Sequential TAKE 5 Bedienungsanleitung

COMPACT 5-VOICE POLY SYNTH

User’s Guide

Version 1.0

August, 2021

Sequential LLC

1527 Stockton Street, 3rd Floor

San Francisco, CA 94133

USA

www.sequential.com

Tested to Comply

With FCC Standards

CLASS B

This device complies with Part 15 of the FCC Rules. Operation is subject to the

following two conditions: (1) This device may not cause harmful interference and

(2) this device must accept any interference received, including interference that

may cause undesired operation.

This Class B digital apparatus meets all requirements of the Canadian Interference-

Causing Equipment Regulations.

Cet appareil numerique de la classe B respecte toutes les exigences du Reglement sur

le materiel brouilleur du Canada.

For pluggable equipment, the socket-outlet must be installed near the equipment and must

be easily accessible.

For Technical Support, email: [email protected]

This device is to be serviced by a Sequential-qualied technician only. Service technician

must exercise due caution when opening the device to avoid electric shock and the device

being unsecured when open.

CALIFORNIA PROP 65 WARNING

This product may expose you to chemicals including BPA, which is known to the State of

California to cause cancer and birth defects or other reproductive harm. Though inde-

pendent laboratory testing has certied that our products are several orders of magnitude

below safe limits, it is our responsibility to alert you to this fact and direct you to:

https://www.p65warnings.ca.gov for more information.

Take 5 User’s Guide

THE SEQUENTIAL CREW

Art Arellano, Gerry Bassermann, Gus Callahan, Fabien Cesari, Bob Coover, Carson Day,

David Gibbons, Chris Hector, Tony Karavidas, Mark Kono, Justin Labrecque, Andy Lambert,

Michelle Marshall, Andrew McGowan, Joanne McGowan, Julio Ortiz, Denise Smith, Brian Tester,

Tracy Wadley, Gabby Wen, and Mark Wilcox

THE TAKE 5 SOUND DESIGN TEAM

Drew Neumann, Francis Preve, Gil Assayas (GLASYS), Huston Singletary, James Terris,

Julian Pollack (J3PO), Kurt Kurasaki, Matia Simovich, Paul Schilling, Peter Dyer, Robert Rich.

Special thanks to Robert Rich for the alternative tunings.

vi A Few Words of Thanks

Sequential

A Few Words of Thanks

Thank you for purchasing the Take 5. Our goal with this awesome little synth was

to give you a very compact, very powerful instrument that you could take pretty

much anywhere and sound great. Whether it’s your rst synth, your gigging

synth, or just the right synth to t your studio space, we think you’re going to

love it. Yes, it’s compact, but it’s pure Sequential and it sounds huge.

So hook it up, turn it up, and start making music!

Cheers,

vii

Take 5 User’s Guide

A Few Words of Thanks

Table of Contents

A Few Words of Thanks .................................vi

Chapter 1: Getting Started................................ 1

Rear Panel Connections .......................................2

Setting Up the Take 5..........................................3

Tune the Oscillators and Filters ................................3

Listen to the Factory Sounds ..................................4

Using the Main Display.......................................5

Editing Programs ...........................................6

Creating a Program from Scratch...............................6

Saving a Program...........................................6

Canceling Save. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7

Live Panel Mode............................................7

Using Low Split.............................................7

Exploring the Take 5 in More Depth ...............................9

Chapter 2: Take 5 Controls .............................. 10

Global Settings..............................................10

Oscillators................................................16

Oscillator Parameters .......................................18

Additional Oscillator Parameters (Program Menu) .................19

Mixer Parameters .........................................20

Filter ......................................................21

Filter Parameters ..........................................22

Additional Filter Parameters (Program Menu) ....................22

Envelopes. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23

About the Filter Envelope......................................24

Envelope Parameters ......................................26

Additional Envelope Parameters (Program Menu) .................27

About the Amp Envelope ......................................27

Auxiliary Envelope ...........................................29

Low Frequency Oscillators.....................................30

Global LFO Versus Per-Voice LFO.............................31

LFO Parameters ..........................................32

Additional LFO Parameters (Program Menu) .....................33

Modulation .................................................34

Modulation Examples .......................................36

viii A Few Words of Thanks

Sequential

Unison ....................................................38

Using Chord Memory .......................................39

Effects ....................................................40

Vintage Knob ...............................................42

Overdrive ..................................................43

Arpeggiator.................................................43

Arpeggiator “Momentary Sustain” Mode.........................45

MIDI Note Output from the Arpeggiator .........................46

Arpeggiator Parameters .....................................47

Clock Parameters ....................................48

Sequencer .................................................48

Master Volume/Program Volume ................................50

Transpose .................................................51

Hold ......................................................51

Glide......................................................52

Glide Modes ..............................................52

Pitch and Mod Wheels ........................................54

Pitch Wheel. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 54

Modulation Wheel..........................................55

Adding Aftertouch............................................56

Chapter 3: Creating Sounds.....................................58

Synthesis 101: Synth Bass. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 58

Creating Synth Brass .........................................61

Turning Synth Brass into a String Pad ..........................63

Creating a Hard-Sync Lead ....................................65

A Final Word................................................67

Appendix A:

Modulation Sources .................................... 68

Appendix B:

Modulation Destinations ................................ 69

Appendix C: Troubleshooting and Support ................. 71

Troubleshooting .............................................71

Resetting the Global Parameters ................................73

Contacting Technical Support...................................73

Warranty Repair .............................................74

Take 5 User’s Guide

A Few Words of Thanks

Appendix D: Calibrating the Take 5 ....................... 75

Calibrating the VCOs and Filters ................................75

Calibrating the Pitch and Mod Wheels ............................75

Resetting the Global Parameters ................................75

Importing Programs and Banks .................................77

Appendix F: Alternative Tunings.......................... 78

Take 5 User’s Guide

Chapter 1: Getting Started

The Take 5 is a compact and powerful 5-voice poly synth. It combines

the warmth and punch of two analog, voltage-controlled oscillators and a

Prophet-5 Rev4-lineage analog lter with an array of digital effects and

a host of modulation capabilities. The result is a classic, warm, organic-

sounding subtractive synth with a modern voice.

This chapter of your user’s guide provides an overview of essential tasks

such as how to make basic audio connections and how to edit and save

sounds. Later chapters explain each of the parameters of the Take 5,

as well as how to program sounds and how to use the global menu to

manage its overall behavior.

We’ve designed the Take 5 to be as easy to use as possible. Its essential

controls are within easy reach on its front panel, so don’t hesitate to dive

in and start turning knobs and pressing buttons. Then, when you’re ready,

dig into this user’s guide to explore the deeper parts of the synth.

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