Roland DiscLab CDX-1 Gebrauchsanweisung

Newly Added Functions Ver.1.5

As the result of recent upgrades, the descriptions in the Owner's Manual may not accurately

represent the performance of some of the features of the CDX-1. To make sure you are fully

aware of the newly added functionality, please read this booklet in conjunction with the

Owner's Manual while you use the CDX-1.

❖CONTENTS ❖

Sample Pad

Compressing/expanding a sample according to the tempo at which playback was stopped..........2

Modifying the pitch of a sample to create a new sample—Pitch Change .......................... 3

Making fine adjustments to the location at which a sample starts/ends............................. 4

Adjusting the crossfade time.............................................................................................. 6

Sequence Track

Exchanging the contents of sequence tracks—Exchange Track....................................... 7

Copying the contents of a sequence track—Copy Track................................................... 8

Editing a specified region of a sequence track—Region In/Out......................................... 9

Multitrack Recorder

Muting (silencing) a specific audio track........................................................................... 13

Using [STATUS] to select the track whose parameters you want to adjust..................... 14

Preventing tempo data from being read from a CD-RW disc........................................... 15

Using the tempo of a sample to modify the tempo map................................................... 16

Using Pads/Sequences while you mix down.................................................................... 17

Effect

Editing the Mastering Tool settings.................................................................................. 18

Saving the mastering tool settings ................................................................................... 19

Mastering Tools parameter list......................................................................................... 20

Others

Remembering the icon that was last selected in a menu screen..................................... 23

Synchronization with a Sequence or Drum Machine........................................................ 24

written permission of ROLAND CORPORATION.

Roland Web Site: http://www.roland.co.jp/

Compressing/expanding a sample according

to the tempo at which playback was stopped

While playback is stopped, you can adjust the length of the sample according to the

tempo of the location at which playback was stopped.

This function makes it easy to adjust the sample length to match the tempo of a

sequence track. This provides an easy way by which the length of a sample recorded

in a sequence track can be made to match the length of a measure in that sequence

track.

The tempo at the point that playback is stopped will be one of the following.

• The tempo displayed in “Tempo” of the Rhythm Guide screen.

• If the “Beat” parameter in the Rhythm Guide screen is set to “TEMPO MAP,” the

tempo of the Tempo Map.

1. Press PAD RECORDING [TEMPO MATCH] twice.

Alternatively, press [TEMPO MATCH] and then press CURSOR [ ].

fig.31-03

The Pad Edit menu are displayed as icons.

fig.33-07

2. Press CURSOR [ ] [ ] to select the

Tempo Match Now icon.

3. Press [YES/ENTER].

fig.33-08

The Tempo Match Now screen appears.

4. Press CURSOR [ ] [ ] [ ] [ ] to select the pad bank number and

pad number for each item, and specify the desired number for each.

To set the pad bank number, turn the TIME/VALUE dial. To set the pad number,

either press a pad or turn the TIME/VALUE dial.

Source: Specify the sample whose length you want to adjust.

To: Specify the pad to which the length-adjusted sample will be assigned.

5. Press [YES/ENTER].

After a while, the expand/compress sample is assigned to the destination pad.

*If the destination pad already contains a sample, the “Overwrite?” message appears. If it is OK to

overwrite the existing sample, press [YES/ENTER]. If you do not want to overwrite the existing

sample, press [NO/EXIT].

6. Press [DISPLAY] to return to the Basic screen.

Since this function needs to accurately calculate the tempo in order to perform a

high-quality compression or expansion, you must first perform the procedure of

“Displaying the correct tempo of a sample” (Owner’s Manual; p. 77) to specify

the number of beats in the original sample.

In the case of samples for which it is difficult to calculate a tempo, such as a

narration, vocal part, or a long sustained sound, set the number of beats to 0.

Compression/expansion

requires more processing time

than other sample editing

operations. Also, the audio

quality of the stretched sample

may be inferior to that of the

original sample.

In case the expanding/

expanding level is in excess of

134% or less than 67%, the

sample will not be made

correct tempo.

Modifying the pitch of a sample to create a

new sample—Pitch Change

You can modify the pitch of a sample to create a new sample.

1. Press PAD RECORDING [TEMPO MATCH] twice.

Alternatively, press [TEMPO MATCH] and then press CURSOR [ ].

fig.31-03

The Pad Edit menu are displayed as icons.

fig.33-07

2. Press CURSOR [ ] [ ] to select the

Pitch Change icon.

3. Press [YES/ENTER].

fig.33-08

The Pitch Change screen appears.

4. Press CURSOR [ ] [ ] [ ] [ ] to select the pad bank number and

pad number for each item, and specify the desired number for each.

To set the pad bank number, turn the TIME/VALUE dial. To set the pad number,

either press a pad or turn the TIME/VALUE dial.

Source: Specify the sample whose pitch you want to adjust.

To: Specify the pad to which the pitch-adjusted sample will be assigned.

5. Press CURSOR [ ] to move the cursor to “NewPitch” line. Turn to

TIME/VALUE dial to set the interval of the pitch changing by semitone unit.

6. Press CURSOR [ ] to move the cursor to “P.Fine” line. Turn the TIME/VALUE

dial to make fine adjustments in one-cent units (1/100th of a semitone) to the

amount of change from the original pitch.

7. Press CURSOR [ ] move the cursor to “Grade” line. Turn to TIME/VALUE

dial to select the quality of the sound after the pitch changing process, adjustable

in three levels.

“Grade” can be set in three levels (1–3) to specify the quality of the resulting sound.

Higher settings will require more processing time.

8. Press [YES/ENTER].

After a while, the changing pitch sample is assigned to the destination pad.

*If the destination pad already contains a sample, the “Overwrite?” message appears. If it is OK to

overwrite the existing sample, press [YES/ENTER]. If you do not want to overwrite the existing

sample, press [NO/EXIT].

9. Press [DISPLAY] to return to the Basic screen.

Pitch Change requires more

processing time than other

sample editing operations.

Also, the audio quality of the

stretched sample may be

inferior to that of the original

sample.

1 semitone = 100 cents

For sound with

a sharp attack.For sound with

a dull attack.

123

"Grade"

Making fine adjustments to the location at

which a sample starts/ends

When you arrange samples in a sequence track to create a song, you will sometimes

need to make fine adjustments to the sample's start/loop points, or to its length. By

using the {Preview function} or {Scrub function}, you can make precise and detailed

adjustments while listening to the sound.

Specifying a point while you listen to the sound

before and after it—Preview

The preview button [TO] means “To Now” (to the point). Each time you press [TO],

a brief region of sound (one second) ending at that point will be played. By turning

the TIME/VALUE dial to move the point back and forth while listening to this

sound, you can easily make accurate adjustments to the point.

When you press the preview button [FROM], the preview function will play “From

Now” (from the point), allowing you to hear a brief region of sound (one second)

beginning at that point.

1. Press PAD RECORDING [TEMPO MATCH] twice.

Alternatively, press [TEMPO MATCH] and then press CURSOR [ ].

fig.31-03

The Pad Edit menu are displayed as icons.

fig.33-07

2. Press CURSOR [ ] [ ] to select the

Pad Parameter icon.

3. Press [YES/ENTER].

The Pad Parameter screen appears.

fig.33-08

4. Press CURSOR [ ] [ ] to move the

cursor to the point “Start Point,” “Loop

Point,” or “Length(→End)” you want to

adjust.

5. Press PREVIEW [TO] or [FROM] to play back the sound as described below.

[TO]: Playback once from one second before the current point to the current

point.

[FROM]: Playback once from the current location to one second after the

current location.

6. While listening to the sound, turn the TIME/VALUE dial to make fine

adjustments to the current point.

7. Press [DISPLAY] to return to the Basic screen.

For details on the Start/Loop

point and Length, refer to

“What are the Start/Loop

point and Length” (Owner’s

Manual; p. 78).

The sample waveform will not

e displayed for PREVIEW

[TO] [FROM] operations.

Making fine adjustments to the location at which a sample starts/ends

Using scrub to set a point—Scrub Preview

Scrub Preview repeatedly plays an extremely brief region (45 milliseconds) either

before or after the point. At the same time, the sample waveform will be displayed

in the screen. While monitoring the displayed waveform and the sound, you can

turn the TIME/VALUE dial to easily make precise adjustments to the point.

1. Press PAD RECORDING [TEMPO MATCH] twice.

Alternatively, press [TEMPO MATCH] and then press CURSOR [ ].

fig.31-03

The Pad Edit menu are displayed as icons.

fig.33-07

2. Press CURSOR [ ] [ ] to select the

Pad Parameter icon.

3. Press [YES/ENTER].

The Pad Parameter screen appears.

fig.33-08

4. Press CURSOR [ ] [ ] to move the

cursor to the point “Start Point,” “Loop

Point,” or “Length(→End)” you want to

adjust.

5. Press [SCRUB].

fig.33-08

[SCRUB] lights, the Wave View screen

appears.

Thesoundeither beforeor after thepoint will

play repeatedly.

6. While monitoring the sound and the screen, turn the TIME/VALUE dial to make

fine adjustments to the point.

As necessary, you can switch the region that is repeated, or switch the screen display.

[TO]: Repeatedly play from a point 45 milliseconds before the current point,

up to the current point.

[FROM]: Playback once from the current point to one second after the current

point.

CURSOR [ ]: Expand the waveform vertically (amplitude axis).

CURSOR [ ]: Shrink the waveform vertically (amplitude axis).

CURSOR [ ]: Expand the waveform horizontally (time axis).

CURSOR [ ]: Shrink the waveform horizontally (time axis).

7. Press [SCRUB].

[SCRUB] go out, the Pad Parameter screen reappears.

8. Press [DISPLAY] to return to the Basic screen.

45 msec

Adjusting the crossfade time

You can adjust the time over which two pads will be exchanged by the Pad

Crossfade function (Owner's Manual; p. 71).

1. Press [UTILITY].

The Menu are displayed as icon.

fig.1-06

2. Press CURSOR [ ] [ ] to select the

System icon.

3. Press [YES/ENTER].

The System Parameter screen appears.

fig.5-01

4. Press CURSOR [ ] to move the cursor to

“X-Fade Time” line.

5. Turn the TIME/VALUE dial to select the crossfade time: “1sec”–”10sec”

(units: second).

6. Press [DISPLAY] to return to the Basic screen.

Exchanging the contents of sequence tracks

—Exchange Track

A sequence track and its corresponding audio track cannot be played back at the

same time. For example, sequence track A and audio tracks 1-2 cannot be played

back simultaneously. In such cases, you can exchange the contents of the sequencer

track with another track, so that the sequence track and audio tracks can be played

simultaneously.

1. Press PAD SEQUENCING [EDIT].

[EDIT] lights, and the Sequence Edit menu are displayed as icons.

fig.34-10

2. Press CURSOR [ ] [ ] to select the

Exchange Track icon.

3. Press [YES/ENTER].

fig.34-10

The Exchange Track screen appears.

4. Press CURSOR [ ] [ ] to move the cursor, and turn the TIME/VALUE dial to

specify the two sequence tracks that are exchanged.

5. Press [YES/ENTER].

The two sequence tracks are exchanged.

6. Press [DISPLAY] return to the Basic screen.

For details, refer to “Playing

sequence tracks and audio

tracks simultaneously”

(Owner’s Manual; p. 97).

When you carry out the

Exchange Track procedure, the

entire contents of the sequence

tracks will be exchanged. It is

not possible to specify a region

of time that will be exchanged.

The status data of the sequence

tracks will also be exchanged.

Copying the contents of a sequence track

—Copy Track

The contents of a sequence track can be copied to another sequence track.

1. Press PAD SEQUENCING [EDIT].

[EDIT] lights, and the Sequence Edit menu are displayed as icons.

fig.34-10

2. Press CURSOR [ ] [ ] to select the

Copy Track icon.

3. Press [YES/ENTER].

fig.34-10

The Copy Track screen appears.

4. Press CURSOR [ ] to move the cursor to “Copy from Track.”

5. Turn to TIME/VALUE dial to select the copy-source track.

6. Press CURSOR [ ] to move the cursor to “Copy from Track.”

7. Turn to TIME/VALUE dial to select the track-copy destination.

8. Press [YES/ENTER].

The contents of the copy-source sequence track is copied to the copy-destination

track.

9. Press [DISPLAY] return to the Basic screen.

When you execute the Copy

Track operation, the entire

contents of the sequence track

will be copied. It is not

possible to copy only a

specified time region.

f the copy-destination

sequence track has already

een recorded, the entire

contents will be lost.

Editing a specified region of a sequence track

—Region In/Out

In the Sequence Play List screen, you can specify a region, then edit only that region.

You can also edit multiple tracks at once.

Specifying the editing region

1. Press PAD SEQUENCING [SEQ PLAY].

[SEQ PLAY] lights, and the Sequence Play

List screen appears.

2. Select the sequence tracks for playback as described in “Playing back sequence

tracks” (Owner’s Manual; p. 96).

Get the “Tr.SEL” (track select) box to be highlighted in black for the track(s) in which

you want to specify a region. You may select more than one track.

fig.34-10

3. Use the REW[ ] /FF [ ] or the

TIME/VALUE dial to move the “NOW”

(current location) to the starting point of

the segment.

4. Press [YES/ENTER].

fig.34-10

A mini-menu “SET REGION IN” appears.

5. Press [YES/ENTER] to specify the beginning (in point) of the segment.

ig.34-10

6. Use the REW [ ] /FF [ ] or the

TIME/VALUE dial to move the “NOW”

(current location) to the end point of the

segment.

7. Press [YES/ENTER].

A mini-menu appears.

fig.34-13

8. Press CURSOR [ ] to select the “SET

REGION OUT.”

9. Press [YES/ENTER] to specify the end (out point) of the segment.

In case edit region is specified,

you cannot execute editing

phrase by phrase basis (Quick

Edit). If you want to do such

editing, please cancel the

editing region as described in

“Canceling an editing region”

(p. 10).

For details of Quick Edit, refer

to “Edit on Sequence Play List

screen—Quick Edit” (Owner’s

Manual; p. 106).

If a region has already been

specified in step 4, press

CURSOR[ ] to select “SET

REGION IN.”

Press [YES/ENTER] in step 5,

the specified region will be

cancelled, and the In point will

e newly set.

Editing a specified region of a sequence track

Canceling an editing region

To cancel an editing region that you've specified, perform the following.

1. Press PAD SEQUENCING [SEQ PLAY].

[SEQ PLAY] lights, and the Sequence Play

List screen appears.

2. Press [YES/ENTER].

A mini-menu appears.

3. Press CURSOR [ ] to select the “CLEAR

REGION.”

4. Press [YES/ENTER].

The specified region are canceled.

Editing the specified region

Erasing Segments—Erase

This operation erases the phrases of the specified region, creating silence. If phrases

exist following the region, they will not move forward.

1. Specify the region that you want to erase,

as described in “Specifying the editing

region” (p. 9) of this booklet.

2. Press [YES/ENTER].

A mini-menu appears.

3. Press CURSOR [ ] to select the

“REGION ERASE?”

4. Press [YES/ENTER].

The specified region are erased.

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