Sennheiser Evolution E 906 Bedienungsanleitung

906

Bedienungsanleitung

Instructions for use

Notice d‘emploi

Istruzioni per l‘uso

Instrucciones para el uso

Gebruiksaanwijzing

e906_94277A03_0405.book Seite 3 Dienstag, 20. September 2005 2:03 14

Bedienungsanleitung..............................................................3

Instructions for use...............................................................11

Notice d’emploi......................................................................19

Istruzioni per l’uso.................................................................27

Instrucciones para el uso......................................................35

Gebruiksaanwijzing...............................................................43

e906_94277A03_0405.book Seite 4 Dienstag, 20. September 2005 2:03 14

906

High-quality dynamic microphone with super-cardioid

pick-up pattern, ideal for miking guitar amps, percussion

instruments, snares and toms.

Its laterally mounted capsule has been specially

developed for miking guitars amps face on and and

extremely close to the signal source.

Theswitchablesoundcharacteristicshavebeenoptimally

adapted to the requirements of guitarists.

The super-cardioid pick-up pattern provides good

isolation from other on-stage signals.

Due to its flat design, the 906 is also very suitable for

use with drums, since it can easily be positioned in

cramped space conditions (e.g. below the cymbals).

Features

yVivid, powerful sound

ySound can be shaped as needed to fit all styles of

music

ySwitchable presence filter

yHumbucking coil protects against electromagnetic

interference

yShock-mounted capsule

yExtremely rugged for rough stage use

yGold-plated XLR connector

e906_94277A03_0405.book Seite 11 Dienstag, 20. September 2005 2:03 14

Delivery includes

y906 microphone

yMZQ 100 microphone clamp

yPouch

yInstructions for use

yWarranty Certificate

Adapting the sound characteristics

The 906 microphone features a switchable presence

filter which allows to adapt the sound characteristics to

the different sound requirements and styles.

The filter is adjusted via the slide switch on the

microphone. To move the slide switch to a different

position, use a pointed tool such as a small screwdriver.

The switch has three positions (see also the frequency

response curve):

Boosts the presence range, the mid frequency is

4.2 kHz, e.g. for aggressive metal rhythm guitars.

Normal position, e.g. for classic rock.

Attenuates the presence range, the mid frequency

is 4 kHz, e.g. for warm and smooth jazz and blues

sounds.

e906_94277A03_0405.book Seite 12 Dienstag, 20. September 2005 2:03 14

Pin assignment of XLR-3 connector

12 3

XLR 6,3 mm

12 3

XLR

6,3 mm

symmetrisch

XLR

balanced

e906_94277A03_0405.book Seite 13 Dienstag, 20. September 2005 2:03 14

Positioning the microphone

Loudspeaker of a guitar amplifier

Position Resulting sound Commentary

Many trebles,

aggressive sound Microphonedirected

towards the dome

of the loudspeaker.

Less trebles, more

lower mids,

smoother sound

Balanced, natural

sound

Good starting

position:

Microphonedirected

towards the middle

between dome and

surround of the

loudspeaker. If

necessary, turn the

microphone by

approx.30°towards

the surround.

Less trebles, more

lower mids,

smoother sound

Microphonedirected

towards the

surround of the

loudspeaker.

e906_94277A03_0405.book Seite 14 Dienstag, 20. September 2005 2:03 14

Drums

In order to prevent interference due to crosstalk between

adjacentsoundsources,trytopositionthemicrophoneso

that the interfering sound source is located in the angle

area of the highest cancellation of the microphone

(approx. 120°).

Position Resulting sound Commentary

More fundamental

tone,

little overtones

Position on the drum:

3–5 cm above the batter

head, directed towards

the center of the batter

head, the fundamental

tone to overtones ratio

can be adjusted via the

angle.Themostbalanced

results are obtained at

an angle of 30–60°.

Less fundamental

tone,

many overtones

e906_94277A03_0405.book Seite 15 Dienstag, 20. September 2005 2:03 14

Polar diagram

Frequency response curve

000

8000

6000

500

1000 H

- 7

500

000

5000

0000

Schalterstellun

- 4

, 1 m

)

Switch position

e906_94277A03_0405.book Seite 16 Dienstag, 20. September 2005 2:03 14

Accessories

The following accessories are available for the 906:

MZQ 100 microphone clamp (Cat. No. 02155)

Specifications

Transducer principle dynamic

Frequency response 40

−

18,000 Hz

Pick-up pattern super-cardioid

Sensitivity (free field, no load) 2.2mV/Pa(at1kHz)

Nominal impedance (at 1 kHz) 350 Ω

Min. terminating impedance 1 kΩ

Connector XLR-3

Weight 140 g

Dimensions in mm 55 x 34 x 134

e906_94277A03_0405.book Seite 17 Dienstag, 20. September 2005 2:03 14

Overview of microphone applications

Variant

Application

e901

e902

e904

e905

e906

e908B

e908B ew

e908D

e908T ew

e914

e935

e945

Vocals xx

Choir x

Studio, acoustic

instruments x x

Orchestra x

Trumpets,

Trombones xxx

Saxophone x x x

Acoustic guitar x

Acoustic bass x

Guitar amplifiers x

Bass amplifiers x

Leslie xxxx

Piano, grand piano x

Kick Drum xx

Snare Drum xxx x

Rack toms xxxx x

Floor toms xxxx x

Congas xxx x

Cymbals x

Percussion xxxx x x

Overhead x

e906_94277A03_0405.book Seite 18 Dienstag, 20. September 2005 2:03 14

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