Radial Engineering JD7 Injector Bedienungsanleitung

Andere Handbücher für JD7 Injector

1

Andere Radial Engineering Medienkonverter Handbücher

Radial Engineering

Radial Engineering MR5 Bedienungsanleitung

Radial Engineering

Radial Engineering LX-2 Bedienungsanleitung

Radial Engineering

Radial Engineering JDI Mk3 Bedienungsanleitung

Radial Engineering

Radial Engineering PROMS2 Bedienungsanleitung

Radial Engineering

Radial Engineering Decoder Bedienungsanleitung

Radial Engineering

Radial Engineering OX8 Bedienungsanleitung

Radial Engineering

Radial Engineering USB-Pro Bedienungsanleitung

Radial Engineering

Radial Engineering 8cx Bedienungsanleitung

Radial Engineering

Radial Engineering J+4 Bedienungsanleitung

Radial Engineering

Radial Engineering Exo-Pod RAD-EXO-POD Bedienungsanleitung

Beliebte Medienkonverter Handbücher anderer Marken

SoundTraxx

SoundTraxx Blunami BLU-2200 Bedienungsanleitung

SPROLINK

SPROLINK VA1 Bedienungsanleitung

Acclaim Lighting

Acclaim Lighting DDC-1-AC Bedienungsanleitung

Nikon

Nikon AF-S TC-20E III Bedienungsanleitung

Axis

Axis AXIS Q7406 Bedienungsanleitung

Omega

Omega TAC80B-J Bedienungsanleitung

Zoom

Zoom Thunderbolt TAC-2R Bedienungsanleitung

OST

OST iConverter 10/100M Bedienungsanleitung

Vertiv

Vertiv Netsure Bedienungsanleitung

birddog

birddog MINI Bedienungsanleitung

Roland

Roland GI-10 Bedienungsanleitung

Wallenstein

Wallenstein WX310 Bedienungsanleitung

Pace

Pace MSS 200-1 Bedienungsanleitung

Solar Converters

Solar Converters EQ 12/24-50 Bedienungsanleitung

CYP

CYP EL-7400V Bedienungsanleitung

TIE

TIE MIDI 1i1o Bedienungsanleitung

DCS

DCS Vivaldi Upsampler Bedienungsanleitung

Westermo

Westermo MCW-211 SERIES Bedienungsanleitung

Radial Engineering Ltd.

1845 Kingsway Ave., Port Coquitlam, BC V3C 1S9, Canada

Tel: 604-942-1001 • Fax: 604-942-1010

Email: info@radialeng.com

Radial JD-7 owner’s manual v2.1 01/2022 Part #: R870 1015 00

1

2

3

456

7

8

9

10

0

1

2

3

456

7

8

9

10

0

1

2

3

456

7

8

9

10

0

1

2

3

456

7

8

9

10

0

ABCD

Effect:

Note:

1

2

3

456

7

8

9

10

0

1

2

3

456

7

8

9

10

0

1

2

3

456

7

8

9

10

0

1

2

3

456

7

8

9

10

0

ABCD

Effect:

Note:

1

2

3

456

7

8

9

10

0

1

2

3

456

7

8

9

10

0

1

2

3

456

7

8

9

10

0

1

2

3

456

7

8

9

10

0

ABCD

Effect:

Note:

1

2

3

456

7

8

9

10

0

1

2

3

456

7

8

9

10

0

1

2

3

456

7

8

9

10

0

1

2

3

456

7

8

9

10

0

ABCD

Effect:

Note:

1

2

3

456

7

8

9

10

0

1

2

3

456

7

8

9

10

0

1

2

3

456

7

8

9

10

0

1

2

3

456

7

8

9

10

0

ABCD

Effect:

Note:

1

2

3

456

7

8

9

10

0

1

2

3

456

7

8

9

10

0

1

2

3

456

7

8

9

10

0

1

2

3

456

7

8

9

10

0

ABCD

Effect:

Note:

1

2

3

456

7

8

9

10

0

1

2

3

456

7

8

9

10

0

1

2

3

456

7

8

9

10

0

1

2

3

456

7

8

9

10

0

ABCD

Effect:

Note:

1

2

3

456

7

8

9

10

0

1

2

3

456

7

8

9

10

0

1

2

3

456

7

8

9

10

0

1

2

3

456

7

8

9

10

0

ABCD

Effect:

Note:

Effect: Program:

Guitar:

[ ] Input A

[ ] Pad

[ ] Input B

1

2

3

456

7

8

9

10

0

1

2

3

456

7

8

9

10

0

1

2

3

456

7

8

9

10

0

1

2

3

456

7

8

9

10

0

1

2

3

456

7

8

9

10

0

1

2

3

456

7

8

9

10

0

1

2

3

456

7

8

9

10

0

Input Gain Treble mid bass presence master

Channel 1 [ ] - 2 [ ]

Bright [ ]

Treble boost [ ]

Mid boost [ ]

1

2

3

456

7

8

9

10

0

1

2

3

456

7

8

9

10

0

1

2

3

456

7

8

9

10

0

1

2

3

456

7

8

9

10

0

1

2

3

456

7

8

9

10

0

1

2

3

456

7

8

9

10

0

1

2

3

456

7

8

9

10

0

Input Gain Treble mid bass presence master

Channel 1 [ ] - 2 [ ]

Bright [ ]

Treble boost [ ]

Mid boost [ ]

1

2

3

456

7

8

9

10

0

1

2

3

456

7

8

9

10

0

1

2

3

456

7

8

9

10

0

1

2

3

456

7

8

9

10

0

1

2

3

456

7

8

9

10

0

1

2

3

456

7

8

9

10

0

1

2

3

456

7

8

9

10

0

Input Gain Treble mid bass presence master

Channel 1 [ ] - 2 [ ]

Bright [ ]

Treble boost [ ]

Mid boost [ ]

1

2

3

456

7

8

9

10

0

1

2

3

456

7

8

9

10

0

1

2

3

456

7

8

9

10

0

1

2

3

456

7

8

9

10

0

1

2

3

456

7

8

9

10

0

1

2

3

456

7

8

9

10

0

1

2

3

456

7

8

9

10

0

Input Gain Treble mid bass presence master

Channel 1 [ ] - 2 [ ]

Bright [ ]

Treble boost [ ]

Mid boost [ ]

1

2

3

456

7

8

9

10

0

1

2

3

456

7

8

9

10

0

1

2

3

456

7

8

9

10

0

1

2

3

456

7

8

9

10

0

1

2

3

456

7

8

9

10

0

1

2

3

456

7

8

9

10

0

1

2

3

456

7

8

9

10

0

Input Gain Treble mid bass presence master

Channel 1 [ ] - 2 [ ]

Bright [ ]

Treble boost [ ]

Mid boost [ ]

1

2

3

456

7

8

9

10

0

1

2

3

456

7

8

9

10

0

1

2

3

456

7

8

9

10

0

1

2

3

456

7

8

9

10

0

1

2

3

456

7

8

9

10

0

1

2

3

456

7

8

9

10

0

1

2

3

456

7

8

9

10

0

Input Gain Treble mid bass presence master

Channel 1 [ ] - 2 [ ]

Bright [ ]

Treble boost [ ]

Mid boost [ ]

1

2

3

456

7

8

9

10

0

1

2

3

456

7

8

9

10

0

1

2

3

456

7

8

9

10

0

1

2

3

456

7

8

9

10

0

1

2

3

456

7

8

9

10

0

1

2

3

456

7

8

9

10

0

1

2

3

456

7

8

9

10

0

Input Gain Treble mid bass presence master

Channel 1 [ ] - 2 [ ]

Bright [ ]

Treble boost [ ]

Mid boost [ ]

Amplifier:

Amplifier:

Amplifier:

Amplifier:

Amplifier:

Microphone:

Microphone:

Microphone:

Microphone:

Microphone:

Note:

Amplifier:

Microphone:

Note:

Amplifier:

Microphone:

Note:

Note:

Note:

Note:

Note:

Date:

Sound:

Track:

1

2

3

456

7

8

9

10

0

1

2

3

456

7

8

9

10

0

1

2

3

456

7

8

9

10

0

1

2

3

456

7

8

9

10

0

1

2

3

456

7

8

9

10

0

1

2

3

456

7

8

9

10

0

1

2

3

456

7

8

9

10

0

Trim High Freq Mid 1 Freq Mid 2 Bass

Line in [ ] Mic in [ ]

Pad [ ]

Polarity reverse [ ]

EQ In [ ]

On [ ]

On [ ]

Lift [ ]

180º [ ]

On [ ]

Lift [ ]

180º [ ]

On [ ]

Lift [ ]

180º [ ]

On [ ]

Auxiliary

Output

Radial Engineering Ltd. 1845 Kingsway Ave., Port Coquitlam, BC V3C 1S9, Canada

Tel: 604-942-1001 • Fax: 604-942-1010 • Email: info@radialeng.com

JD7 Block Diagram

Guitar A to

Input-A

Guitar B to

Input-B

Ch. 1 Direct out to main guitar amplifier (Ch. A)

Ch. 5 output

to amplifier #3

(Ch. A)

Ch. 6 output

to amplifier #3

(Ch. B)

Ch. 2 output to

amp modeler

To mix/record Ch. 1

To mix/record

Ch. 3

To mix/record

Ch. 4

Balanced Direct Out

To mix/record Ch. 5

Ch. 7 Output to Rockman

To mix/record

Ch. 2

Ch. 4 output

to chorus,

to amp # 2

(Ch. B)

Ch. 4 output

to chorus,

to amp # 1

(Ch. B)

Ch. 6 Loop sent to & from multi effect processor

Ch. 5 Loop sent to & from pedal board

stereo

chorus

Ch. 3 output

to amp # 2

(Ch. A)

Front

Rear

Primary guitar input

‘Drag’ control

Overload LED indicator

8dB pad for Input-2

Second instrument input

Channel-1 on-off switch

Channel-1 output

Direct coupled

Channel-1 on/off indicator

Input selector switch

Replay the dry track, sending the signal to the XLR female input

on the JD7. Select ‘INPUT-2’ by depressing the ‘Select’ switch on

the front panel to turn on the XLR input. Adjust input level to

suit. Now, play back the tr ack through your amplifiers while

trying different settings. This way, you can monitor different

sounds before committing final track to tape.

Recorded Guitar

For Re-Mix - Connect the guitar and amplifiers as usual. Take

direct output from balanced XLR male output to mixer and

recorder. Record the dry track.

Ground Lift - Pin 1

Input level adjust

Balanced out

Ground Lift - Pin 1

Polarity reverse Pin 2 / Pin 3

Balanced out

Ch.-7 out

Effect loop input

from gutar effect.

Effect loop output

to guitar effect.

Channel-1 on-off switch On-off switch

Channel-1 output

Direct coupled

Channel output - Transformer isolated

Ground lift

Polarity reverse - 180º

Channel-1 on/off indicator Channel on/off active indicator

Effect loop bypass switch

Ground Lift - Pin 1

Input level adjust

Balanced out

Ground Lift - Pin 1

Polarity reverse Pin 2 / Pin 3

Balanced out

Ch.-7 out

Effect loop input

from gutar effect.

Effect loop output

to guitar effect.

Channel-1 on-off switch On-off switch

Channel-1 output

Direct coupled

Channel output - Transformer isolated

Ground lift

Polarity reverse - 180º

Channel-1 on/off indicator Channel on/off active indicator

Effect loop bypass switch

Primary guitar input

‘Drag’ control

Overload LED indicator

8dB pad for Input-2

Second instrument input

Channel-1 on-off switch

Channel-1 output

Direct coupled

Channel-1 on/off indicator

Input selector switch

Replay the dry track, sending the signal to the XLR female input

on the JD7. Select ‘INPUT-2’ by depressing the ‘Select’ switch on

the front panel to turn on the XLR input. Adjust input level to

suit. Now, play back the tr ack through your amplifiers while

trying different settings. This way, you can monitor different

sounds before committing final track to tape.

Recorded Guitar

For Re-Mix - Connect the guitar and amplifiers as usual. Take

direct output from balanced XLR male output to mixer and

recorder. Record the dry track.

Guitar A to

Input-A

Guitar B to

Input-B

Ch. 1 Direct out to main guitar amplifier (Ch. A)

Ch. 5 output

to amplifier #3

(Ch. A)

Ch. 6 output

to amplifier #3

(Ch. B)

Ch. 2 output to

amp modeler

To mix/record Ch. 1

To mix/record

Ch. 3

To mix/record

Ch. 4

Balanced Direct Out

To mix/record Ch. 5

Ch. 7 Output to Rockman

To mix/record

Ch. 2

Ch. 4 output

to chorus,

to amp # 2

(Ch. B)

Ch. 4 output

to chorus,

to amp # 1

(Ch. B)

Ch. 6 Loop sent to & from multi effect processor

Ch. 5 Loop sent to & from pedal board

stereo

chorus

Ch. 3 output

to amp # 2

(Ch. A)

Front

Rear

JD7 Block Diagram