LEGO Ninjaga 70751 Bedienungsanleitung

70751

TEMPLE OF AIRJITZU

This is the place where Sensi Yang invented the lost art

of Airjitzu. Sensei Yang had been training most of his

life to master this airborne style of fighting, but once he

finally did, he had become a very old man. He decided

to pass on his legacy and started accepting students. In

the beginning he was a respected and admired master,

and students even raised a statue in front of the temple

in his honor. But knowing his time was coming to an end,

he became impatient and was very hard on students

who failed to live up to his strict code of discipline and

unusual training methods. Locking up his students in the

attic to give them time to reflect on why they failed in an

Airjitzu training session, was common practice.

Very little is known of what went on behind the temple

walls, but the fact that none of his students ever left

the temple gave rise to much speculation, legend and

rumors. Master Yang became known as ‘The Sensei

without Students’ and people made sure to keep their

distance from the temple.

It is now believed that the ghost of

Sensei Yang haunts the temple and

anyone who enters and does not exit

again before sunlight will themselves

become a ghost. Over the years the

temple has fallen into disrepair and

has become a popular tourist site.

That was the grim history of the Temple of Airjitzu …

but what does the future hold for it? You will have to

make up your own story or keep following the story of

Ninjago. It would be a pretty cool headquarters for the

Ninja, wouldn’t it?!

Temple of AIRJITZU

Little is known about the origin of this historic

location in Ninjago. No-one knows who built it

and when, but it has been around since the edo-

period, though many suspect that it is much older

than that and once was the dojo of the First

Spinjitzu Master.

NINJAGO CITY

The biggest city in all of Ninjago. It has seen its

share of action and was the main site of attacks

from the Great Devourer, the Overlord, the Stone

Warriors, evil Nindroids and the Golden Master.

But Ninjago city has always prevailed and though

the city has seen much conflict, destruction and

transformation, the citizens are still

honest, hardworking people.

THE WAILING ALPS

Home to the highest and coldest peaks in Ninjago.

The chilling winds that rush this mountain range

make a distinct and frightening sound. The Wailing

Alps is the location of the Hybnobrai tomb, and a

huge tornado, called the Blind Man’s Eye, that rages

through the area is said to be a passageway to

another realm.

DESIGN PROCESS

The model, close to its final version as we know it.

The symmetrical layout started to take shape and

the different height buildings made for an interesting

outline. You can tell there’s a focal point where the

statue is in the middle of the fountain and the sides

extend to fit the two extra buildings. I really get

attached to small details such as the tree shade on

the rooftop of the blacksmith, so I ended up adding

dried leaves to get a similar effect.

Rough quick

sketches

which helped

me get

comfortable

with the

difficult to

build shapes

that oriental

buildings are

so full of.

The smuggler’s market has mostly stayed untouched

with its open structure, the difficult part was

deciding on a roof style. The garage door segments

allowed me at least two options of soft shapes to

reflect the symbolic style. In the end the more

recognizable and intricate double roof was chosen.

Details were added over time, such as the fishing

rods, crates and a pathway. I am very fond of the

two chickens that took up residence in the vicinity,

probably lured in by the smell of baguettes.

DESIGN FACTS

A very modest looking house

which, in the early days of

development, set the tone of

voice all the way to the final

version. At this point I knew

I wanted to include at least

one building that had an

interesting wooden structure

within its walls. This came to

life in the blue blacksmith.

Early on in the process of designing I was inspired by the freedom a model

this size has to offer. Detailed cliffs and wild trees were things I’ve always

wanted to build as part of a model. The cliff went down in size and was

replaced by the Pagoda-inspired structure. In this early sketch the direction

was different and I wanted to throw in some references to Darkley’s

Boarding School For Bad Boys and the Ninjago City Museum, although it

made little sense for these to stand side by side.

AN INTERVEIW WIth The DesIGNERS

Can you explain a little about the process of designing the

Temple of Airjitzu model?

Sure! When I started working on the Temple of Airjitzu I

had already been working on all things Ninjago for more

than four years, so you could say I was very familiar with

the universe, the tone of voice and of course our team

of Ninja. We have been equipping our Ninja with state-

of-the-art vehicles, glorious dragons and frightening

enemies year after year, but we felt they’ve been

missing something to give context. A chance to build

a large model came up and my mind was made up on

the direction from the start. I could finally use all the

bits and builds I have been keeping in boxes around

my desk. Ultimately, the model still reflects a strong

Ninjago fantasy-inspired look, with some features that

might not be based on reality.

How did you get the inspiration for this set?

It’s difficult not to be inspired when digging up

references on Asian architecture. The main idea for

the model and the layout was to provide our main

characters with an environment where they could

take a break from saving the land of Ninjago. The

centerpiece pagoda is luxurious and intricate while the

blacksmith’s shop has a humble feel to it. The contrast

is clear in the differences between the buildings such

as the color, roof styles, windows, and the purpose

they serve. Too much contrast can cause confusion so

I set up the base layout to be visually symmetrical with

the fountain serving as the center.

What were some of the challenges you faced?

Knowing when to stop! The village had the potential

to grow in so many different directions, but it was

important to represent the essentials. The idea of

the shadow theater came later in the

process, which meant that it had

to be thought out efficiently and as quickly as

possible. Determining how to cast the shadows

on the foil screen was a complicated process. Some

of the early versions had overlapping elements

that created interesting shapes and even dragons

with the light-brick turned on. One version involved

more movement but turned out to be too finicky.

Another challenge with the theater was building the

mechanism that activates the turntable and light-brick

simultaneously, since we can’t allow the light to be

triggered constantly as it would run down the battery.

Challenges like these are fun at the end of the day

when it all comes together and works as it should.

What’s your favorite part of the model?

It’s tricky to pinpoint one favorite part, but I am

definitely happy with the visual effect of the shadow

play, as it’s the first feature of this kind to be added

in a model. I have found myself staring at it as if it’s

telling an old folk tale with its minimal language.

What was the toughest part of the model to design?

The temple (pagoda) has proven to be the trickiest.

The unique layout it has, being situated in the corner,

came with unexpected surprises. Each level had to

be different in width because the first floor has a

passage on the outside which means the walls had

to be pushed in, and they would pop out by a stud on

the next floor only to be narrowed down again on the

last floor. The smooth curves of the roofs that have to fit

with the rigid base shape of the building were a tough

challenge from day one. The temple roof layout was

built very differently at first, using tiny ball-joints to get

the angles just right. It looked nice, but was needlessly

complex.

Tell us a little about how you came to work at the LEGO

Group.

I graduated with a degree in Industrial Design and have

been putting LEGO bricks together since 2010. My very

first models were designed for Ninjago. I was happy

to discover that the people who were interested in

hiring me had known about my models that I had been

building with LEGO bricks in my spare time as an AFOL.

What’s your favorite LEGO Ninjago set?

The Fire Temple still holds a special place in my heart,

and a close second would be the second Destiny’s

Bounty. I tend to get drawn in by ridiculous features that

seem to be the signature of so many

Ninjago sets.

CHARACTER OVERVIEW

NINJA

KAI JAY ZANE

COLE LLOYD NYA WU

Although any one ninja is

powerful, as a team they

are almost unstoppable.

The Ninja help each other,

support each other, and

in battle they are always

watching each other’s

backs. While they have

their share of arguments,

each one will risk

anything for his friends

and the team.

The Postman

CLAIRE

MISAKO

DARETH

JESPER

The hardest working

man in Ninjago. A

former post oﬃce

worker, this postman

decided as he

reached retirement

age that he needed

to get more fresh air

and exercise. He

started delivering the

mail (and packages

with new ninja outﬁts)

himself, but alas he had

not taken into account how

dangerous Ninjago could be.So, he

developed a wide variety of strange

vehicles to help him get the mail out

to even the most remote locations.

Employed to make

Yang’s haunted

temple into a pristine

tourist attraction, he

unfortunately hasn’t

been doing a very

good job. It’s diﬃcult

to take care of a

haunted temple when

you’re afraid of ghosts.

He is a very skilled

landscaper and gardener

but his fear keeps him

at a distance, and the grounds far from

the temple are much better kept than the

temple itself. But if the temple is one day

cleared from its ghoulish reputation, he will

undoubtedly do a great job. Until then, it’s

good that he has his daughter…

The polar opposite of her

father, she hangs around

the temple all the time, not

afraid to do some

repairs and whatever

else her father is

too frightened to do.

In fact, she LOVES

ghost stories, and in

secret she spends as

much time as she can

investigating the haunted

temple. She knows every

nook and cranny, and has

pretty much unraveled all the mysteries

and dark secrets of the temple… But she

keeps them to herself because she

doesn’t want to scare anybody. Especially

her father.

Misako is an

archaeologist

for the Ninjago

Museum of History

and Lloyd’s mother.

Her commitment

to her research,

particularly in figuring

out how to prevent the

prophecy of the Green

Ninja, kept her away from

Lloyd throughout much

of his life. Her knowledge

and expertise become key

to the Ninja’s epic journey.

Dareth is the

owner of a small

dojo called Grand

Sensei Dareth’s Mojo

Dojo, where he teaches

a small group of

students. Dareth is a

laid-back teacher,

but a little full of

himself, and tries to

prove that he’s good

enough to be one of the

Ninja, though he fails

miserably. Nonetheless,

Dareth remains a devoted

teacher and friend to the Ninja.

Shadow THEATER

The Shadow Theater in the model tells a story that is simple

enough to be interpreted in many different ways. The

silhouettes might even be spirits trapped under the temple,

forever reliving their moment of glory… learning how to master

the secrets of Airjitzu in an epic fight. But was it their last fight?

The snake, for me, represents the Great Devourer, the ultimate

baddie in the year of the snake, and one of the most impactful

villains in the Ninjago universe. The mini Great Devourer could

be sneaking in for a bite, and spinning in circles is the best

way to defend against the venomous fiend. If you try moving

the snake closer to the light-brick the shadow will grow, and

you can recreate a scene of Garmadon and his brother, Wu,

fending off their powerful foe.

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