Sequential Split-Eight Bedienungsanleitung

Announcing

The

Split-Eight,

Sequential^

New

8-Voice

Programmable

Synthesizer!

The

Split-Eight

fully

programmable

eight

voice

synthesizer

featuring

full

5-octave

keyboard

and

programmable

keyboard

split

for

$1,195.00

suggested

retail.

And

that's

just

the

beginning!

For

instance,

The

Split-Eight

offers

choice

four

keyboard

modes:

Single,

Unison,

Double

Split.

Single

Mode,

the

same

sound

played

across

the

length

the

five-octave

keyboard.

This

provides

the

user

with

eight

full

voices

for

traditional

polyphonic

playing.

Unison

mode

assigns

all

eight

voices

single

note,

creating

very

full,

bold

sound

ideal for

lead

synth

playing.

Double

mode

lets

the

user

layer

different

sounds

top

each

other.

this

way,

two

sounds

are

triggered

each

key

create

complex

sounds

utilizing

the

full

programming

capabilities

two

independent

oscillators,

filters,

and

VGA's

one

time.

The

exciting

Split

Mode

particularly

useful

performance,

because

lets

the

user

play

different

sounds

each

end

the

keyboard

(such

playing

bass

sound

with

the

left

hand

and

flute

with

the

right)!

The

split

point

can

programmed.

When

Split

Mode,

the

instrument

automatically

assigns

four

voices

each

side

the

split

point.

The

Split-Eight

also features

programmable

link

feature

which

lets

you

call

Split

Double

programs

simultaneously.

The

fully

programmable

Split-Eight

comes

with

pre

programmed

sounds,

including

variety

original

sounds

and

several

impressive

orchestral

and

keyboard

timbres.

All

sounds

can be

easily

modified

replaced

with

custom

sounds.

built-in

chorus

provides

programmable

on/off

chorusing.

The

Technical

Stuff

Each

the

instrument's

eight

voices

feature

multi-

waveform

VCO,

4-pole

lowpass

filter,

VCA,

two

ADSR

envelope

generators

and

LFO.

The

Split-Eight

comes

with

pre-programmed

sounds.

Creating

custom

sounds

easy!

There

graphic

matrix

which

allows

fast

selection

and

easy

editing

different

parameters.

LEDs

clearly

indicate

the

selected

program,

and

the

program

being

edited,

will

also

display

the

parameter

value.

The

back

panel

contains

individual

outputs

for

channels

and

along

with

1/4"

main

output

that

gives

you

the

chorus

mix.

Cassette

and

Out,

multi-purpose

footswitch,

and

MIDI

Input

and

Output

are

also

included.

Sequential

supports

the

Split-Eight

with

extensive

array

MIDI

functions.

Modes

and

(Omni

and

Poly)

are

available

along

with

the

ability

disengage

MIDI.

Each

side

split

program

may

assigned

separate

MIDI

channel. This

allows

the

user

control

other

MIDI

keyboards

independently

with

each

side

the

keyboard.

Through

MIDI,

the

Split-Eight

can

send

and

receive

program

change

information,

and

transfer

programs

and

from

second

Split-Eight.

Other

MIDI

features

include

the

ability

receive

and

send

pitch

bend

and

modulation

information.

SPLIT-EIGHT

SPECIFICATIONS

VOICES:

Split-Eight

eight-voice

polyphonic

synthesizer.

Each

voice

consists

of:

One

Voltage-Controlled

Oscillator:

Waveshapes

available

are

sawtooth,

triangle,

and

variable

pulse.

Timing:

9-octave

range.

One

Voltage-Controlled

Lowpass

Filter:

24dB/octave

slope.

One

Voltage-Controlled

Oscillator:

Waveshapes

available:

Square

wave,

Rate:

1-33

Hz.

Waveshapes

available:

Triangle,

Rate:

1-12.5

Hz.

IWo

Envelope

Generators

(filter,

amp):

Attack:

milliseconds

seconds.

Decay:

milliseconds

seconds.

Sustain:

Volts.

Release: 7

milliseconds

seconds.

PROGRAMMABILITT:

Parameters

are

available

for

programming.

KEYBOARD:

Five

octave

C).

Split

Keyboard

range:

octaves

(C2

C4).

Link,

Split,

Double.

CHORUS:

Programmable

On/Off.

OUTPUTS:

Audio

Output:

1/4"

phone

jack

(mix).

Separate

audio

outputs

for

and

voices

each).

Tape

Out:

For

saving

programs

cassette.

One

MIDI:

DIN.

INPUTS:

One

MIDI:

DIN.

Tape

In:

For

programs

from

cassette.

Footswitch

Jack:

1/4"

phone.

MIDI

IMPLEMENTATION:

(partial

list)

MIDI

Modes:

OMNI

Mode.

POLY

Mode

Separate

MIDI

channels

for

each

side

Split

Mode.

Channel

Assignment:

Channels

through

16.

Program

Select

Enable/Disable.

Wheel

Enable/Disable.

Program

Send/Receive:

Send

program.

Local

Off:

(for

Channel

Allows

separate

control

Channel

over

MIDI.

UNIQUE

FEATURES:

Delay:

when

unison,

the

triggering

half

the

voices

can

delayed

20,

40,

milliseconds.

Poly

Mode:

When

Double

Mode,

this

assigns

the

entire

audio

output

program

the

filter

input

program

(replacing

A's

oscillator).

3051

North

First

Street

San

Jose,

95134

Telex:

4997150

SEQC1R

Europe:

Sequential/Europe

P.O.

Box

16,

3640

Mijdrecht

The

Netherlands

Telex:

12721

SQNTL

OPERATION

MANUAL

PREPARATION

Table

Contents

PLAYING

Introduction

Tuning

Preset

Mode

Single

Mode

Link

Mode

Split

Mode

Double

Mode

Wheels

and

Footswitch

Programmable

Parameters

•3

PARAMETERS

Editing

and

Programming

Selecting

Parameters

Adjusting

Parameter

Values

Cancelling

Edits

Recording

Edited

Programs

Copying

Programs

Basic

Patch

Performance

Parameters

Glide

Chorus

Unison

Delay

Footswitch

Accent

Footswitch

Sub-program

Synthesizer

Parameters

Oscillator

Group

LFO

Group

Filter

Group

Amplifier

Group

CASSETTE

INTERFACE

Connections

Save

Verify

Load

MIDI

Connections

Keyboard

Channel

Local

Control

Disable

Channel

Selection

iii

MIDI

Disable

MIDI

Enable

MIDI

Expand

Mode

Select

Dump

Programs

Mode

Select

Enable/Disable

Program Changes

Enable/Disable

Wheel

Changes

Program

Dump

MIDI

Request

Tune

MIDI

Request

MIDI

Specification

Transmitted

Recognized

CM608A

PREPARATION

WARNING!

Switch

power

off to

all

equipment

use

before

connecting

disconnecting

anything.

Connect

audio

outputs.

For

monophonic

system,

use

MIX

OUTPUT.

This

signal

contains

both

the

and

channels,

plus

the

chorus.

Note:

The

built-in

chorus

only

available

this

output.

For

stereo

mixer-input

system,

use the

separate

and

OUTPUTS.

This

will

most

useful

when

the

keyboard

Split

Double

mode.

Split

mode,

Channel

comes

from

the

right

side

the

keyboard

and

Channel

comes

from

the

left.

Double

mode,

playing

anywhere

the

keyboard

plays

both

channels

simultaneously.

desired,

connect

optional

footswitch

CASS/FTSW

IN.

Use

Sequential

Model

839

equivalent

(momentary-type,

normally

open).

The

footswitch

control

functions

are

explained

below,

under

Performance

Parameters.

For

cassette

interface

connections

see

Cassette

Interface

section

(below).

For

MIDI

connections,

see

the

MIDI

section

(below).

CAUTION!

Before

proceeding,

check

that the

power

switch

set

OFF.

Connect

power

cable

properly-grounded

power

line.

Switch

power

on.

Normal

indications

are that

the

right

display

counts

from

"1"

"8",

indicating

which

voice

tuning

up.

When

this

ends,

Preset

lights,

and

program

automatically

selected.

you

not

obtain

these

visual

indications,

check

your

power

source

first,

then

the

fuse

(1/2A,

slo-blo).

CM608A

CAUTION!

prevent

loud pop,

when

switching

Split-Eight

power

off,

switch

off

amplifier

power

first.

Also,

protect

the

memory,

use

the

power

switch

the

back

the

Split-Eight

(rather

than

unplugging

it).

Adjust

Volume

and

CAUTION!

protect

ears

and

speakers,

before

playing,

reduce

both

Volume

and

minimum.

.Then

play

the

keyboard

and

increase

both

volumes

gradually.

Note:

The

volume

controls

are

also

used

balance

the

channels,

you

will

often

want

adjust

them

simultaneously.

(For

best

signal-to-noise

ratio,

raise

the

and

Volumes

while

lowering

the

amplifier

gain.)

Check

that

the

Pitch

wheel

centered.

Always

start

with

this

wheel

centered

its

"detent."

From

this

position

possible

bend

pitch

upwards

downwards

much

major

3rd.

Check

that

the

Mod

wheel

fully

down

(towards

you).

Start

with

minimum

modulation.

increase

modulation,

move

the

wheel

forward.

The

effect

this

depends

upon

the

selected

program.

10.

Center

Master

Tune.

adjust

needed

tune

the

Split-Eight

piano,

for

example.

CM608A

PLAYING

INTRODUCTION

this

point,

power

has

been

switched

and

the

wheels,

Master

Tune

and

Volume

knobs

have

been

positioned

correctly

(see

"PREPARATION11).

Only

the

Preset switch

on.

Basically,

playing

the

Split-Eight

matter

of:

Selecting

the

keyboard

mode:

Single,

Split,

Double.

Selectin!

the

desired

program

(Single

mode)

programs

(Split

3.°PUying°th^

keyboard

and

using

the

wheels

for

expression.

This

section

covers

these

activities.

The

Split-Eight

comes

pre-programmed

with 64

r*^*""*

Drofcrams.

These

represent

a wide

range

useful

instruments

and

Ks?The

sound

programs

stay

memory

even

when

power

switched

off.

After

familiarizing

yourself

with

the

Split-Eight

and

its

factory

mmmsTtry

creating

your

own

sound

programs

studying

the

PARAMETERS

section.

TUNING

Before

olavin*

however,

you

must

aware

that

the

Split-Eight

uses

££

oPs1^tors

which

drift

response

changing

temperature

sound

out

tune

for

little

while

warms-up™*W£

Einht

also

includes

automatic

tuning

system

which

retunes

the

osHllatofs

wnenThl

Split-Eight

not

being

played

(but

power

still

on!)

the

Split-Eight

tuning

voice while

you

want

play,

this

retunes:

Hold

down

Record

(which

will

blink)

and

press

the

OSC

Parameter

Group

switch.

This

starts

tuning

voices,

with

the

display

indicating

did

when

power

was

switched

on.

Note:

Tuning,

whether

automatic

manual,

does

not

alter-any

control or

paramfler

settings,

but

playing

with

other

instruments,

you

may

need

slightly

readjust

Master

Tune

the

Split-Eight

warms

up.

PRESET

MODE

When

the

Preset

switch

is lit,

the

number

the

display

that of the

current

soimd

program.

Program

selected

automat.cally

»wer-up?To

select

another

program,

enter

the

desired

number

usmg

the

PROGRAM

SELECT

switches

(1-8).

When

the

Preset

switch

off,

the

Split-Eight

Edit

mode.

Edit

mode

allows

you

reprogram

the

parameters

suit

your

taste.

(For

information

editing,

see the

PARAMETERS

section.)

SINGLE

MODE

When

the

Split

and

Double

LEDs

are

both

off,

the

Split-Eight

LINK

MODE

When

Link

off,

keyboard

mode

only

controlled

with

the

Split

and

Double

switches.

Channel

SPLIT

MODE

When

Split

on,

the four

Channel

voices

play

from

the

right side

keyboard

while

the

four

Channel

voices

play

from

the

left

the

the four

Channel

while

the

four

Channel

voices

play

mode

you

select the

same

program

number

for

both

channels,

this

essentially

the

same

Single

mode.)

within

the

second

and

third

octaves.

^iKStfK

control

pane.

will

blink),

and

press

the

key

which

the

lowest

key

the

right

side.

CM608A

CM60SA

Link

Channel

and

the

split

point

Channel

With

Split

on,

but

Link

off,

select the

desired

programs.

Set

the

split

point

above.

Switch

Link

on.

Switch

Record

on.

(This

will

clear

any

edits

currently

made

the

Channel

program,

and

Channel

was

selected,

will

also

switch

back

Channel

Any

edits

Channel

are

not

lost.)

Enter

two

digits

for

desired

destination

program

Channel

Record

mode

will

switch

off

automatically.

DOUBLE

MODE

When

Double

mode

on,

the

four

voices

each

Channels

and

play

parallel.

other

words

each

key

plays

one

voice

from

both

channels.

(Since

there

are

four

voices

per

channel,

you

can

play

maximum

four

keys.)

Double

mode

you

select

the

same

program

for

both

channels,

then

two

voices

with

the

same

sound

are

asigned

one

key.

This

thickens

the

sound

but

does

not

change

the

timbre.

link

specific

Channel

program

Channel

selections

With

Double

but

Link

off,

select

desired

programs.

Switch

Link

on.

Switch

Record

on.

(If

Channel

was

selected,

Channel

will

selected

automatically.)

Enter

two

digits

for

desired

destination

program

Channel

Record

goes

off.

WHEELS

AND

FOOTSWITCH

The

wheels

are

monophonic,

that

is,

they

affect

all

voices

the

same

degree.

The

effect

the

Pitch

wheel

always

the

same.

The

effect

the

Mod

(modulation)

wheel

depends

the

selected

program.

When

they

are

not

use,

sure

return

them

their

rest

positions.

Split

mode

useful

able

disable

the

effect

the

wheels

either

side.

switch

the

wheels

and

off:

Select

desired

channel.

Hold

down

Record,

and

press

the

LFO

Parameter

Group

switch.

The

effect

the

footswitch

programmed.

For

information,

continue

reading.

CM608A

PROGRAMMABLE

PARAMETERS

While

playing

with

the

factory

programs,

you

may

have

noticed

the

response

the

keyboard,

wheels,

and

footswitch

changing.

This

because

selecting

program

you

indirectly

control

over

thirty

parameters

which

define

the

performance

controls

well

the

sound

produced

the

synthesizer

voices.

For example,

you

may

have

noticed

that

some

programs

assign

all

vojces

the

lowest

key

played.

This

the

Unison

parameter.

Also,

the

glide

parameter

determines

whether

the

keyboard

plays

discrete

pitches

slews

the

notes.

The

program,

may

not

cause

the

footswitch

provide

accent,

temporarily

change

"sub

program.*1

The

program

may

switch

the

chorus,

Poly-Mod

(which

cuts-off

the

Channel

audio

output).

All

the

programmable

parameters

are

explained

the

section.

CM608A

PARAMETERS

EDITING

AND

PROGRAMMING

Note:

Before

editing

programs

may

good

idea

save

the

factory

programs

using

the

cassette

interface.

adjust

(edit)

program

parameters,

first

switch

Preset

off.

(If

Link

was

on,

will

also

switch

off.)

Selecting

Parameters

There

are

program

parameters

arranged

k x

matrix.

(Selection

032

the

MIDI

Channel,

and

one

location

unused.)

either

order,

select

the

row

using

the

Parameter

Group

switches,

and

select

the

column

using

the

PROGRAM

SELECT

switches.

For

example,

the

FILTER

Parameter

Group

switch

lit

and

PROGRAM

SELECT

lit,

then

the

Filter

Decay

parameter

selected.

Adjusting

Parameter

Values

When

Preset

off,

the

number

the

display

the

value

the

parameter

which

currently

selected

(by

the

parameter

matrix

switches).

adjust the

parameter

value,

turn

the

Parameter

Value

knob.

Note:

The

Filter

Cutoff

parameter

ranges

127,

but

the

display

only

shows

two

digits.

Therefore

when

adjusting

this

parameter

above

(100

127),

the

not

displayed.

Cancelling

Edits:

. .

cancel

all

edit

changes

and

restore the

original

program,

switch

Preset

and

re-select

the

program.

Recording

Edited

Programs

After

editing

a program

desired,

Switch

Preset

on.

Switch

Record

on.

blinks.

Enter

two

digits

for

the

desired

program

destination.

The

control

panel

stops

blinking,

'indicating

recording

completed.

Note:

you

made

error

with your

first

digit

entry,

you

can

switch

Record

off

abort.

But

when

you

press

the

second

digit,

the

edited

program

recorded

that location (and

erases

the

program).

CM60SA

Copying

Programs

copy

program,

select

the

desired

program,

switch

Record

on,

then

select the

desired

destination.

starting

point

for

creating

new

sounds

it is

often

helpful

clear

all

program

parameters

the

minimum

required

produce

tone.

This

can

done

easily

holding

down

Record

and

pressing

PROGRAM

SELECT

This

sets

all

parameters

00,

except

follows:

Coarse:

Sawtooth

wave:

(on)

Cutoff:

127

KBD

Track:

(full)

Amp

Sustain:

Voice

Volume:

desired,

this

basic

patch

can

recorded

program

from

which

many

editing*departures

can

made.

PERFORMANCE

PARAMETERS

Glide

Sy£2!l?!fc«

the

Keyboard.

the

glide

value

increases

the

voices

not

step

instantly

between

pitches,

nstead,

they

begm

slew.

The

effect

can

made

subtle

quite

extreme.

When

Unison

off,

polyphonic

glide

results,

which

not

easy

preset,

but

can

make

interesting

effect.

Chorus

^SSSfi^U^

rate

and

depth.

programmed

off

Split

Double

modes, and

one

channel

programs

the

chorus

on,

this

will

overide

the

other

channel

programming

off.

Unison

^X™«~<

that

some

factory

programs

only

allow

you

olav

one

note

time.

This

because

the

Unison

parameter

programmed

on?

When

Unison

on,

all

eight

voices

(or

four

vo.ces

uTspTlt

Double

modes),

are played

only

the

lowest

key.

Thw

monophonic,

rather

than

polyphonic,

voice

ass.gnment

used

produce a

richer

sound.

addition,

Unison

on,

the

keyboard

changes

from

m"»tiple-

tri«er

single-trigger

mode.

this

mode

the

"envelope"

wh.ch

sha%s

each

note

not

necessarily

triggered

with

each

new

keystroke

CM608A

(as

they

are

multiple-trigger

mode).

Instead,

the

envelope

triggered

only

when

all

keys

have

been

completely

released.

This

allows

you

selectively

accent

notes

touch.

Delay

Range:00-03

00s

off

millisecond

delay

02s

03s

When

Unison

on,

use

this

for

interesting

flange,

doubling,

echo

effect.

Footswitch

Accent

This

parameter

allows

the

footswitch

temporarily

change

the

setting

one

the

following

parameters:

Glide

Filter

Cutoff

Filter

Amount

Filter

Attack

Voice

Volume

Amplifier

Decay

Amplifier

Release

program

the

footswitch:

Switch

Preset

off.

Hold

down

Record

and

press

PROGRAM

SELECT

The

control

panel

blinks,

and

the

Glide

parameter

selected.

select

other

parameters,

press

the

footswitch.

When

the

desired

accent

parameter

has

been

selected,

press

Record

again.

(It

stops

blinking.)

While

holding.the

footswitch,

adjust

the

Value

knob

for

the

desired

accent

tone

effect.

When

you

release

the

footswitch,

the

displayed

parameter

returns

its

original

programmed

value.

Switch

Preset

on.

Switch

Record

on.

blinks.

Enter

the

desired

two-digit

program

number.

Pressing

the

footswitch

temporarily

selects

the

accent

parameter

value.

Footswitch

Sub-program

the

accent

feature

not

used

desired,

you can

program

the

footswitch

temporarily

switch

new

program:

Switch

Preset

on.

Hold

down

Record

and

press

PROGRAM

SELECT

(Blinking

starts.)

Enter

two

digits

for

sub-program

number.

(Blinking

stops.)

Press

the

footswitch.

Pressing

the

footswitch

alternately

selects

the

main

program

and

the

subprogram.

CM608A

SYNTHESIZER

PARAMETERS

This

section

describes

the

Split-Eight's

programmable

voice

parameters.

The

Split-Eight

actually

contains

eight

synthesizers,

termed

"voices."

Figure

diagrams

one

these

voices

very

general

level.

The

Split-Eight

fits

into

the

tradition

voltage-controlled

analog

synthesizers.

understand

these

instruments

has

proven

useful

identify

three

basic

functions:

controllers,

audio

sources,

and

modifiers

(filters

and

amplifiers).

Each

voice

contains

several

each

type

function.

Basically,

controllers

provide

the

control

voltages

(CVs)

which

determine

the

pitch

the

audio

sources, or

the

filtering

attenuation

effects

the

modifiers.

Controllers

can

mechanical

devices

such

keyboards

and

wheels.

For example,

the

from

the

keyboard

the

oscillator

(audio

source)

increased,

the

oscillator

frequency

increases.

controllers

can

electronic,

such

the

LFO

the

two

envelope

generators.

For

example,

rapidly-decreasing

from

envelope

generator

sweeps

down

the

filter

cutoff

frequency,

imparts

"pluck"

the

voice.

Other

controllers

include

The

MASTER

TUNE

knob

and

PITCH

wheel,

which

effect

provide

two

CVs

which

control

all

the

oscillators.

There

are

two

audio

sources:

the

oscillator,

and

the

filter,

it is

adjusted

for

self-resonance.

The

mixer,

filter

(when

not

self-resonance),

and

amplifier

are

modifiers.

detailed

examination

the

voice

parameters

follows.

CM608A

in io lj

dog

Figure

VOICE

BLOCK DIAGRAM

CM60SA

OSCILLATOR

The

oscillator

audio-frequency

source

always

under

control

COARSE

and

FINE

FREQUENCY,

the

keyboard,

PITCH

wheel,

and

MASTER

TUNE.

Oscillator

frequency

can

modulated

the

LFO

and

the

envelope

generator.

PULSE-WIDTH

(PW)

can

also

modulated

the

LFO.

waveshape

parameter

on,

the

oscillator

will

have

audio

output.

two

three

waveshapes

are

on,

they

are

mixed

full

level

and

supplied

the

oscillator's

output

the

MIXER.

COARSE

FREQUENCY

Value

Range:

00-48

00s

lowest

octave

12=

one

octave up

24=

two

octaves

(middle

36=

three

octaves

48=

four

octaves

Adjusts

oscillator'pitch

semitones,

over

four-octave

range.

this

added

the

four-octave

keyboard,

for

total

range

eight

octaves.

Note

that

keep

programs

tune,

this

parameter

should

normally

adjusted

the

octaves

(00, 12,

24...).

Exact

oscillator-

pitch

should

fine-toned

with

MASTER

TUNE,

with

FINE

at a value

FINE

FREQUENCY

Value

Range:

00-31

32=

one

semitone

Normally

this

parameter

set

while

oscillator

pitch

adjusted

with

MASTER

TUNE.

This

parameter

adjusts

oscillator

frequency

just less

than

semitone.

This

allows

detuning

the

oscillator,

usually

for

use

only

Double

mode.

SAWTOOTH

WAVE

Value

Range:

00/01

00=

Off

01=

Enables

full-level

waveshape

containing

all

harmonics.

This

basic

shape

often

described

"brassy."

CM608A

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