

ensemble

which

topped

with

the

Fourniture

III.

The

16'

Gemshorn

thin,

not

"muddy"

the

ensemble

when played in a

lower

keyboard

The

secondary

Diapason

Chorus

located

the Swell

Division

and on the

Providence,

has

8',

4',

and

Plein

Jeu

III

mixture.

The

Geigen

Diapason

brighter

and

softer

than the

Great

Principal

with

the

Prestant

voiced

complement the Geigen

Diapason.

The

Plein

Jeu

III

has

adouble function, one being the topping of the Swell

foundations and

also

the topping

the

Full

Swell (with

Reeds).

The

Swell Foundations

must

also

blend

with

the

Great

Diapason

Chorus

and

with

the

Choir

Flute

Chorus.

The

Choir Diapason is

located

only

and

for

specific

reason.

The

contemporary

Cho-ir

organ

must

function both

Choir

Division

for

accompanimental

work

and

also

as·

Positiv

organ.

The

Positiv

Diapason

traditionally

pitch.

The

Choir

fo~da

tions

are

not

loud;

therefore,

the

Diapason

most

always

omitted

from

any

specifications

modern

organs,

whether

pipe

electronic.

place

of the

Diapason

8' is the

Gemshorn

(the

aforementioned

hybrid) which

has

soft

and

smooth

sound

that

wonderful

for

accompanimental

work.

The

Pedal

Diapasons

are

bold and

construct

the

bottom

foundation

for

the

entire

organ.

the

Providence,

the

Pedal

Diapasons

are

16',

8',

and

4',

giving the

essential

support

to the 16'

with

the

Mixture

II to give additional

clarity

to the

Pedal

line.

-4-

construct

ascending

Diapason

Chorus,

depress

the following

stops

order,

while holding a

chord

on the

Great

Keyboard.

Choir

Great

and Swell to

Great

"On. "

Choir

Gemshorn

Swell Geigen

Diapason

Great

Principal

Swell

Prestant

Choir

Principal

Great

Octave

Great

Fifteenth

Great

Twelfth

2-2/3'

Swell

Plein

Jeu

III

Great

Gemshor.n

16'

Great

Fourniture

III

Add

appropriate

pedal

note

Pedal

16'

Principal

Pedal

Octave

Pedal

Choral

bass

THE FLUTE FAMILY

The

basic

tone of the flute family

derived

from

the

orchestral

Flute,

and

in the

organ

has

some

variations.

Originally,

the flute

pipe

organ

imitated

the

modern

flute's

predecessor,

the

recorder,

which

has

bright

and hollow

quality

its

tone. Due to the

construction

of the flute

pipe,

these

flutes

are

called

"Stopped

Flutes."

These

Flutes

are

traditionally

located

on the Choir and

Positiv

organs.

the

Providence,

the

Choir

Flutes

are

Gedeckt,

Nachthorn,

Block-

fllite, and

Siffltlte.

These

construct

the

Choir

Flute

Chorus.

The

2-2/3'

Nazard

and

1-3/5'

Tierce

should only

used

for

coloring.

The

Great

Flute

Chorus

the

Bourdon,

SpillflHte, and

Piccolo.

This

Chorus

supports

the

Great

Principal

Chorus,

and the individual

stops

can

used

solo

stops

for

moderately

softpassages.

The

Swell

organ

has

Flutes

ightly

different

character,

being

broader

and

fuller

than the

Great

and Choir

Flutes.

The Swell

Flutes

are

Hohl

Flute,

Harmonic

Flute,

and

Flautino.

The

and

are

especially

useful

soft

solo

stops

soft

accompaniment

for

other

solo

stops.

The

Pedal

has

two 16'

Flutes

distinct

volume

differences.

The

16'

Subbass is apowerful

Flute

that

supplements

the

16'

Principal,

while the

16'

Lieblich

Gedeckt

very

soft

for

supplying a

soft

foundation

under

delicate

manual

combinations.

The

Flute

supports

the

16'

Subbass

for

clarity

and definition of

pitch.

-5-

Another

feature

of the

Providence

is the

Great/Cl1oir/Flute

Chiff

control.

This

control,

when

actuated,

puts

harmonic

attack

on the

Flute,

which

gives

the

attack

characteristic

of the

German

Baroque

Flutes.

THE

STRING FAMILY

The

String

sound

relative

newcomer

to the

organ,

being

conceived

the

Romantic

Period.

The

String

tone is

closely

to the

Diapason,

except

much

thinner

and

transparent

in quality and

generally

much

softer.

The

Strings

are

most

often

located

in the Swell

division

with

their

c·eleste.

celeste

created

by two

identical

ranks

pipes,

with one

set

tuned

slightly

sharper

than the

other,

causing

tremolo

effect when

played

simultaneously.

the

Providence,

the

strings

are

drawn

one

stop,

but

play two

sets

oscillators.

The

result

mystical

and

ethereal

sound which

was

favorite

many

Romantic

organ

composers.

The

celeste

effect

became

popular,

was

used

other

voices

for

color.

The

Providence

has

Flute

Celeste

in the Swell Division.

Another

form

string

is the

Gemshorn

and Violone.

These

are

generally

classified

hybrid

stops,

since

their

tone

quality

lies

somewhere

between

the

String

and Diapason.

the

Providence,

the

Gemshorn

and

its

celeste

are

found

the

Choir

organ,

where

they

provide

medium-full,

yet

rich

sound

that

blends with the

Flutes,

and

ideal for

accompaniment

stops.

The

Violone in the

Pedal

division

tends

imitate

the

String

Bass,

and

abundant in

harmon

ics

than the

Pedal

incipal.

is found

32',

16',

and

8'.

The

32'

Violone

gives

the

depth

pitch,

but is lightweight

does

not become

ponderous

and

can

used

very

Iight

combinations

well

full

combinations.

The

16'

Violone and

Violone give a

mezzo

forte

richness

to the

Pedal

organ

and

are

useful

when an

orchestral

Pedal

sound is

des

ired.

In pipe

organs,

all

of the above tone

qualities

(Diapasons,

Flutes,

and

Strings)

are

derived

from

apipe sound

caused

by a

vibrating

column

air

set

in motion

the

action

sheet

of wind-impinging on a

knife-like

edge

on the

upper

lip

of the pipe mouth.

These

pipes

and

their

resulting

sounds

are

classed

collectively

under

the

name

Flue

Stops.

THE

REED

FAMILY

The

Reed

derives

its

categorical

name

from

the

manner

of sound

production

in apipe

organ.

produce

asound, a

brass

reed

tongue

vibrates

against

slotted

metal

tube (shallot) with the

vibrations

being affected by the

length,width, and

thickness

the

resonator

which is

directly

attached

the

top of the

shallot.

-6-

The

Reed

family

the

most

colorful

all

the

organ

families,

and is

sub-divided

into two

divisions,

Chorus

Reeds

and Solo

Reeds.

Chorus

Reeds

are

generally

of a

trumpet

quality,

and

are

located

in the

Swell

division.

Solo

Reeds

can

placed

on any

manual,

but

traditionally

and

most

logically

are

placed

either

the Swell

and/or

the

Choir.

The

Providence

has

the

Chorus

Reeds

on the Swell and

also

the

Pedal.

The

16'

Contra

Fagotto,

Trompette,

and

Clairon

add

the

fire

and

snarl

needed

the final topping to the

entire

organ

ensemble.

The

Trompette

also

powerful

solo

stop

for

stentorian

passages.

The

and

Reeds

are

also

available

on the

Pedal

with an

independent

16'

Bombarde

put

the final

frosting

on the

Pedal

division.

The

Krummhorn

located

the

Choir

division

imitative

the

Krumm-

horn

that

was

the

Baroque

and

Renaissance

predecessor

of the

Clarinet.

can

colored

by the addition

the

Choir

Nachthorn

the

2-2/3'

Nazard.

When

properly

used,

the

Reeds

can

sing

lyric

melody

breathe

the

fire

that

finalizes

the

excitement

of the

magnificent

sound

the

Providence.

The

Percussions

found on

the

Providence

are

located

on the

Choir

manual

where

they

can

used

their

best

advantage.

The

Harp

typical

the

type

organ

harp

introduced

in the

late

Romantic

Period

and

the

Carillon

English

character

which

usable

against

any

chords

played

on the

organ.

The

Carillon

can

also

played

through

outdoor

speaker,

desired.

COUPLERS

Afull

complement

unison

couplers

prOVided on

the

Providence,

with

aSwell to Swell

for

use

with

the

String

and

Flute

Celestes.

The

couplers

are

follows:

Swell to

Great

Choir

Great

Swell to

Choir

Swell to Swell

Swell to

Pedal

Great

Pedal

Choir

Pedal

The

Swell

couplers

are

the

most

versatile,

coupling the Swell to any

division

the

organ.

The

Great

Division

couples

to the

Pedal

.for added

clarity

when

needed,

and

the

Choir

couples

for

needed

clarity

for

smaller

combinations.

-7-

SPEAKING STOPS

THE

PROVIDENCE

TONE FAMILY

DIAPASONS

FLUTES

DIAPASON

/STRING

HYBRID

STRINGS

CHORUS

REEDS

SOLO

REEDS

PERCUSSIONS

GREAT MANUAL

Principal

Octave

Fifteenth

2-2/3'

Twelfth

Fourniture

III

Bourdon

Spillfltlte

Piccolo

16'

Gemshorn

SWELL

MANUAL

Geigen

Diapason

Prestant

Plein

Jeu

III

Hohl

Flute

Harmonic

Flute

Flautino

Flute

Celeste

Voix

Celeste

16'

Contra

Fagotto

Trompette

Clairon

-8-

CHom

MANUAL

Principal

Gedeckt

Nachthorn

2-2/3'

Nazard

Blockfltlte

1-3/5'

Tierce

Siffltlte

Gemshorn

Celeste

Krummhorn

Harp

Carillon

PEDAL

CLAVIER

16'

Principal

Octave

Mixture

16'

Subbass

16'

Lieblich

Gedeckt

Flute

32'

Contra

Violone

16'

Violone

16'

Bombarde

Trompette

(sw)

Clairon

(sw)

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