AKG C519M Bedienungsanleitung

12 AKG C 519 M / C 519 ML

Table of Contents

Page

1 Precaution/Description ...........................13

1.1 Precaution..................................13

1.2 Unpacking .................................13

1.3 Optional Accessories .........................13

1.4 Brief Description .............................13

1.5C519M ...................................14

1.6C519ML ..................................14

2 Interfacing ......................................15

2.1 Introduction ................................15

2.2C519M ...................................15

2.3C519ML ..................................15

2.3.1 B 29 L or MPA V L........................15

2.3.2 Connecting to a Bodypack Transmitter .......16

3 Using Your Microphone ...........................18

3.1 Wind Instruments ............................18

3.1.1 General Hints ...........................18

3.1.2 Saxophone.............................18

3.1.3 Clarinet................................18

3.1.4 Trumpet ...............................19

3.2 Piano......................................19

4 Cleaning........................................19

5 Troubleshooting .................................20

6 Specifications ...................................21

1 Precaution/Description

1.1 Precaution

1.2 Unpacking

1.3 Optional

Accessories

1.4 Brief

Description

Refer to fig. 1

on page 14.

Please make sure that the piece of equipment

your microphone will be connected to fulfills the

safety regulations in force in your country and is

fitted with a ground lead.

Check that the packaging contains all of the com-

ponents listed above. Should anything be miss-

ing, please contact your AKG dealer.

• Visit www.akg.com or refer to the latest

MicroMic brochure.

• C 519 ML: B 29 L battery power supply

1Cardioid microphone for high gain before feed-

back. Frequency response tailored to wind in-

strument and piano miking.

2Shock mount reduces handling and cable

noise.

3125-mm (5-in.) gooseneck for accurate micro-

phone alignment.

4Swivel joint (135°).

AKG C 519 M / C 519 ML

1xC519 1xW44

1 x mini XLR to

standard XLR

connecting ca-

ble (10 ft./3 m)

1 x mini XLR to

mini XLR con-

necting cable

(5 ft./1.5 m)

1 x A 400 adapt-

er for PT 40 or

PT 400 body-

pack transmitter

C 519 M only C 519 ML only

1 Description

1.5 C 519 M

1.6 C 519 ML

5Mini XLR output socket for connecting cable.

6Mounting plate for the A 400 adapter allowing

you to attach a PT 40 or PT 400 bodypack

transmitter.

7Clamp for secure attachment to the instru-

ment.

Fig. 1: C 519 M/ C 519 ML microphone

• For 9 to 52 V universal phantom power.

• 10-ft. (3-m) plug-in connecting cable with

phantom power adapter with integrated 3-pin

XLR connector and switchable bass rolloff (9) (-

4 dB at 100 Hz).

Fig. 1a: Phantom power adapter with bass rolloff

switch (9).

• For use with the B 29 L battery power supply,

MPA V L phantom power adapter, or PT 40 or

PT 400 transmitters.

• 5-ft. (1.5-m) plug-in connecting cable with 3-

pin mini XLR connectors.

• A 400 adapter for attaching a PT 40 or PT 400

bodypack transmitter.

14 AKG C 519 M / C 519 ML

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2 Interfacing

2.1 Introduction

Important!

2.2 C 519 M

Refer to fig. 1.

2.3 C 519 ML

2.3.1 B 29 L or

MPA VL

Disconnecting

the cable:

Important!

The C 519 M/C 519 ML is a condenser micro-

phone and therefore needs a power supply.

Using any power supply other than those

recommended by AKG may damage your

microphone and will void the warranty.

1. Use the supplied connecting cable to connect

the output socket (5) on the gooseneck to a

balanced XLR microphone input with phantom

power.

2. Switch the phantom power on. (Refer to the in-

struction manual of the unit to which you

connected your microphone.)

1. Use the supplied connecting cable to connect

the output socket (4) on the gooseneck to one

of the two mini XLR sockets on the B 29 L or

the mini XLR socket on the connecting cable of

the MPA V L.

The connector will lock automatically.

• To disconnect the cable, press the unlocking

button on the mini XLR connector (1) and pull

the connector (1) out of the socket.

•To avoid damaging the cable, never pull

at the cable itself!

2. B29L:Connect the B 29 L to the desired input.

MPAVL:Connect the MPAVLtoabalanced

XLR microphone input with phantom power

and switch the phantom power on.

AKG C 519 M / C 519 ML

2 Interfacing

2.3.2 Connecting

to a Bodypack

Transmitter

Note:

Attaching the

Bodypack

Transmitter to

the Microphone:

Fig. 2: Inserting the

transmitter into

the adapter.

Refer to fig. 2.

• Use the supplied connecting cable to connect

the output socket on the gooseneck to the in-

put socket on the bodypack transmitter.

•

You can attach the bodypack transmitter to your

belt or to the instrument. The PT 40 and PT 400

bodypack transmitters will also mount directly on

the microphone (refer to section 2.3.1 below).

1. Pull the ends of the fixing clip (1) out of the

adapter.

2. Slide the transmitter (2) all the way into the

adapter.

3. Reinsert the ends of the fixing clip (1) into the

openings in the adapter. The ends of the fixing

clip engage the locating holes in the transmit-

ter case to hold the transmitter in place.

16 AKG C 519 M / C 519 ML

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2 Interfacing

Fig. 3: Mounting

the adapter and

transmitter on the

microphone.

Refer to fig. 3.

Fig. 4: Coiling and

stowing the con-

necting cable.

Refer to fig. 4.

4. Slide the adapter with the transmitter on the

shaft (3) on the mounting plate (4).

5. Press the adapter against the mounting plate

(4). The adapter will lock with an audible click.

6. Coil the connecting cable and tuck it under the

fixing clip.

AKG C 519 M / C 519 ML

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3 Using Your Microphone

3.1 Wind

Instruments

3.1.1 General

Hints

Brass

Instruments:

3.1.2 Saxophone

3.1.3 Clarinet

Fig. 5: Miking up a

clarinet with two

microphones.

Refer to fig. 5.

Alternative

technique with

no stand-mount-

ed microphone:

1. Clamp the microphone on the bell.

2. Aim the microphone at the rim of the bell.

• You can modify the sound by varying the mi-

crophone position.

• If you get too much wind noise, slip the sup-

plied external windscreen on the microphone.

• If you use a mute, be sure to position the mi-

crophone outside of the bell to clear the mute.

• For subtone playing, you might like to align the

microphone with the middle of the bell.

• The clarinet radiates low frequencies through

the keys and high frequencies through the bell

only.

• We therefore recommend aiming a stand-

mounted microphone (e.g., a C 5900 or C 535

from AKG) at the keys in addition to the C 519.

Clamp the microphone on the bell so that the mi-

crophone will look at the outside of the clarinet.

2. Point the microphone at the lowest key. This is

the only area where all frequencies are radiated

at approximately equal intensity.

18 AKG C 519 M / C 519 ML

3 Using Your Microphone

3.1.4 Trumpet

3.2 Piano

Fig. 6: Using two

C 519s to mic up

an upright piano.

Refer to fig. 6.

• Place the microphone as far away from the in-

strument as possible and aim the microphone

at the bell.

The best way to capture the full range of the piano

is to use two microphones:

1. Clamp one microphone on the frame above the

bass strings.

2. Clamp the second microphone on the frame

strut in the octave above Middle C.

3. Align the two microphones so that all notes will

be reproduced at roughly the same level.

To clean the microphone surface, use a soft cloth

moistened with water.

AKG C 519 M / C 519 ML

4 Cleaning

5 Troubleshooting

20 AKG C 519 M / C 519 ML

Problem Possible Cause Remedy

No sound: 1. Power to mixer

and/or amplifier is off.

2. Channel or master

fader on mixer, or vol-

ume control on am-

plifier is at zero.

3. Microphone is not

connected to mixer

or amplifier.

4. Cable connectors are

seated loosely.

5. Cable is defective.

6. No supply voltage.

1. Switch power to

mixer or amplifier on.

2. Set channel or mas-

ter fader on mixer or

volume control on

amplifier to desired -

level.

3. Connect microphone

to mixer or amplifier.

4. Check cable connec-

tors for secure seat.

Check cable and re-

place if damaged.

6. Switch phantom

power on.

Phantom power sup-

ply: connect to power

outlet or insert bat-

tery

(batteries).

Check cable and re-

place if necessary.

Distortion: 1. Gain control on the

mixer set too high.

2. Mixer input sensitivity

too high.

1. Turn gain control

down CCW.

2. Connect a 10-dB

preattenuation pad

between microphone

cable and input.

C 519 ML: Also read the transmitter and receiver manuals!

AKG C 519 M / C 519 ML

6 Specifications

Type: pre-polarized condenser microphone

Polar pattern: cardioid

Frequency range: 60 Hz to 20,000 Hz

Sensitivity at 1 kHz: 5 mV/Pa (-46 dBV re 1 V/Pa)

Impedance: ≤200 ohms

Recommended load impedance: ≥2000 ohms

Max. SPL for 1%/3% THD: 130/132 dB SPL

Equivalent noise level: 31 dB(A) to DIN 45412

Power requirement:

B 29 L battery power supply,

MPA V L phantom adapter,

AKG WMS bodypack transmitters

Cable length / Connector: 1.5 m (5 ft.) / 3-pin mini XLR

Finish: matte black

Size (microphone only): length: 213 mm (8.4 in.)

max. width: 47 mm (1.9 in.)

Net weight (microphone and cable): C 519 M: 195 g (6.9 oz.)

C 519 ML: 85 g (3 oz.)

Shipping weight: C 519 M: 430 g (15.2 oz.)

C 519 ML: 310 g (11 oz.)

This product conforms to the standards listed in the Declaration of Conformity.

To order a free copy of the Declaration of Conformity, visit http://www.akg.com or

contact [email protected].

Frequency Response Polar Diagram

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