Shure UNISPHERE PE585V Bedienungsanleitung

MODEL PE585V

UNISPHEREE

Your selection of a Shure UNISPHERE~Microphone will

contribute significantly to the professional quality of your

performance. This rugged unidirectional microphone effec-

tively controls feedback (that very annoying loudspeaker

"squeal") because it picks up sound only from the front

of the microphone. Unwanted audience noise or other

noises occurring at the rear of the microphone are elim-

inated or suppressed. This allows you to work at signif-

icantly greater distances from your microphone than with

non-directional (omnidirectional) microphones, without

picking up objectionable background sound or feedback.

The built-in volume control on the microphone permits

the user to change the loudness of the

P.A.

system at the

microphone location. With the control on the microphone

partially turned down (turn knob counterclockwise so that

dot on knob is at

o'clock position), the basic overall loud-

ness of the

P.A.

system can be adjusted by the main volume

control at the amplifier location-then the user can adjust

the volume up or down at the microphone position. Maxi-

mum volume occurs when the dot on the knob is adjacent

to the dot on the microphone

(12

o'clock position). In

many instances, minimum setting of the volume control

will reduce volume sufficiently so that the volume control

can be used

an On-Off switch.

HOW TO CONTROL FEEDBACK

A performer's number one enemy in using a microphone is

"feedback." This is a harsh hum, howl or squeal which oc-

curs when the microphone picks up sound from the

loudspeakers, re-amplifies and rebroadcasts it over and

over again.

The key factor in the prevention of feedback is the posi-

tion of the loudspeakers in relation to the microphone.

Feedback occurs if the microphone picks up sound coming

from the loudspeakers. Keep the loudspeakers as far to the

sides as possible-so they do not point toward the micro-

phone. Always keep the microphone pointed toward the

performer and away from the loudspeakers. When stage

monitor loudspeakers are used, make sure they are posi-

tioned in front of the performers and face the rear of the

microphone.

If you are in a room with hard walls, floor, and ceiling,

the sound from the loudspeakers may bounce back into the

microphone and create feedback. Solve this problem by

turning down the amplifier volume control and working

closer to the microphone.

(Important Note: 1f you cannot solve the feedback prob-

lem with your

UNISPHERE~

A microphone, a Shure

Feedback Controller is suggested.)

BASIC POINTS FOR PROFESSIONAL

MICROPHONE TECHNIQUE

Proper microphone technique will add to the overall ef-

fectiveness with which you project yourself to your

audience. Keep the following points in mind when using

the microphone:

Maintain the proper distance from the microphone.

When you wish to achieve an intimate tonal quality,

get closer to the microphone and lower your voice. For

wide-open "driving" effects, raise your voice and back

away from the microphone so that you do not over-

drive your amplifier to distortion.

Don't change your distance from the microphone

needlessly,

this will affect the level of sound coming

from the loudspeakers.

Consider the microphone as an instrument and prac-

tice your technique to enhance your performance.

YOUR SHURE MICROPHONE IS BUILT TO LAST!

Your Shure Microphone is ruggedly built and should give

you years of uninterrupted service; however, remember

that it is a sensitive instrunlent. Avoid dropping the micro-

phone, or subjecting it to unnecessarily rough treatment.

Normal usage, of course. will not impair performance of

the unit. Use the protective carrying case to prevent dam-

age not only when traveling, but also when storing the

n~icrophone.

MICROPHONE CHECK-LIST

Check microphone impedance-is it correct for the

amplifier input being used?

Check nlicrophone cable connectors to nlicrophone,

mixer and amplifier-are they tightly plugged in?

Check microphone, amplifier and/or mixer.

Are they turned

on?

b. Are volume controls turned up?

IF THE MICROPHONE DOES NOT WORK

Check the above list. If the nlicrophone then does not

appear to be operating, check it on a spare cable.

the

microphone still does not appear to be operating, have the

microphone and cable checked by your Shure Professional

Entertainer Products Dealer, or write Service Department.

Shure Brothers Inc.

PHASING

To test two microphones and/or their cables for proper

phasing, connect them to an amplifier and talk or sing into

them while holding them three or four inches apart. The

sound from the speakers should be the same when talking

into either microphone or directly between them if they

are in phase with each other. If the sound drops drastically,

or if a dead spot is found when talking between the two

microphones, they are out of phase. All cables and micro-

phones should be tested in this manner to insure that they

are in phase with each other.

To change the phase of a microphone, the microphone

cartridge leads must be interchanged (see Figure 2). This

should be performed by your dealer, the Shure Factory

Service Department, or other qualified service personnel.

IMPEDANCE

Your Model PE585V is a high-impedance microphone.

cable lengths over

7.6

meters (25 feet) are required, or

if the microphone is to be connected to a low-impedance

input, it will be necessary to transform the microphone

line to low impedance. Shure Model A95 Series Line

Matching Transformers are available for use in those cases.

These transformers provide a proper impedance match

between a high-impedance microphone line and a low-

impedance input and are supplied with various input and

output connectors.

USING MORE THAN ONE MICROPHONE

is often desirable for a group to use a separate micro-

phone for each individual performer. In this case, the

following points should be remembered:

It is best if the microphones are individually controlled

for volume through a separate Shure microphone

mixer.

this is not possible, it is desirable that each

performer use the sarne type and rnodel

microphone

so that the group as a whole wjil1

"halanced."

Check the placement of the microphones with relation

to loudspeakers (as previously mentioned) so that

feedback is minimized.

As additional microphones are added the possibility of

feedback increases. Turn off, or down, unused micro-

phones to help solve this problem.

SHURE FEEDBACK CONTROLLER

Lets you "tune" your sound system to the acoustics of the

room. The result is more overall sound power

without

feedback. Eight linear-motion filter controls are infinitely

variable from

dB cut. Below

and Above

kHz roll-off switches attenuate low and high frequencies.

Can be installed between mixer or console and amplifier

for total system control, or following each microphone as

a single-channel preamplifier with feedback control.

THE VITAL LINK

BETWEEN

YOU

AND

THE AUDIENCE

SHURE PROFESSIONAL ENTERTAINER

MICROPHONES

MODEL

PE585V

SPECIFICATIONS

Type:

Frequency

Response:

Impedance:

Output Level

(at 1.000 Hz):

Phasing:

Volume Control:

Connector:

Dynamic. Cardioid (Unidirectional)

50 to 13,000 Hz (see Figure 1)

120

-10

-20

Y)m

rmo

FllEPLI;.

FIGURE

Microphone impedance is "High" for connection to high-

impedance inputs.

Open Circuit Voltage

.-61.0

(.a9

mV)

(0 dB

1 volt per microbar)

Positive pressure produces positive voltage on TIP of phone

plug (see Figure

and Page

4).

CARTRIDGE

TRANSFORMER

VOLUME

AMPUENOL

TYPE

CABLE

1/4

CONTROL

CONNECTORS

PHONE

\E'kYNAL

MclF

nu0

MClM

WHT

YEL

- -

FIGURE

Built-in volume control to control amplifier output at micro-

phone position

Equipped with Amphenol type MClM connector to mate with

furnished cable

GUARANTEE

This Shure product is guaranteed in normal use to be free from electrical and

mechanical defects for a period of one year from date of purchase. Please re-

rain proof of purchase date. This guarantee includes all parts and labor. Thls

guarantee is in lieu of any and all other guarantees or

warranties,

express or

impl~ed,and there shall be no recovery for any consequential or incidental

damages.

SHIPPING INSTRUCTIONS

Carefully repack the unit and return it prepaid to:

Shure Brothers Incorporated

Attention: Service Department

1501 West Shure Drive

Arlington Heights, Illinois 60004

If outside the United States, return the unit to your dealer or Authorized Shure

Service Center lor repair. The unit will be returned to you prepa~d

MODEL PE585V SPECIFICATIONS (Continued)

Shock Mount: Internal rubber vibration-isolator

Case: Chrome-plated die casting with steel mesh grille

Cable: 6.lm (20 ft) single-conductor shielded cable, equipped with

Amphenol type MClF type connector on microphone end and

in. phone plug on equipment end

Swivel Adapter: Positive action, adjustable through 90" from vertical to hori-

zontal, permits easy removal for handheld use, suitable for

mounttng on stand with 5/s"-27 thread

Net Weight: 383 grams (13% oz)

PackagedWeight: 1.16 kilograms (2 Ib, 9 oz)

FURNISHED ACCESSORIES

Swivel Adapter: A25B

Carrying Case: 90A1413

OPTIONAL ACCESSORIES

Desk Stand: S33B, S37A, S38B, S39A, S40A

Disconnect

Adapter: A45

Line Matching

Transformer: A95 Series

Windscreen: A61WS

REPLACEMENT PARTS

Cartridge: R85

Cable: C5-1

Screen and

Grille Assembly: RS85

Volume Control: RK93S

Cable Connector: RK114P

AREA CODE 312/866-2200 CABLE SHUREMICRO

SHURE BROTHERS

INC.

222

HARTREY AVENUE

EVANSTON, ILLINOIS 60204

U.S.A.

Printed in U.S.A.

Shure Brothers Inc. U.S. Patents 3,132,713

27A468 (SH) and 3,240,883

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