Shure Unisphere I PE566 Bedienungsanleitung

MODEL PE566

UNISPHEREB I

Your selection of a Shure UNISPHERE~Cardioid Micro-

phone will contribute significantly to the professional

quality of your performance. This ball-type microphone

has a wire-mesh screen with a special filter which provides

protection from wind, blast and "pop" (explosive breath

sounds). This feature allows you to work as close to the

microphone

you wish, either indoors or out-of-doors.

Another feature of your unidirectional microphone is

that it effectively controls feedback (that very annoying

loudspeaker "squeal") because it picks up sound only from

the front of the microphone. Unwanted audience noise or

other noises occurring at the rear of the microphone are

eliminated or suppressed. This allows you to work at sig-

nificantly greater distances from your microphone than

with non-directional (omnidirectional) microphones, with-

out picking up objectionable background sound or feedback.

(See inside for information on how to use your

Shure Microphone more effectively.)

HOW TO CONTROL FEEDBACK

A performer's number one enemy in using a microphone is

"feedback." This is a harsh hum, howl or squeal which oc-

curs when the microphone picks up sound from the

loudspeakers, re-amplifies and rebroadcasts it over and

over again.

The key factor in the prevention of feedback is the posi-

tion of the loudspeakers in relation to the microphone.

Feedback occurs if the microphone picks up sound coming

from the loudspeakers. Keep the loudspeakers as far to the

sides as possible-so they do not point toward the micro-

phone. Always keep the microphone pointed toward the

performer and away from the loudspeakers. When stage

monitor loudspeakers are used, make sure they are posi-

tioned in front of the performers and face the rear of the

microphone.

If you are in a room with hard walls, floor, and ceiling,

the sound from the loudspeakers may bounce back into the

microphone and create feedback. Solve this problem by

turning down the amplifier volume control and working

closer to the microphone.

(Important Note: If you cannot solve the feedback prob-

lem with your

UNISPHEREQ

I microphone, a Shure

Feedback Controller is suggested.)

BASIC POINTS FOR PROFESSIONAL

MICROPHONE TECHNIQUE

Proper microphone technique will add to the overall ef-

fectiveness with which you project yourself to your

audience. Keep the following points in mind when using

the microphone:

Maintain the proper distance from the microphone.

When you wish to achieve an intimate tonal quality,

get closer to the microphone and lower your voice. For

wide-open "driving" effects, raise your voice and back

away from the microphone so that you do not over-

drive your amplifier to distortion.

Don't change your distance from the microphone

needlessly, as this will affect the level of sound coming

from the loudspeakers.

Consider the microphone as an instrument and prac-

tice your technique to enhance your performance.

YOUR SHURE MICROPHONE IS BUILT TO LAST!

Your Shure Microphone is ruggedly built and should give

you years of uninterrupted service; however, remember

that it is a sensitive instrunlent. Avoid dropping the micro-

phone, or subjecting it to unnecessarily rough treatment.

Normal usage, of course. will not impair performance of

the unit. Use the protective carrying case to prevent dam-

age not only when traveling, but also when storing the

n~icrophone.

MICROPHONE CHECK-LIST

Check microphone impedance-is it correct for the

amplifier input being used?

Check nlicrophone cable connectors to nlicrophone,

mixer and amplifier-are they tightly plugged in?

Check microphone, amplifier and/or mixer.

Are they turned

on?

b. Are volume controls turned up?

IF THE MICROPHONE DOES NOT WORK

Check the above list. If the nlicrophone then does not

appear to be operating, check it on a spare cable.

the

microphone still does not appear to be operating, have the

microphone and cable checked by your Shure Professional

Entertainer Products Dealer, or write Service Department.

Shure Brothers Inc.

PHASING

To test two microphones and/or their cables for proper

phasing, connect them to an amplifier and talk or sing into

them while holding them three or four inches apart. The

sound from the speakers should be the same when talking

into either microphone or directly between them if they

are in phase with each other. If the sound drops drastically,

or if a dead spot is found when talking between the two

microphones, one of them or its cable (low impedance

only) is out of phase. All cables and microphones should

be tested in this manner to insure that they are in phase

with each other.

To change the phase of a balanced-line microphone cable,

either use a Shure

SPR Phase Reverser or interchange

the wires connected to pins 2 and

of the connector. To

change the phase of a microphone, the microphone car-

tridge leads must be interchanged (see Figure 2). This

should be performed by your dealer, the Shure Factory

Service Department, or other qualified service personnel.

IMPEDANCE

Your microphone as supplied is wired for high impedance

for connection to high-impedance microphone inputs. To

change the impedance to low for connection to low-

impedance microphone inputs (rated at

300

ohms);

put the switch in the

"0"

(Off) position: remove the

screw that is below the

"L"

and insert it below the

"H".

The switch will now turn only to

"L"

(low impedance) or

"0".

NOTE: After following the above directions, the PE566

with the supplied C5-C cable will be suitable for direct

connection to low-impedance inputs using phone jacks.

For direct connection to low-impedance inputs using

three-pin professional audio connectors, replace the sup-

plied cable with the CSlCN: 7.6m

(25

ft) two-conductor

shielded cable with three-pin professional audio connectors

(male and female).

USING MORE THAN ONE MICROPHONE

is often desirable for a group to use a separate micro-

phone for each individual performer. In this case, the

following points should be remembered:

It is best if the microphones are individually controlled

for volume through a separate Shure microphone

mixer.

this is not possible, it is desirable that each

performer use the sarne type and rnodel

microphone

so that the group as a whole wjil1

"halanced."

Check the placement of the microphones with relation

to loudspeakers (as previously mentioned) so that

feedback is minimized.

As additional microphones are added the possibility of

feedback increases. Turn off, or down, unused micro-

phones to help solve this problem.

SHURE FEEDBACK CONTROLLER

Lets you "tune" your sound system to the acoustics of the

room. The result is more overall sound power

without

feedback. Eight linear-motion filter controls are infinitely

variable from

dB cut. Below

and Above

kHz roll-off switches attenuate low and high frequencies.

Can be installed between mixer or console and amplifier

for total system control, or following each microphone as

a single-channel preamplifier with feedback control.

THE VITAL LINK

BETWEEN

YOU

AND

THE AUDIENCE

SHURE PROFESSIONAL ENTERTAINER

MICROPHONES

MODEL PE566

Type:

Frequency

Response:

Impedance:

Output Level

(at 1.000 Hz):

Phasing:

Switch:

SPECIFICATIONS

Dynamic. Cardioid (Unidirectional)

40 to 15,000 Hz (see Figure 1)

=.Go

-80

1400

*"smm

*"TZ

FIGURE

Dual. High: Microphone impedance is "High" for connec-

tion to high-impedance microphone inputs.

Low: Microphone rating impedance is 150 ohms (270 ohms

actual) for connection to microphone inputs rated at 19 to

300 ohms. Wired for high impedance as supplied (see Page 4.)

IMPEDANCE

High Low

Open Circuit Voltage'

..........

-54.5 dB -77.0 dB

(1.88 mV) (.I41 mV)

Power Level*'

.................

-57.5 dB

*O dB

volt per microbar

*'0 dB

1 milliwatt per 10 microbars

Positlve pressure on diaphragm produces positive voltage on

Pln 2 in both low and high impedance (see Figure

and

Page 4.)

PROFESSIONAL

PHONE

CeRTR1OGE

TRnNSFORMER

SWITCH

THREE-PIN

AUDIO

CABLE

PLUG

CCNNECTORS

FIGURE

Built-in Impedance-Off switch (see Page 4.) If a sw~tchis

not required, remove the top and bottom screws that hold

the switch plate in place, and replace it with the supplied

cover plate.

GUARANTEE

This Shure product is guaranteed in normal use to be free from electrical and

mechanical defects for a period of one year from date of purchase. Please re-

rain proof of purchase date. This guarantee includes all parts and labor. Thls

guarantee is in lieu of any and all other guarantees or warranties, express or

implied, and there shall be no recovery for any consequent~al or incidental

damages.

SHIPPING INSTRUCTIONS

Carefully repack the unit and return it prepaid to:

Shure Brothers Incorporated

Attention: Service Department

1501 West Shure Drive

Arlington Heights, Illinois 60004

If outside the United States, return the unit to your dealer or Authorized Shure

Service Center lor repair. The unit will be returned to you prepaid.

MODEL PE566 SPECIFICATIONS

(Continued)

Connector: Equipped with professional three-pin audio connector (male)

designed lo mate with furnished cable or Cannon

series,

Switchcraft A3

(Q.G.)

series, or equivalent connector.

Cartridge Shock

Mount: Internal rubber

vibration-isolator

Swivel and Shock

Mount Assembly: Adjustable from vertical to horizontal, with internal rubber

vibration-isolator, to fit

Ys"-27

stand thread

Cable: 6.lm (20 ft) two-conductor shielded, detachable, with profes-

sional three-pin audio connector (female) and standard

1/4

in. phone plug

Net Weight: 567 grams (1 Ib, 4 oz) less cabie

PackagedWeight: 1.79 kflograms

Ib. 15 oz)

FURNISHED ACCESSORIES

Carrying Case: 90D1404

Switch Cover

Plate: 90H1316

OPTIONAL ACCESSORIES

Desk Stand: Models S33B. S37A, S39A

Disconnect

Adapter: Model A45

Line Matching

Transformer: Model A95 Series

Windscreen: Model A61WS Series

REPLACEMENT PARTS

Cartridge: R65

Cable: C5-C

Grille Assembly: 90B1235

Plug Element: 65A67

AREA CODE 312/866-2200 CABLE SHUREMICRO

-44

SHURE BROTHERS

INC.

222

HARTREY AVENUE

EVANSTON, ILLINOIS 60204

U.S.A.

Shure Brothers Inc. U.S. Patents 3,132,713

27A433

(QJ)

and 3,240.883

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