Stanton RM-406 Bedienungsanleitung

RM.406

Professional DJ Mixer

AB ABABA B

STANTON MAGNETICS, Inc.

[email protected]

OWNER’S MANUAL

Please read carefully before use of this product

Failure to follow the instructions printed below may void warranty

•Follow all security advice printed on your mixer

•When removing the unit's AC plug from the power source, grasp

and pull the plug, NEVER the cord itself!

•Avoid placing your mixer near heat sources, such as power amplifiers.

•When in use, place your mixer on a stable surface, away from vibration.

Always use care when carrying your mixer. Impact, or heavy vibration may

compromise the unit's mechanical integrity. The manufacturer is not

responsible for damage resulting from an impact, or misuse.

•When in use, place your mixer away from sources of hum or noise, such

as transformers, or electric motors.

•Toprevent overheating, always provide your mixer with adequate venti-

lation air space.

•Avoid stepping on your mixer's AC cord. Repeated compression of the

cord may lead to electrical shorting.

•To avoid damage due to AC voltage peaks, always disconnect your mixer

from the power source during electrical storms.

•Your mixer contains no user-serviceable parts except for the crossfader.

The manufactureris not responsible for any damage or personal injury

resulting from unauthorized user-servicing or modifications. In addition,

the warranty will be void if any unauthorized service by the user is detect-

ed. Always return you mixer to an authorized Stanton dealer for servicing..

Congratulations and thank-you for purchasing the latest addition to the grow-

ing Stanton family. Sporting a new attitude, and a fresh, modern look, the

RM.406 is a 4-channel, rackmount mixer loaded with features and innova-

tions giving club and mobile DJs a complete, powerful, yet simple tool to mix,

create, and perform their best. 1/4" and 1/8" headphone outputs, XLR, RCA,

and 1/4" Master and Zone outputs, plus plenty of inputs, including three Mic

inputs, and a separate 1/8" jack for connecting portable devices such as

iPodsTM,ensure the utmost in flexibility. The RM.406 even goes a step further

by adding an FX Loop, Booth, and Subwoofer outputs. Colored, backlit

knobs, adjustable Crossfader curve, separate LED level indicators, gain and

3-band EQs on every channel with a fully assignable Crossfader, offer

increased control and functionality. Thoughtfully designed and engineered to

give you the most intuitive and instinctual experience possible, the RM.406

delivers all these features in a logical layout with quality components, all at

an affordable price.

Stanton's revolutionary Superior Sound Technology (SST™) also gives the

RM.406 exceptional sound quality with audio specifications rivaling mixers

costing up to four times as much. Developed from the ground up by a team

of seasoned audio professionals who have designed world class profession-

al recording studio and broadcast mixers, working hand in hand with experi-

enced and respected DJs, SST™ delivers a dynamic range better than 110

dB through ultra low-noise circuitry with a lower total harmonic distortion

(THD) than other mixers in its class. Glass epoxy PC boards, surface mount

technology, and faders that don't bleed add to the superior construction stan-

dards. This equates to a cleaner,more transparent sound, allowing your

music to be heard the way it was meant to. We’re proud to bring you the new

look, feel and sound of Stanton.

Welcome

The controls and functions of the RM.406 are grouped in alphabetical sec-

tions (clockwise from upper right corner) for your reference and then listed

numerically for more detail.

Section A: Output Meters

Section B: FX Controls

Section C: Output Controls

Section D: Cue Controls

Section E: Crossfader Controls

Section F: MP3 / Aux In

Section G: Mic Controls

Section H: Channel Controls

G H

:::

ABABABA B

RM.406 Top Panel (FUNCTIONS)

1 2

Section A: Output Meters

1. Meter Switch: Switches the display of the Level Meter (#2) between

Master or Zone output signals.

2. Level Meter: Displays the left and right Master or Zone output level of the

mixer. Red indicates clipping.

Section B: FX Controls

3 4 5

3. Send Level: Controls the output level (send volume) of the FX Loop when

achannel’s effects send (#40) is activated.

4. Return Level: Controls the input level (return volume) of the FX Loop when

achannel’s effects send (#40) is activated [external effects processor

required.]

5. FX Return: Toggles the effects loop ON / OFF. When on, the signal sent

and returned through the FX Loop will be audible through the Master Output.

RM.406 Top Panel (FUNCTIONS)

Section C: Output Controls

6 7 8

1011

6. Master Level: Controls the overall output level of the audio signal sent

through the Master connectors (see Output Connections.)

7. Stereo/Mono Switch: Switches the Master output between a stereo or

mono signal. Mono mode can be used to accommodate some large PA sys-

tems. It can also be engaged in the event of a sudden loss of stereo

signal in phonograph cartridge connections [Stereo = UP position.]

8. Zone Level: Controls the output level of the audio signal sent through the

Zone connectors (see Output Connections.)

9. Booth Level: Controls the output level of the audio signal sent through the

Booth Output connectors (see Output Connections.)

10. Master Pan: Controls left/right signal balance of the Master Output (#6.)

11. Crossover LED: When lit, this indicates that the Crossover is active (for

setting the Crossover see Output Connections.)

RM.406 Top Panel (FUNCTIONS)

Section D: Cue Controls

1617

12 13 14

12. Cue FX: Sends the effected signal from the FX Loop to the Headphone Cue for

monitoring (see Section-B.) This allows DJs to hear what the FX Loop sounds like,

before sending it to the Master Outputs.

13. Split Cue: Controls how the CUE will be heard in the headphones. In the "stereo"

position, the pre-selected Cue (#41) will be heard as a stereo signal in the head-

phones (full stereo audio signal in both ears.) In "split" position, the pre-selected Cue

(#41) will be heard on one side of the headphones, while the Master Output (#6) sig-

nal is heard on the other side (different audio signals in each ear.)

14. Headphone Output 1: Connection for 1/4 inch headphone (phono-jack.)

Recommended headphone impedance is 32-200 ohms for maximum volume.

15. Headphone Output 2: Connection for 1/8 inch headphone (mini-jack.)

Recommended headphone impedance is 32-200 ohms for maximum volume.

16. Cue Level: Controls the overall headphone output level of both output jacks. It is

recommended headphones with an impedance rating of 200 ohms or less be used for

maximum volume.

17. Cue Pan: This controls the blend of audio signals that can be heard in the head-

phones. In the left-most “Cue” position, only channels selected by the Cue Assign

switches (#41) will be heard. In the right-most “Master” position, ony signals being

sent to the Master Output (#6) will be heard in the headphones. Any setting in-

between provides a mix of both Cue and Master signals. This gives DJs the flexibili-

ty to choose how they wish to monitor audio signals, based on personal preference

and technique.

RM.406 Top Panel (FUNCTIONS)

Section E: Crossfader Controls

18 19 20 21

18. Fader Start (A): Activates this side (A) of the Crossfader (#19) for use with com-

ponents with the Fader Start feature. Moving the crossfader away from the left-most

position will cause the device (CD / Turntable) to start playing. This allows DJs to

activate a device by using the fader as if they were pressing Play. [Fader Start com-

patible device (CD / Turntable) is required. Fader Start cables need to be connect-

ed between the device and the appropriate input channel on the rear of the mixer.]

19. Crossfader: Controls the audio signal that is sent to the Outputs (Section C.)

When the Crossfader is in the left-most position (A), only the channel(s) set to (A)

on their Crossfader Assign switch (#43) will be sent to the Outputs. When the

Crossfader is in the right-most position (B), only the channel(s) set to (B) on their

Crossfader Assign switch (#43) will be sent to the Outputs. This allows DJs to fade

(mix) or cut (scratch) between different audio signals. When the Crossfader is

somewhere in between the two extremes, a “blend” or “mix” between two signals

occurs. [Note: if NO line channel(s) have been set to either A or B (using #43) then

the Crossfader is bypassed. Also, if the appropriate Channel Fader (Line Fader)

(#42) is set to zero, no sound will be output.]

20. Fader Start (B): Activates this side (B) of the Crossfader (#19) for use with com-

ponents with the Fader Start feature. Moving the crossfader away from the right-

most position will cause the device (CD / Turntable) to start playing. This allows DJs

to activate a device by using the fader as if they were pressing Play. [Fader Start

compatible device (CD / Turntable) is required. Fader Start cables need to be con-

nected between the device and the appropriate input channel on the rear of the

mixer.]

21. Crossfader Curve:Controls the shape of the Crossfader (#19) curve. When

the knob is turned all the way to the left “Fade” setting, the action of the Crossfader

becomes a long, smooth curve (used primarily for mixing or blending.) When the

knob is turned all the way to the right “Cut” setting, the action of the Crossfader

becomes an extremely sharp curve (used primarily for scratching and cutting.) TIP:

This is a gradual control knob, therefore DJs can place the fader where they want

the audio to increase and use this curve control to set (fine tune) the curve point and

the way the Crossfader responds to movement.

RM.406 Top Panel (FUNCTIONS)

Section F: MP3/Aux In

22. MP3 / Aux. Input: This 1/8" Mini-jack (3.5 mm) input was designed for

easy access and connectivity to a variety of portable devices (portable MP3

/mini-disc / CD players / iPods.) Use this input instead of having to re-wire

the back panel of the mixer or use adapters.

Section G: Mic Controls

Section G: Mic Controls (continued)

23. Mic-1 XLR Input: Primary connection for a standard balanced (XLR)

microphone.

24. Mic-2 XLR Input: Secondary connection for a standard balanced (XLR)

microphone.

25. Mic-1 1/4" Input: Primary connection for a standard unbalanced (1/4")

microphone.

26. Mic-2 1/4" Input: Secondary connection for a standard unbalanced (1/4")

microphone.

27. Mic-1 Level: Controls the output level (volume) of Microphone 1 only.

28. Mic-2 Level: Controls the output level (volume) of Microphone 2 only.

29. Mic EQ (HIGH): Controls High frequency equalization for BOTH micro-

phones (+10/-10 dB.) [Note: Any changes made to EQ settings will affect the

overall output level of the microphones].

30. Mic EQ (MID): Controls Mid frequency equalization for BOTH micro-

phones (+10/-10 dB.) [Note: Any changes made to EQ settings will affect the

overall output level of the microphones].

31. Mic EQ (LOW): Controls Low frequency equalization for BOTH micro-

phones (+10/-10 dB.) [Note: Any changes made to EQ settings will affect the

overall output level of the microphones].

32. Send FX: Turns the FX send ON / OFF for all microphones, and routes

the Microphone signal to the FX Send bus (#3) (for use with external effects

processor / FX Loop.)

33. Mic Selector: Turns the mic(s) On or Off and activates the automatic

Talk-over circuit. When activated, the automatic talk-over circuit reduces the

music output allowing the mic to appear louder than the master audio signal.

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