Arcam AVR200 Bedienungsanleitung

AVR200

HANDBOOKHANDBOOK

Arcam AVR200 surround sound receiver

Ampli-tuner audiovidéo Arcam AVR200

Arcam AVR200 Surround-Sound-Empfänger

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AVR200

Safety guidelines

Safety instructions

This product is designed and manufactured to meet strict

quality and safety standards. However, you should be aware of

the following installation and operation precautions:

1. Take heed of warnings and instructions

You should read all the safety and operating instructions

before operating this appliance. Retain this handbook for future

reference and adhere to all warnings in the handbook or on

the appliance.

2. Water and moisture

The presence of electricity near water can be dangerous. Do

not use the appliance near water – for example next to a

bathtub, washbowl, kitchen sink, in a wet basement or near a

swimming pool, etc.

3. Object or liquid entry

Take care that objects do not fall and liquids are not spilled into

the enclosure through any openings. Liquid ﬁlled objects such

as vases should not be placed on the equipment.

4. Ventilation

Do not place the equipment on a bed, sofa, rug or similar

soft surface, or in an enclosed bookcase or cabinet, since

ventilation may be impeded. We recommend a minimum

distance of 50mm (2 inches) around the sides and top of the

appliance to provide adequate ventilation.

5. Heat

Locate the appliance away from naked ﬂames or heat

producing equipment such as radiators, stoves or other

appliances (including other ampliﬁers) that produce heat.

6. Climate

The appliance has been designed for use in moderate climates.

7. Racks and stands

Only use a rack or stand that is recommended for use with

audio equipment. If the equipment is on a portable rack it

should be moved with great care, to avoid overturning the

combination.

8. Cleaning

Unplug the unit from the mains supply before cleaning.

The case should normally only require a wipe with a soft, damp,

lint-free cloth. Do not use paint thinners or other chemical

solvents for cleaning.

We do not advise the use of furniture cleaning sprays or

polishes as they can cause indelible white marks if the unit is

subsequently wiped with a damp cloth.

9. Power sources

Only connect the appliance to a power supply of the type

described in the operating instructions or as marked on the

appliance.

10. Power-cord protection

Power supply cords should be routed so that they are not likely

to be walked on or pinched by items placed upon or against

them, paying particular attention to cords and plugs, and the

point where they exit from the appliance.

11. Grounding

Ensure that the grounding means of the appliance is not

defeated.

12. Power lines

Locate any outdoor antenna/aerial away from power lines.

13. Non-use periods

If the unit has a stand by function, a small amount of current

will continue to ﬂow into the equipment in this mode. Unplug the

power cord of the appliance from the outlet if left unused for

a long period of time.

14. Abnormal smell

If an abnormal smell or smoke is detected from the appliance,

turn the power off immediately and unplug the unit from the wall

outlet. Contact your dealer immediately.

15. Servicing

You should not attempt to service the appliance beyond that

described in this handbook. All other servicing should be

referred to qualiﬁed service personnel.

16. Damage requiring service

The appliance should be serviced by qualiﬁed service personnel

when:

A. the power-supply cord or the plug has been damaged, or

B. objects have fallen, or liquid has spilled into the appliance,

C. the appliance has been exposed to rain, or

D. the appliance does not appear to operate normally or

exhibits a marked change in performance, or

E. the appliance has been dropped or the enclosure

damaged.

Safety compliance

This product has been designed to meet the EN60065

international electrical safety standard.

AVR200

English

Using this handbook

Manufactured under licence from Dolby Laboratories, Inc.

‘Dolby’, ‘Pro Logic’, ‘Pro Logic II’and the double-D symbol are trademarks

of Dolby Laboratories.

Manufactured under licence from Digital Theater Systems, Inc.

US Patent Number 5,451,942 and other world-wide patents issued and

pending. ‘DTS’and ‘DTS Digital Surround’, are trademarks of Digital

Theater Systems, Inc.

Contents

Safety guidelines 2

Safety instructions 2

Safety compliance 2

Using this handbook 3

Safety 3

Installation 4

Positioning the unit 4

Setting up the aerials 4

Connecting inputs 5

AVR200 back panel connections 5

Interconnect cables 5

Connecting outputs 7

Connecting to other equipment 7

Connecting to a power supply 7

Setting up 8

Using the On Screen Display (OSD) 8

Setup page 8

Input settings page 8

Channel balance page 9

Channel delays page 9

Speaker settings page 10

Using the AVR200 12

Front panel controls 12

Input selection 12

Using the tuner 14

Tuning to a station 14

Storing a preset 14

Deleting an unused preset 14

RDS: Radio Data System 14

FM Mute/Mono 14

Using the remote control 15

CR-340 remote control 15

Reference 16

Bi-wiring and bi-amping loudspeakers 16

Before you start 16

Bi-wiring your loudspeakers 16

Bi-amping your system 16

Troubleshooting 17

Technical speciﬁcations 18

Guarantee 19

On line registration 19

This handbook has been designed to give you all the information

you need to install, connect, set up and use the Arcam AVR200

surround sound receiver. The remote control handset supplied

with the equipment is also described.

It may be that the AVR200 has been installed and set up as

part of your system installation by a qualiﬁed Arcam dealer. In

this case, you may wish to skip the sections of this handbook

dealing with installation and setting up the unit. Use the Contents

list (on this page) to guide you to the relevant sections.

Safety

Safety guidelines are set out on the inside front cover of this

handbook.

Many of these items are common sense precautions, but for

your own safety, and to ensure that you do not damage the unit,

we strongly recommend that you read them.

AVR200

Installation

Installation starts with positioning the unit where it can operate

effectively. To use the radio receiver, you will need to install an

FM and/or an AM aerial.

Other input signals –from CD, MD, tape, DAT, VCR, DVD, games

console or satellite receiver –will need to be connected to

sockets on the AVR200’s back panel.

Output signals –TV, monitor, projector, preampliﬁer,

loudspeakers, headphones or other audio or digital outputs –

also need to be connected to sockets on the back panel.

Positioning the unit

Place your AVR200 on a level, ﬁrm surface.

Avoid placing the unit in direct sunlight or near sources of heat

or damp.

Ensure adequate ventilation. Do not place the unit in an

enclosed space such as a bookcase or cabinet as both of these

will impede air ﬂow through the ventilation slots.

Setting up the aerials

FM aerial

An FM aerial is required to receive VHF radio signals. An

external FM ribbon aerial is supplied as an accessory with the

AVR200.

For optimal FM radio reception a roof or loft mounted aerial is

advised. For your own safety it is recommended that a roof top

aerial is ﬁtted by an experienced contractor. Your Arcam dealer

should be able to put you in contact with an aerial installer.

A contractor will be able to tune your aerial to the nearest

FM transmitter. In an apartment building an aerial system my

already be installed. If this is the case you should have sockets

in your home marked FM or VHF (do not use those marked

TV).

The ‘T’shaped wire aerial (dipole design) supplied should give

reasonably good reception. Mount this aerial as high up as

possible on a wall with the elements positioned horizontally. Try

each usable wall of the room to see which gives best reception.

Use tacks or adhesive tape to secure the aerial in a T shape.

The tacks should not come into contact with the internal wire

of the aerial.

Whether you decide to get an aerial professionally installed or

opt to use the supplied aerial it should be connected to the FM

Antenna input on the rear of the unit.

AM aerial

An AM aerial is required to receive AM/Medium Wave radio

signals.

An external AM loop aerial is supplied as an accessory with the

AVR200. This should be attached to the AM Antenna inputs with

one end connected to AM and the other to Ground. It does not

matter which way round this aerial is ﬁtted. Rotate the aerial to

discover which position gives the best reception.

In areas of weak reception or when the receiver is used inside

a steel framed building (such as an apartment building) you

can use a wire between 3 and 5 metres long to strengthen

reception. Mount this high up outside the building, if possible,

and connect one end of this wire to the AM antenna input as

well as the loop aerial supplied. DO NOT DISCONNECT THE

LOOP AERIAL.

The AM tuning ‘step size’needs to be set according to your

location. This is done using the switch on the rear panel: set it to

10kHz if you are in North America or 9kHz anywhere else.

AVR200

English

Connecting inputs

AC INLET

SURROUNDLR

–

CENTREFRONT LR

–

OUT

VCR

DVD

SAT

AUX

OUT

(N.AM)10K

AM STEP

GROUND

LIFT

SPEAKER

IMPEDANCE

SELECTOR

4–6Ω8Ω

GROUND

120V 230V

LOUDSPEAKER

OUTPUTS

AUX

12V

TRIGGER

OUT

REMOTE

CONTROL

INPUT

SUB

WOOFER

CENTRE AUDIO VIDEO S-VIDEO

S-VIDEO

VIDEO

AUDIO PRE-OUT

TAPE 5.1 CH INPUT

SUB

WOOFER

CENTRE

OUT

AUDIOR

(EU) 9K

LRLR

R L

GND

ANTENNA MONITOR OUT

FRONT SURR FRONT SURR

AUX TAPE DVD SAT CD

DIGITAL

OUT

DIGITAL IN

Interconnect cables

The use of high quality interconnect cables to and from your

AVR200 is recommended to ensure the best sound and picture

quality. Ask your Arcam dealer’s advice on cable selection.

This product does not feature a Phono input stage. If you wish

to connect a turntable to your AVR200 you will need to use

an in-line phono pre-amp. All line level inputs have the same

sensitivity so may be used with any line level source equipment,

even components other than those labelled. If you need to do

so, your Arcam dealer can give you further advice on this.

CD input

Use audio interconnects to attach the left and right audio

outputs from your CD player to the CD IN inputs on the AVR200.

If your CD player has digital output, connect it to the CD DIGITAL

IN socket on the AVR200.

TAPE loop

This input can be used to connect one of many different

recording devices, for example, a tape deck, Mini-Disc or CD-R.

Use audio interconnects to attach the left and right audio

outputs from your recorder to the corresponding TAPE inputs on

the AVR200. If your tape source has digital output, connect it to

the TAPE DIGITAL IN socket on the AVR200.

To complete the record loop, attach the left and right TAPE

outputs from the AVR200 to the corresponding record inputs

on your recorder.

5.1 channel input

This multi-channel input takes up to six (i.e. ﬁve channels plus

one sub-woofer) discrete channels of audio from a DVD audio

player or a DVD player with an integrated decoder. Use audio

interconnects to attach the DVD’s outputs to the appropriate 5.1

CH INPUT inputs on the AVR200.

For optimum performance from DVD video, however, it is usually

better to use a digital connection to the AVR200’s own internal

digital surround decoder instead.

SAT input

Use audio interconnects to attach the left and right audio

outputs from your satellite or cable receiver (or digibox) to the

corresponding SAT inputs on the AVR200.

Using either the composite or the S-video output from your

satellite receiver, connect it to the corresponding VIDEO or

S-VIDEO input on the AVR200.

If your satellite receiver provides a coaxial digital output, attach

it via the SAT digital input.

DVD input

In most cases you will achieve the best audio performance

from your DVD player by connecting its digital output to the

DVD digital input of the AVR200, using a suitable 75Ωdigital

cable. Connect either the composite or S-video output from your

DVD player to the corresponding VIDEO or S-VIDEO inputs on

the AVR200.

If you are also using your DVD player to play CDs and prefer to

use the stereo audio outputs, connect these to the CD inputs

of the AVR200.

VCR loop

Use audio interconnects to attach the left and right audio

outputs from your video cassette recorder to the VCR inputs

on the AVR200. For the video signal, use either the composite

or the S-video output from your VCR and attach to the

corresponding input on the AVR200. If the VCR has a digital

output, connect it to the VCR digital input on the AVR200.

To complete the record loop, attach the left and right VCR audio

outputs from the AVR200 to the corresponding record inputs on

your VCR. Using the same type of video connection as for the

input, connect the VCR picture output from the AVR200 to the

corresponding input on your VCR.

AUX input and record loop

Use audio interconnects to attach the left and right audio

outputs from your auxiliary source (another item of audio

equipment or a games console) to the corresponding AUX

inputs on the AVR200.

Using either the composite or the S-video output from your

auxiliary source, connect it to the corresponding VIDEO or

S-VIDEO input of the AVR200.

If your auxiliary source has a digital output, connect it to the AUX

digital input on the AVR200.

AVR200

GROUND LIFT switch

If your system only takes audio sources from CD or DVD,

set this switch to ‘GROUND’. In more complex setups which

involve satellite inputs or radio aerials, grounding the unit may

actually increase the level of background hum or buzz in the

loudspeakers, in which case set the switch to ‘GROUND LIFT’.

REMOTE CONTROL INPUT

This input is connected to the output of an infrared receiver. The

remote control input is usually used in custom installations. Ask

your dealer or custom installer for further details.

AVR200

English

Connecting to other equipment

MONITOR OUT

Both composite and S-video monitor outputs are provided for

connection to the ‘Video line in’of your TV, monitor, or projector.

If you have both Composite and S-video inputs connected to

your AVR200 you need only connect the S-VIDEO Monitor Output

to your TV (provided that your TV accepts an S-video input).

LOUDSPEAKER OUTPUTS

Before connecting loudspeakers to your AVR200 you must set

the Impedance switch on the rear to the correct position.

WARNING: Never adjust this switch with the power on

or you will damage the AVR200.

If your loudspeakers are rated at 6Ωor lower set the switch to

the 4–6Ωposition. If your loudspeakers are rated higher than

6Ω, set the switch to the 8Ωposition.

WARNING: This unit should only be used with

loudspeakers with an impedance rating between 4Ω

and 8Ω.

WARNING: When connecting loudspeakers, ensure

that no stray strands of wire are allowed to touch

other cables or the AVR200’s casing as this can cause

a short circuit and damage the ampliﬁer.

Bi-wiring and Bi-amping loudspeakers

Notes on these techniques are given in the Reference section

of this handbook.

Preampliﬁer outputs

If you wish to upgrade your system by adding a power ampliﬁer,

always specify an Arcam unit to ensure matching gain.

The AVR200 has six line-level pre-amp outputs that can be

connected to Arcam external power ampliﬁers to bi-amplify

(‘bi-amp’) any of the channels. Alternatively, the AVR200 can be

used solely as a preampliﬁer.

Depending on how your system is conﬁgured, the subwoofer

AUDIO PRE-OUT should be connected using a line level

interconnect, to either:

■an active subwoofer, or

■a power ampliﬁer used to drive a passive subwoofer.

DIGITAL OUT

Use this socket to connect to the input of a suitable digital

recorder (e.g. a CD-R or minidisc). When using a coaxial digital

input, the signal is passed through the AVR200 with no changes.

An optical input is restricted to a maximum frequency of 48kHz.

12V TRIGGER OUT

This connection is normally used only with multi-room

installations. If you are bi-amping with a power ampliﬁer and wish

to power both units on or off simultaneoulsy, see page 15.

PHONES (Headphone output)

A 6.3mm stereo jack socket is provided on the front panel for

headphone listening. Inserting the jack automatically mutes (i.e.

cuts off) the loudspeakers, and AUDIO PRE-OUT outputs. Surround

mode settings are ignored: headphone output is in stereo.

Connecting to a power supply

Wrong plug?

Check that the plug supplied with the unit ﬁts your supply and

that your mains supply voltage agrees with the voltage setting

(120V or 230V) indicated on the rear panel of the unit.

If your mains supply voltage or mains plug is different, consult

your Arcam dealer or Arcam Customer Support on +44 (0)1223

203203.

Mains lead

The appliance is normally supplied with a moulded mains plug

already ﬁtted to the lead. If for any reason the plug needs to

be removed, it must be disposed of immediately and securely,

as it is a potential shock hazard when inserted into the mains

socket. Should you require a new mains lead, contact your

Arcam dealer.

Plugging in

Push the plug (IEC line socket) of the power cable supplied with

the unit into the socket (AC INLET) in the back of the unit. Make

sure it is pushed in ﬁrmly.

Put the plug on the other end of the cable into your power

supply socket and switch the socket on.

Non-use periods

If the unit is to be left unused for an extended period, we

recommend that you switch the unit off from the front panel

button, rather than use ‘stand by’mode with the remote control.

Connecting outputs

AVR200

Setting up

Using the On Screen Display (OSD)

The easiest way to set up the AVR200’s multi-channel audio and

video options is through its On Screen Display (OSD).

To enter the OSD, ensure that you have a TV connected and

press any of the arrows on the remote control’s cursor pad.

To navigate from the ﬁrst (i.e. Setup) page, use the

•

and

•

arrows to highlight a line. To enter a highlighted page, press OK.

To leave the OSD, highlight ‘EXIT’and press OK.

Once on a page, use the

•

and

•

arrows to move to a line

and the •and

•

arrows to change an option. Once you are

happy with the settings, highlight ‘SAVE AND EXIT’and press OK

to keep them in memory. If you are unsure about the changes,

or you have entered the page accidentally, highlight ‘DO NOT

SAVE AND EXIT’and press OK and any changes on that page

are ignored.

Setup page

The Setup page forms the index to the OSD. To navigate from

here, use the cursor pad on your remote control.

Input settings page

AUDIO Identiﬁes the active audio source (e.g. CD)

VIDEO Identiﬁes the active video source (e.g. DVD)

MODE Identiﬁes the surround mode associated with

the current input (Dolby Digital, DTS, Dolby

Pro Logic II Movie, Dolby Pro Logic II Music,

Dolby Pro Logic II Panorama, Dolby Pro Logic II

Matrix, Dolby Pro Logic, Hall effect or Stereo)

DYNAMIC RANGE

A compressed dynamic range is useful for low

level (night time) listening. For Dolby Digital

sources, the dynamic range has options of

100%, 75%, 50% or 25%

CENTRE WIDTH (Dolby Pro Logic II Music Mode only)

Allows centre-channel sounds to be positioned

between the centre speaker and the left/right

speakers over a range of eight steps. Step ‘3’

uses a combination of all three front speakers

to give the best vocal imaging and most

seamless soundstage and is recommended for

most recordings. Step ‘0’places all centre

sound in the centre speaker. Step ‘7’places all

centre sound equally in the left/right speakers,

as in conventional stereo.

1 INPUT SETTINGS

2 CHANNEL BALANCE

3 CHANNEL DELAYS

4 SPEAKER SETTINGS

5 EXIT

SETUP

1 INPUT SETTINGS

2 CHANNEL BALANCE

3 CHANNEL DELAYS

4 SPEAKER SETTINGS

5 EXIT

SETUP

AUDIO = DVD

VIDEO = DVD

MODE = DOLBY DIGITAL

DYNAMIC RANGE = N/A

CENTRE WIDTH = 3

DIMENSION = 0

DO NOT SAVE AND EXIT

SAVE AND EXIT

INPUT SETTINGS

NOTE: In some cases you may ﬁnd that the OSD is not still

or that it ‘rolls over’your screen. (You may also notice this

effect when the volume bar is shown on screen.) If this is

the case, you will need to switch the video system being

used by the AVR200.

To do this, ﬁrst exit the OSD by highlighting EXIT and press

OK. Press and hold the STORE button on the front panel of

the AVR200 then toggle between the systems shown in the

display area by pressing the SAT button –NTSC (used in

North America) or PAL (used in most of Europe) –until the

correct system is selected.

centre

front

left front

right

20.8°20.8°

28°

36°

54°

62°

69.8°

28°36°

54°

62°

69.8°

Setting options for CENTRE WIDTH

DISPLAY EFFECT

Off No Centre spreading

1 20.8°

2 28°

3 36°

4 54°

5 62°

6 69.8°

7 Phantom Centre

AVR200

English

1 INPUT SETTINGS

2 CHANNEL BALANCE

3 CHANNEL DELAYS

4 SPEAKER SETTINGS

5 EXIT

SETUP

LEFT : 0dB

CENTER : 0dB

RIGHT : 0dB

REAR L : 0dB

REAR R : 0dB

SUB : 0dB

DO NOT SAVE AND EXIT

SAVE AND EXIT

CHANNEL BALANCE

NOTE: The test tone generates a noise which may not be

heard through a subwoofer. To set your sub to a suitable

level, turn off the test tone and experiment with the trim

while playing a piece of music or a movie you are familiar

with. There is no right or wrong level for the sub: simply ﬁnd

the balance that is best for you.

1 INPUT SETTINGS

2 CHANNEL BALANCE

3 CHANNEL DELAYS

4 SPEAKER SETTINGS

5 EXIT

SETUP

CENTER 0ms

REAR 0ms

DO NOT SAVE AND EXIT

SAVE AND EXIT

CHANNEL DELAYS

CENTER 3ms

REAR 6ms

DO NOT SAVE AND EXIT

SAVE AND EXIT

CHANNEL DELAYS

NOTE: It is not necessary to adjust delay times separately

for a DTS (Digital Theater Systems) source.

DIMENSION (Dolby Pro Logic II Music Mode only) Allows

the gradual adjustment of the soundﬁeld either

towards the front or the rear. This can help

achieve the desired balance from all the

speakers with certain recordings that may

contain either too much or too little spatial

effect. Step ‘0’is the recommended setting,

which has no effect on the sound. Steps

‘+1’, ‘+2’and ‘+3’gradually move the sound

forward, and steps ‘–1’, ‘–2’and ‘–3’move the

sound towards the surrounds.

Channel balance page

From the Channel balance page, you can trim the level of

each individual loudspeaker connected to the AVR200. Due to

the different performance characteristics or positioning of each

loudspeaker they may need to be set to different levels to

provide a balanced sound from the listening position. To help set

this balance, the AVR200 can generate a test tone that plays an

identical signal through each channel in turn. Trim the balance

of each speaker in turn until they all appear to produce the

same volume.

Once the channel balance page is shown in the OSD, press

the TEST button on the remote control to start the test tone.

Make sure that either Dolby Digital, Dolby Pro Logic or Dolby

Pro Logic II is selected, and that the volume on the AVR200

is set sufﬁciently high for the tone to be heard. The test tone

automatically cycles through each speaker channel until the

TEST button is pressed a second time.

Each loudspeaker can be trimmed between +10dB and –10dB.

You can return to the Channel balance page at any time (without

ﬁrst entering the OSD) by pressing the TEST button on the

remote control. Press TEST again to exit this page.

Channel delays page

For best results in a surround sound system, the sound from

all loudspeakers should reach the listener at the same time. To

help achieve this the AVR200 can add slight delays to certain

channels when in Dolby Digital or Dolby Pro Logic modes.

When playing a Dolby Digital source you can set a delay for the

centre channel of between 0 and 5ms and a delay for the rear

channels of between 0 and 15ms.

The method of calculating these delay times is described

overleaf.

Setting options for DIMENSIONS

DISPLAY EFFECT

–3 MAX SURR Most surround

–2

–1

0 Neutral

+3 MAX CENTRE Most centre

AVR200

To calculate these delay times, ﬁrst measure (or estimate)

the distances from the listening position to the front, centre

and rear speakers. Keep a record of these distances by

entering them under the heading ‘Your measurement’in the

table provided.

The centre channel delay is calculated by subtracting the centre

channel distance from the front left (or right) distance. The

difference represents the CENTRE delay time.

The rear channels’delay time is calculated by subtracting the

rear left (or right) distance from the front left (or right) distance.

The difference represents the REAR delay time. Note that if your

rear loudspeakers are further from the listening position than

the front loudspeakers, you should set this delay to 0ms.

If you have made your measurements in feet, one foot

approximates to one millisecond (1ms) delay. If you have made

your measurements in metres, one metre approximates to three

milliseconds (3ms) delay.

When playing a Dolby Pro Logic or Dolby Pro Logic II source

you can set a time delay (in milliseconds) for the rear channels.

There is no delay setting for the centre channel.

The rear channel delay in Dolby Pro Logic is calculated by

adding 15ms to the rear channel delay calculated for Dolby

Digital. In our example, this is 15ms + 6ms = 21ms.

Distance to listening position e.g. Your

measurement

Front left or right 4m or 12ft ---------------------

Centre 3m or 9ft ---------------------

Rear left or right 2m or 6ft ---------------------

Difference e.g. Delay (ms)

CENTRE delay (4 –3m) or (12 –9ft)

= 1m or 3ft 3 milliseconds

REAR delay (4 –2m) or (12 –6ft)

= 2m or 6ft 6 milliseconds

CHANNEL DELAYS

CENTER N/A

REAR 21ms

DO NOT SAVE AND EXIT

SAVE AND EXIT

e.g. 3m

(9ft)

e.g. 4m

(12ft)

e.g. 2m

(6ft)

centre

front

left front

right

rear

left rear

right

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