Electro-Voice RE200 Bedienungsanleitung

KeyFeatures:

• Continuous Presence Rise Enhances Sound

Quality

• True Condenser Design

• Transformerless Output

• Small, Unobtrusive Profile

• Includes Stand Clamp, Windscreen, and

Zippered Vinyl Pouch

GeneralDescription:

The Electro-Voice®RE200 is a cardioid, true condenser

instrument microphone designed for the exacting acoustic

reproduction of choirs, strings, percussion and brass

instruments in live performance and sound recordings. The

RE200 is designed to be used in professional remote

recordings,sound reinforcementsystems, soundstudios and

motion picture/TV scoring stages.

TheRE200’sfrequencyresponsehasacontinuouspresence

rise to enhance the sound quality. The excellent transient

response and smooth frequency response is gently lifted

above 1,000 Hz, lending an open, transparent detail to the

recorded sound.

TheRE200’stransducerisatrue, external biased condenser

element based on the RE2000 transducer design. (Most

studio recording microphones are true condensers because

they have greater sensitivity and stability than an electret

element). The diaphragm is ultrathin, goldlaminated,

environmentallystabilizedand ultralowinmass. Theelectrode

isa precision-cut,singlepiece,ceramicdisclayeredwithgold.

The transducer is biased by an internal dc-to-dc converter to

ensure that its sensitivity and performance is not dependent

on phantom voltage. The RE200 transducer is cradled in an

AcoustiDYMTM shock-mountsystem formechanical isolation.

The RE200’s electronics are designed to operate from 12 to

52 Vdc phantom power.

The RE200 is small, light and rugged, making it ideal for a

variety of applications without being obtrusive.

TheRE200is supplied with the model311microphonestand

clamp, a zippered vinyl carrying pouch and a Wind Tech™

5700-12 black external foam windscreen.1

Technical Specifications:

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RE200

Cardioid, True Condenser

Instrument Microphone

1. WindTech™isatrademarkof Olsen AudioGroup,Inc. The 5700windscreen

can be purchased separately from Wind Tech at 480/998-7140.

Frequency Response:

12000 Portland Avenue South, Burnsville, MN 55337

Phone:952/884-4051, Fax:952/884-0043

www.electrovoice.com

©TelexCommunications, Inc. 1/2004

Part Number 533868 Rev C

U.S.A. and Canada only. For customer orders, contact Customer Service at:

800/392-3497 Fax: 800/955-6831

Europe, Africa, and Middle East only. For customer orders, contact Customer Service at:

+ 49 9421-706 0 Fax: + 49 9421-706 265

Other International locations. For customer orders, contact Customer Service at:

+ 1 952 884-4051 Fax: + 1 952 736-4212

For warranty repair or service information, contact the Service Repair department at:

800/553-5992 or 402/467-5321

For technical assistance, contact Technical Support at: 800/392-3497 or 952/736-4656

Specifications subject to change without notice.

Polar Response:

Microphone Use and Placement

Please note that micing techniques are a matter of personal preference. These are merely guidelines to assist in the placement of the

microphone to gain optimal performance.

Usage Optimal Placement

Overheads Use two microphones in a 3:1 spacing position facing slightly away from each other.

Hi Hat Place microphone 3-6 inches (7-15 cm) from and at a 45° angle to cymbal edges.

Acoustic Guitar Place microphone 6-24 inches (15-60 cm) from and pointed towards body end of finger board.

Strings For small string instruments, place microphone 1-3 feet (30-90cm) from and perpendicular to

the soundboard, pointing at the strings and f holes. Use similar microphone positioning for

larger string instruments, but 6-8 feet (1.8m - 2.5m) away.

Dimension Drawing:

RE200 Part Number: 16562382

Standard Placement & Use Guidelines

1. Always point the microphone at the desired source of sound, and away from any unwanted sources.

2.The microphone should be located close to the sound source to minimize interference from other potential sound sources.

3. Use the 3-to-1 rule when using multiple microphones. Place each microphone three times farther from other microphones as from the

desired sound source.

4. Minimize over-handling of the microphone to reduce unwanted mechanical noise.

5.Working close to the microphone will increase the bass tone and also provide increased gain-before-feedback.

5.4 in

(137.2 mm) 0.8 in

(20.3 mm)

1.1 in

(27.9 mm)

5dB per

division

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