Stanton RM-402 Bedienungsanleitung

RM.402

Professional DJ Mixer

STANTON MAGNETICS, Inc.

[email protected]

OWNER’S MANUAL

Please read carefully before use of this product

failure to follow the instructions printed below may void warranty

•Follow all security advice printed on your mixer

• When removing the unit's AC plug from the power source, grasp

and pull the plug, NEVER the cord itself!

•Avoid placing your mixer near heat sources, such as power

amplifiers.

•When in use, place your mixer on a stable surface, away from

vibration. Always use care when carrying your mixer. Impact, or

heavy vibration may compromise the unit's mechanical integrity.

The manufacturer is not responsible for damage resulting from

an impact, or misuse.

•When in use, place your mixer away from sources of hum or

noise, such as transformers, or electric motors.

•To prevent overheating, always provide your mixer with adequate

ventilation air space.

•Avoid stepping on your mixer's AC cord. Repeated compression

of the cord may lead to electrical shorting.

•To avoid damage due to AC voltage peaks, always disconnect

your mixer from the power source during electrical storms.

•Your mixer contains no user-serviceable parts. The manufacturer

is not responsible for any damage or personal injury resulting

from unauthorized user-servicing or modifications. In addition,

the warranty will be void if any unauthorized service by the user

is detected. Always return you mixer to an authorized Stanton

dealer for servicing.

Congratulations on your choice of the Stanton RM.402 Professional

DJ Mixer. You now own one of the most flexible DJ mixers ever

designed. The rackmountable RM.402 offers up to three Microphone

inputs, three Phono inputs and nine Line inputs—making it one of the

most powerful DJ mixers around. And with Stanton’s smooth fader

movement and rock-solid reliability, it’s the perfect mixer for mobile

and club DJs alike.

Please take a moment to familiarize yourself with the RM.402 by

reading through this Owner’s Manual. (And don’t worry—we’ll make it

quick so you can start mixing!)

Welcome

The RM.402 is an extremely versatile mixer with enough inputs to

accommodate many DJ setups including multiple turntables, CD play-

ers and microphones. Below we list some of the RM.402’s most salient

features (in case you forgot already!):

•19” rackmountable DJ mixer with connections for multiple

turntables, CD players and microphones

•4-channel design with assignable crossfader for mixing a variety

of sources

•Individual gain control per channel with clip LED for setting

optimum levels

•Easy monitoring via PFL switches and headphone mix with

Split Cue and Cue Pan functions.

•Fader Start buttons for controlling compatible CD players like

Stanton S-Series

•Dual 7-band Master EQ for tweaking mixes to suit different venues

•Mic inputs 1 and 2 feature 2-band EQ and handy Talkover function

•Individual outputs and level control for Master,Zone and Booth

RM.402 Features

Making Connections

Are you ready to get on the 1’s and 2’s? Let’s make sure you’ve made

all the right connections…

Mic 2

Here you can connect a microphone using a 1/4-inch cable. If you

have an XLR-type cable, use the Mic 1 input located on the front

panel.

Channel

This channel offers two Line inputs for connecting CD/MD players, or

the audio output of a DVD player or VCR. A Phono input is also

provided for connecting a turntable.

Channel 2/3

For each channel, you can connect either two Line inputs or one Line

input and a turntable, depending on the position of the

push-switch. These channels also feature a Fader Start function.

Connect the Fader Start cable (provided with any Fader Start

equipped CD player) to the remote input on your CD player.

Channel 4

This channel provides connections for three Line inputs or two Line

inputs and a microphone, depending on the position of the

push-switch.

Outputs

Use the REC output to connect a stand-alone CD recorder, DAT

recorder, or tape deck. Use the BOOTH output to connect directly to

powered monitors or your monitor amp. The ZONE output can be used

if you need separate level control for a particular area of your club,

such as lounge vs. dance floor.

Master

These outputs are for connecting your main power amp, EQ,

crossover, etc. Both RCA and 1/4-inch jacks are provided. Using the

Master Output Trim control, you can adjust the overall level being sent

from the outputs—great when an additional boost or cut is needed.

Power Adapter Inlet

Connect the RM.402’spower supply here. Screw to the right, unscrew

to the left. You knew that, didn’t you?

Ground Terminals

Connect the grounding cables from your turntables here to avoid hum.

Making Connections

Description of Functions

At this point, you’re pretty much ready to start mixing. So if you’re a

know-it-all, or you’re just one of those people who like to learn by trial-

and-error, you are free to throw down. But if you wanna go for the gold

and get your pilot’s license, take a moment and learn what each of the

RM.402’s front-panel controls are about.

13 89 76

16 11

1. Power switch: Turns the power “On” or “Off”.

2. Zone Meter switch: Press this when you want the Output Level

meter (23) to display the Zone output instead of the Master output.

3a. Zone Level knob: Adjusts the level being sent to the Zone

outputs (i.e. monitors).

3b. Booth Level knob: Adjusts the level being sent to the Booth

outputs (i.e. monitors).

4. Cue Level knob: Adjusts the cue level being sent to the

Headphone outputs. Keep this at a reasonable level to avoid

hearing loss.

5. Cue Stereo/ Split toggle switch: Select whether you prefer to

hear the Cue mix and Master output in stereo, or split with the

Cue mix on one side and the Master on the other.

22 23 22 2

Description of Functions

6. Headphone outputs: Connect up to two pairs of stereo

headphones using 1/4-inch and 1/8-inch jacks.

7. Cue Pan slider: This adjusts the relative headphone balance

between the Cue mix (PFL) and Master output (PGM).

8. Fader Startswitch: Lets you automatically start a CD player from

the cue point by moving the crossfader (requires a compatible CD

player like the Stanton S-Series).

9. Crossfader: Creates a gradual fade between two channels, as

determined by the Crossfader Source selectors (14). Essential for

scratching and smooth house mixing.

10. Master fader: Adjusts the overall level of the Master output

signal.

11. Master Stereo/Mono toggle switch: Selects whether the Master

output will be stereo or summed to mono.

12. PFL switch: Push this to assign the channel to the Cue mix in

headphones. (Pop quiz: Do you know what “PFL” stands for?

Answer: “Pre-Fader Level.” In other words, the Channel fader

does not affect the level you hear in the headphone cue mix.)

13. Channel fader: Controls the input channel level.

14. Crossfader Source selectors: These select whether the input

channel is assigned to the left side (A) or right side (B) of the

crossfader. Select “BYPASS” if you don’t want the channel

assigned to the crossfader at all.

15. Input Gain knobs: Use these to adjust the level of inputs. For

optimum signal-to-noise, raise the knob until the “max” LED

lights occasionally (usually around the 2 o’clock position).

16. Input Selector switches: Use these to choose between the

Phono, Line and Mic inputs.

17. Talkover switch: Switch this to the “ON” position to enable

Microphones 1 and 2. When moved to the “Talkover” position,

the music is lowered by a preset amount when the mic is in use.

18. Mic Level knobs: Use these to adjust the levels for Microphones

1and 2. Note that the Talkover switch must be set to “ON” to

hear the microphones.

19. Microphone EQ knobs: Adjust the Hi and Low frequencies of Mic

1and 2 by +/- 12dB.

20. Mic 1 input: Connect a microphone here using an XLR cable.

21. EQ On switch: Enables or disables the dual 7-band equalizer.

22. Equalizer: A dual 7-band EQ for the Master output. Use this to

“tune” your mix to different venues, or to adjust the overall

tonality of your mixes.

23. Output Level meter: Displays the overall signal level of the

Master output. Can also display levels for the Zone output when

the Zone Meter switch (2) is enabled.

Description of Functions

SUPERIOR SOUND TECHNOLOGY

The audio quality of the RM.402 is nothing short of revolutionary for DJ

mixers in its price class. The RM.402 was designed by Stanton’snew

product development team, seasoned audio professionals who have

designed world class professional recording studio and broadcast mix-

ers and product managers who are working DJs and work closely with

some of the world’s most respected DJs. They have taken their knowl-

edge and experience to create the RM.402, a DJ mixer with superior

audio quality and unprecedented value. Come hear the difference!

This is a typical setup you’ll find in many nightclubs: 2 turntables, 2 CD

players, plus a microphone for the DJ. Here’s how you would set up

your equipment with the RM.402:

1. Be sure all equipment is powered “OFF” and all of the

RM.402’s Channel faders and Level knobs are at minimum

volume.

2. Connect the turntables to the Phono inputs of Channels 1

and 2. Be sure the rear-panel toggle switch for Channel 2 is set to

“PH2” or you won’t hear anything. To avoid hum, don’t forget to

connect the ground wires to the grounding terminals.

3. Connect the CD players to the Line 4 and 5 inputs of Channels 3

and 4.

4. Depending on the type of cable you have, connect your

microphone to the Mic 1 or Mic 2 input.

5. Connect the Master Output jacks to the club’s power amp, EQ or

crossover. Then connect your monitor amp to the Booth output. If

you have a separate amp for a particular area of the club, connect

this amp to the Zone outputs.

6. Set the Input Selectors on the front panel to the appropriate inputs

for each channel.

7. Power everything up and carefully adjust the input levels using the

Input Gain knobs and Mic Level knob.

8. If you want to use the crossfader, set Channels 1 and 3 to “A” and

Channels 2 and 4 to “B”. Otherwise, set them all to “Bypass”.

9. If your CD players support Fader Start, connect the mini-cables

and set the Fader Start switches to “ON”.

10. Slowly raise the Channel faders, Master fader,Booth level, Zone

level and Mic level as appropriate and start mixing!

Application Example

Technical Specifications

Frequency Response

THD+N (Line)

Signal to Noise Ratio

(ref: max level)

Noise

Crosstalk

(Line to Line, Phono to

Line, Line to Phono)

Fader Kill

Microphone EQ

Graphic EQ (7 band

stereo)

Line Inputs

Phono Inputs

Phono / CD

Mic Inputs

Master Outputs

Zone Output

Booth Output

Record Output

Headphone Output

Dimensions (LxWxD)

Weight

20 Hz to 20 kHz +1 dB

>0.005 % at 1 kHz

>109 dB (main signal path)

-98 dBV (Line input to any output)

>-90 dB

Hi, Low +12 dB

40 Hz, 80 Hz, 160 Hz, 500 Hz,

1.6 kHz, 3.2 kHz, 6.4 kHz + 10 dB

7(RCA) , 1(1/4” Balanced) -10 dBV / >10 kOhm

2(RCA), -50 dBV / 47 kOhm

2(RCA), -50 dBV (Phono) -10 dBV (Line) / 47

kOhm

2(1/4”), 1 (XLR) -50 dBV / 2.4 kOhm

2(1/4”) Balanced/ (RCA) unbalanced,

+4 dBu balanced / -10 dBV unbalanced

2(RCA) unbalanced / -10 dBV

1(1/4 inch), 1 (1/8 inch) greater than 32 Ohm load

18.9 in. x 8.66 in. x 4.72 in. (48 cm. x 22 cm. x 12

cm.)

4.5 kg (9.9 lbs)

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