Samson Stage 55 Bedienungsanleitung

WIRELESS

AND

WIRELESS SYSTEM

TRUE DIVERSITY

WIRELESS SYSTEM

Printed March 2005

Phone: 1-800-3-SAMSON (1-800-372-6766)

Fax: 516-364-3888

www.samsontech.com

ENGLISH

Introduction 1

Introduction 2

Guided Tour - SR55 Front Panel 3

Guided Tour - SR55 Rear Panel 4

Guided Tour - SR5 Front Panel 5

Guided Tour - SR5 Rear Panel 6

Guided Tour - ST5 7

Guided Tour - ST5 8

Guided Tour - HT5 9

Setting Up and Using Your 10

Stage 55 Series/Stage 5 Series System 10

Specifications 62

FRANÇAIS

Introduction 13

Tour d'horizon - Façade avant du SR55 15

Tour d'horizon - Façade arrière du SR55 16

Tour d'horizon - Façade avant du SR5 17

Tour d'horizon - Façade arrière du SR5 18

Tour d'horizon - SR5 / ST5 19

Tour d'horizon - HT5 21

Réglage et utilisation du système 22

Stage 55 Series / Stage 5 Series 22

Caractéristiques techniques 62

DEUTSCHE

Einleitung 25

Übersicht: SR55 Vorderseite 27

Übersicht: SR55 Rückseite 28

Übersicht: SR5 Vorderseite 29

Übersicht: SR5 Rückseite 30

Übersicht -SR5 / ST5 31

Übersicht - HT5 33

Aufbau und Betrieb des

Stage 55 Series / Stage 5 Series 34

Technische Daten 62

ESPAÑOL

Introducción 37

Recorrido Guiado - Panel frontal del SR55 39

Recorrido Guiado - Panel trasero del SR55 40

Recorrido Guiado - Panel frontal del SR5 41

Recorrido Guiado - Panel trasero del SR5a 42

Recorrido Guiado - SR5 / ST5 43

Recorrido Guiado - HT5 45

Ajuste y utilización de su sistema 46

Stage 55 Series / Stage 5 Series 46

Especificaciones técnicas 62

ITALIANO

Introduzione 49

Visita Guidata - il Pannello 51

Frontale dell'SR55 51

Visita Guidata - il Pannello Posteriore

dell'SR55 52

Visita Guidata - il Pannello 53

Introduzione 49

Frontale dell'SR5 53

Visita Guidata - il Pannello

Posteriore dell'SR5 54

Visita Guidata - l'ST5 55

Visita Guidata - l'HT5 57

Il Collegamento e l'Uso del 58

Sistema Serie Stage 55 /Stage 5 58

Specifiche 62

Appendix A: Carrying Case 61

ENGLISH

Introduction

Congratulations on purchasing the Samson Stage 55 Series or Stage 5 Series Wireless System!

Although this product is designed for easy operation, we suggest you first take some time to go

through these pages so you can fully understand how we’ve implemented a number of unique

features.

Every wireless system consists of at least two components—a transmitter and a receiver, both of

which must be tuned to the same channel (that is, the same radio frequency) in order to operate

correctly.* The Samson Stage 55 Series or Stage 5 Series system you have purchased operates in

the 174.6 - 213.2 MHz frequency range and contains either a SR55 or SR5 receiver as well as one

of the following transmitters: a ST5 belt-pack transmitter (for lavaliere microphone or headset

applications); a ST5 belt-pack transmitter (for instrument applications); or a HT5 hand-held micro-

phone transmitter. For convenience and security, the Stage 55 Series and Stage 5 Series system

is packaged in a custom impact-resistant polypropylene plastic carrying case that provides room

for all components (see Appendix B for more information).

The ST5L beltpack transmitter provides a locking 3.5 mm mini-phone jack for connection to the

various Stage series transmitters including:

LM5 - Lavaliere condenser microphone

HS5 - Headset condenser microphone

GC5 - Heavy-duty Guitar/Instrument cable

The HT5 hand-held microphone transmitter is equipped with the Samson Q7 neodymium

dynamic microphone element.

* Your receiver and transmitter have been factory preset to utilize the same channel.

The SR5 receiver provided with the STAGE 5 Series wireless system utilizes non-diversity technol-

ogy, incorporating a single antenna for ease of use and minimal cost. The SR55 receiver provided

with the Stage 55 Series system utilizes an advanced technology called “Diversity,” whereby a

single chassis houses two antennas (called “Antenna A” and “Antenna B”) and a receiver circuit.

An advanced circuit design continuously scans RF signals from the two antennas and determines

which one has the clearest and strongest reception, automatically (and silently) switching that

signal to the receiver. This allows you to maintain the wireless communication link over a much

broader area range than would be allowed by a receiver utilizing a single antenna and also virtu-

ally eliminates multipath dropouts, interference and phase cancellation problems. In addition,

special sample-and-hold linking circuitry ensures that correct phase correlation is maintained

at all times, with no noise or pops during antenna switching. The result is performance which

exceeds that of conventional non-diversity systems and the highest quality audio fidelity avail-

able in any wireless system. Finally, the provision of a noise reduction circuit produces crystal-

clear sound with minimized background noise and hiss.

ENGLISH

Introduction

In this manual, you’ll find a detailed description of the features of your Stage 55 Series or Stage

5 Series system, as well as a guided tour through all components, step-by-step instructions for

setting up and using your system and full specifications. If your Stage 55 Series or Stage 5 Series

system was purchased in the United States, you’ll also find a warranty card enclosed—don’t

forget to fill it out and mail it! This will enable you to receive online technical support and will

allow us to send you updated information about other Samson products in the future. If your

Stage 55 Series or Stage 5 Series system was purchased outside of the United States, contact

your local distributor for warranty details.

SPECIAL NOTE for U.S. purchasers: Should your Stage 55 Series or Stage 5 Series system ever

require servicing, a Return Authorization number (RA) is necessary. Without this number, the

unit will not be accepted. Please call Samson at 1-800-372-6766 for a Return Authorization

number prior to shipping your unit. Please retain the original packing materials and, if pos-

sible, return the unit in its original carton and packing materials. If your Stage 55 Series or Stage

5 Series system was purchased outside of the United States, contact your local distributor for

servicing information.

ENGLISH

Guided Tour - SR55 Front Panel

1: Antennas (A and B) - The antenna mountings allow full rotation for optimum placement. In

normal operation, both Antenna A (the antenna on the left) and Antenna B (the antenna on the

right) should be placed in a vertical position. Both antennas can be folded inward for conve-

nience when transporting the SR55. See the “Setting Up and Using Your Stage 55 Series / Stage

5 Series System” section on page 12 in this manual for more information about antenna position-

ing.

2: Volume control - This knob sets the level of the audio signal being output through both the

balanced and unbalanced output jacks on the rear panel. Reference level is obtained when the

knob is turned fully clockwise.

3: Audio Meter - This “ladder” display (similar to the VU bar meter used on audio devices) indi-

cates the strength of the incoming audio signal. When the “0” segment is lit, the incoming signal

is optimized at unity gain; when the “+6” segment is lit, the signal is overloading. When only the

left-most “-20” segment is lit, the incoming signal is at just 10% of optimum strength. If no seg-

ments are lit, little or no signal is being received. See the “Setting Up and Using Your Stage 55

Series / Stage 5 Series System” section on page 12 in this manual for more information.

4: Squelch control - This control determines the maximum range of the SR55 before audio signal

dropout. Although it can be adjusted using the supplied plastic screwdriver, it should normally

be left at its factory setting. See the “Setting Up and Using Your Stage 55 Series / Stage 5 Series

System” section on page 12 in this manual for more information.

5: ANT A/B LEDs - When signal is being received, one of these will be lit yellow, showing you

whether the (left) “A” or (right) “B” antenna is currently being used. The SR55 constantly scans its

two antennas and automatically selects whichever is receiving the strongest, clearest signal. This

Diversity switching is completely inaudible, but it effectively increases overall range while virtu-

ally eliminating potential interference and phase cancellation problems.

6: RF Meter - This “ladder” display (similar to the VU bar meter used on audio devices) indicates

the strength of the incoming radio signal. When the “100%” segment is lit, the incoming RF signal

is fully modulated and at optimum strength. When only the second most left-most “10%” seg-

ment is lit, the incoming signal is at just 10% of optimum strength. If no segments are lit, little or

no signal is being received. See the “Setting Up and Using Your Stage 55 Series / Stage 5 Series

System” section on page 12 in this manual for more information.

7: Power switch - Use this to turn the SR55 power on and off.

ENGLISH

Guided Tour - SR55 Rear Panel

1: DC input - Connect the supplied 12 volt, 250 mA power adapter here, using the strain relief as

shown in the illustration below. WARNING: The substitution of any other kind of power adapter

can cause severe damage to the SR55 and will void your warranty.

2: Balanced output* - Use this electronically balanced low impedance (600 Ohm) XLR jack when

connecting the SR55 to professional (+4) audio equipment. Pin wiring is as follows: Pin 1 ground

(shield), Pin 2 high (hot), and Pin 3 low (cold).

3: Audio Output Level switch - Sets the audio output level attenuation of the balanced output

(see #4 below) to -20 dBm (line level) or -40 dBm (mic level). See the “Setting Up and Using Your

Stage 55 Series / Stage 5 Series System” section on page 12 in this manual for more information.

4: Unbalanced output* - Use this unbalanced high impedance (5K Ohm) 1/4" jack when con-

necting the SR55 to consumer (-10) audio equipment. Wiring is as follows: tip hot, sleeve ground.

1234

Using the strain relief: Gather up a loop of wire and pass it through the strain relief,

then pass the adapter plug through the loop in order to create a knot.

ENGLISH

Guided Tour - SR5 Front Panel

1: Antenna - The antenna mounting allows full rotation for optimum placement. In normal

operation, the antenna should be placed in a vertical position. It also can be folded inward for

convenience when transporting the SR5. See the “Setting Up and Using Your Stage 55 Series /

Stage 5 Series System” section on page 12 in this manual for more information about antenna

positioning.

2: Volume control - This knob sets the level of the audio signal being output through both the

balanced and unbalanced output jacks on the rear panel. Reference level is obtained when the

knob is turned fully clockwise.

3: Audio Meter - This “ladder” display (similar to the VU bar meter used on audio devices) indi-

cates the strength of the incoming audio signal. When the “0” segment is lit, the incoming signal

is optimized at unity gain; when the “+6” segment is lit, the signal is overloading. When only the

left-most “-20” segment is lit, the incoming signal is at just 10% of optimum strength. If no seg-

ments are lit, little or no signal is being received. See the “Setting Up and Using Your Stage 55

Series / Stage 5 Series System” section on page 12 in this manual for more information.

4: Squelch control - This control determines the maximum range of the SR5 before audio signal

dropout. Although it can be adjusted using the supplied plastic screwdriver, it should normally

be left at its factory setting. See the “Setting Up and Using Your Stage 55 Series / Stage 5 Series

System” section on page 12 in this manual for more information.

5: “TX” LED - Lights when carrier signal of sufficient strength is being received by the SR5.

6: RF Meter - This “ladder” display (similar to the VU bar meter used on audio devices) indicates

the strength of the incoming radio signal. When the “100%” segment is lit, the incoming RF signal

is fully modulated and at optimum strength. When only the second most left-most “10%” seg-

ment is lit, the incoming signal is at just 10% of optimum strength. If no segments are lit, little or

no signal is being received. See the “Setting Up and Using Your Stage 55 Series / Stage 5 Series

System” section on page 12 in this manual for more information.

7: Power switch - Use this to turn the SR5 power on and off.

ENGLISH

Guided Tour - SR5 Rear Panel

1: DC input - Connect the supplied 12 volt, 250 mA power adapter here, using the strain relief

as shown in the illustration below. WARNING: The substitution of any other kind of power

adapter can cause severe damage to the SR5 and will void your warranty.

2: Balanced output* - Use this electronically balanced low impedance (600 Ohm) XLR jack

when connecting the SR5 to professional (+4) audio equipment. Pin wiring is as follows: Pin 1

ground (shield), Pin 2 high (hot), and Pin 3 low (cold).

3: Audio Output Level switch - Sets the audio output level attenuation of the balanced output

(see #4 below) to -20 dBm (line level) or -40 dBm (mic level). See the “Setting Up and Using Your

Stage 55 Series / Stage 5 Series System” section on page 10 in this manual for more information.

4: Unbalanced output* - Use this unbalanced high impedance (5K Ohm) 1/4" jack when con-

necting the SR5 to consumer (-10) audio equipment. Wiring is as follows: tip hot, sleeve ground.

* If required, both the unbalanced and balanced outputs can be used simultaneously.

1234

Using the strain relief: Gather up a loop of wire and pass it through the strain relief,

then pass the adapter plug through the loop in order to create a knot.

ENGLISH

Guided Tour - ST5

1: Input connector - The input device is connected here. The ST5 is supplied with either a lava-

liere, headset microphone or heavy-duty instrument cable terminating with a 1/4" plug, which

are all connected to the transmitter via a locking 3.5mm mini-phone jack.

2: Battery level meter - This set of three multicolor LEDs indicates relative battery power, indi-

cating whether the installed battery is at low (red), mid (yellow) or high (green) strength. One or

more of these will light whenever the SR5 or ST5 is powered on (see #5 on the next page). When

all three are lit, the battery is at maximum strength. When only the red “low” indicator lights, RF

performance is degraded and the battery needs to be replaced.

3: Audio on-off switch - When set to the “on” position, audio signal is transmitted. When set

to the “off” position, the audio signal is muted. Because the carrier signal remains during mut-

ing, no “pop” or “thud” will be heard. Note that turning this off does not turn off the transmitter

power—it is simply a way to temporarily mute the transmission of audio signal. If you don’t

plan on using the transmitter for extended periods, turn off the transmitter power by using the

power on-off switch (see #5 on the next page).

4: Battery door release - Press gently inward on these two indents in order to open the battery

door of the ST5L or ST5 and access the Power on-off switch (see #5 on the next page) and Gain

control (see #6 on the next page).

5: Power on-off switch* - Use this to turn the ST5 on or off (to conserve battery power, be sure

to leave it off when not in use).

AUDIO ON

LOW MID HIGH

BATTERY LEVEL

ENGLISH

Guided Tour - ST5

6: Attenuation switch - The ST5 transmitter features a signal Attenuation switch that is used

to select the input level of “0dB” or “-15dB”. This Attenuation switch has been factory preset to

“0dB” providing the optimum level for most microphone and instrument input signals. If you are

using a microphone or instrument with a high output signal, first try to adjust the Gain control as

described in the following section. If you cannot attenuate the signal low enough using the Gain

control, use the supplied plastic screwdriver (see #9 below) to turn the rotary Attenuation switch

to the counter-clockwise position setting the ST5 to “-15dB” level.

7: Gain control (trimpot) - This input gain control has been factory preset to a nominal level so

we recommend that this be adjusted only if your signal is too high, or too low. If necessary, how-

ever, you can use the supplied plastic screwdriver (see #9 below) to raise or lower the ST5 Gain

control. See the “Setting Up and Using Your Stage 55 Series / Stage 5 Series System” section on

page 12 in this manual for more information.

8: Battery holder - Insert a standard 9-volt alkaline battery here, being sure to observe the

plus and minus polarity markings shown. We recommend the Duracell MN 1604 type battery.

Although rechargeable Ni-Cad batteries can be used, they do not supply adequate current for

more than four hours. WARNING: Do not insert the battery backwards; doing so can cause

severe damage to the ST5 and will void your warranty.

9: Plastic screwdriver - Specially designed for use in adjusting the ST5 Gain control (see #7

above) and/or receiver Squelch control (see #4 on pages 5 and 7). See the “Setting Up and Using

Your Stage 55 Series / Stage 5 Series System” section on page 12 in this manual for more informa-

tion.

* Be sure to mute the audio signal at your external mixer or amplifier before turning transmitter power

on or off, or an audible pop may result.

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