Rane Empath Bedienungsanleitung

EMPATH

MIXERS

Data Sheet-1

DATA SHEET

General Description

e Empath mixer combines the vision of Grandmaster Flash

and Rane technology. Compact size, exceptional performance

and advanced features set the Empath mixer apart. e Empath

is the most able 3-channel, 10" format mixer available. e name

implies understanding, awareness and sensitivity to the needs of DJs.

e top plate is durable Lexan™, available in 4 versions:

• Rotary Empath

• Original Blue

• Black on Black

• Grandmaster Flash Gold Signature Edition

All four versions have the same operating features. e

Empath meets the requirements of all DJ genres:

trance · downtempo · techno · breakbeat · hip-hop · scratch · house ·

drum & bass · live music · freestyle · reggae · hardcore · chill out...

e Gold Signature

Edition comes with

a rugged road case,

including room un-

derneath the mixer for

cables and headphones.

is CASE 3 is also

available as an acces-

sory for any Empath.

Features Important to DJs

• Universal internal power supply. When traveling, nding

power supply adapters is dicult. e Empath accepts 100

to 240 VAC, 50/60 Hz power, for use anywhere in the world

without adapters.

• Auto-Gain prevents performance-wrecking swings in pro-

gram level when changing sources. e music is never too soft

or clipped.

• FlexFX™is a post-fader external stereo eects loop with indi-

vidual Dry/Wet pan controls for Inputs 1, 2, 3 and the Mic.

• Penny & Giles™ faders are simply the best money can buy.

Smooth, accurate and reliable mixing is made possible by

employing the most respected name in audio faders.

• Two kinds of fader caps are provided for dierent mixing

preferences: soft rubber caps for smooth mixing, and hard

plastic caps for fast mixing.

• Flash-Cue allows the DJ to rapidly select Crossfader A-Cue-

sum or Crossfader B-Cue-sum with the ick of a switch,

normally slow or complicated on other mixers.

• Multiple Outputs. Nothing is more frustrating than arriving

at a club and nding their jacks don’t match. Systems may have

XLR, TRS or RCA connectors. e Empath provides all 3.

• Low and High headphone tone controls allow the DJ to

match their mixer to their headphones.

• Both ¼" and 3.5mm headphone jacks are simultaneously

usable. More headphones are compatible with the Empath.

• Two assignable CD triggers work with any CD player with

fader start ability.

• Accelerated-Slope™, full-cut, 3-band tone controls are the

most exible and highest quality available.

• Crossfader assign switches allow any Input Channel to be

mixed on the A-side, B-side or Post Crossfader.

• Level meters view Stereo Cue, Stereo Master Mix, Split Cue

or Main Output signals.

Data Sheet-2

Parameter Specication Conditions/Comments

Phono Inputs: 3 Stereo Unbalanced RCA jacks

..........Response RIAA ±1 dB

..........Input Impedance 47.5 kΩ, 200 pF 1 kHz

..........Gain 36 dB 1 kHz

Line Inputs: 3 Stereo Unbalanced RCA jacks

.........Input Impedance 3.4k Ω minimum 1 kHz

.........Gain -12 to +12 dB 1 kHz

.........Tone controls (EQ) 3-band, Accelerated-Slope™ Full cut, see graph

Auxiliary Input: 1 Stereo Unbalanced RCA jacks

.........Input Impedance 10k Ω 1 kHz

.........Gain O to +10 dB 1 kHz

FlexFx Return: Stereo Unbalanced ¼" TRS jacks

.........Input Impedance 10k Ω 1 kHz

.........Gain O to +6 dB 1 kHz

Mic Input: Active balanced ¼" TRS jack

.........Input Impedance 1022 Ω 511 Ω each leg to ground, 1 kHz

.........Gain O to +50 dB 1 kHz

.........Frequency Response 20 to 20 kHz +0, -3 dB, Max gain

.........CMRR >40 dB 1 kHz, Max gain

.........S/N 76 dB Re +4 dBu, BW 20 to 20 kHz, gain 50 dB

.........Tone Control 2-band, ±12 dB See graph

Main Output/Booth Output: Stereo Balanced XLR jacks, ¼" TRS jacks

.........Maximum Output +24 dBu

.........Output Impedance 100 Ω balanced each leg

.........Gain O to +6 dB

.........Frequency Response 20 Hz to 30 kHz +0, -3 dB

.........THD+N 0.05% Re +4 dBu, 20 to 20 kHz, 20 kHz BW

.........S/N 88 dB Re +4 dBu, 20 kHz BW, unity gain

Aux Output: Stereo Unbalanced RCA jacks

.........Maximum Output +20 dBu

.........Output Impedance 300 Ω 1 kHz

.........Gain O to 0 dB

FlexFX Send: Stereo Unbalanced ¼" TRS jack

.........Output Impedance 300 Ω 1 kHz

.........Gain O to +6 dB

Headphones: Stereo 3.5mm and ¼" TRS jacks

.........Power output 150 mW 150 Ω load

1-2-3 Auto-Gain Automatic gain for channel 1-3 inputs max gain adjust range ±12 dB

.........Target 0 dBu (775 mV) no gain change

.........reshold –16 dBu (123 mV) AGC actions starts, Gain holds indenitely below threshold

.........Ratio 3:1 Input change : Output change

.........Gain Increase 5.33 dB/second see graph in Manual, page 2

.........Gain Decrease 32 dB/second see graph in Manual, page 2

Power Supply Requirement 100-240 VAC, ±10% 50/60 Hz, 20 watts

Ambient Temperature 50º C (122º F) maximum

Agency Listing Safety: UL UL6500 E193164

..........cUL (Canada) CAN/CSAE60065-00

..........CE LVD 73/23/EEC EN60065

EMI: CE EMC Directive 89/336/EEC

.........FCC Part 15J Certied Class B Device

Construction All Steel

..........Front Panel Size 13.3"H x 10"W (33.8 cm x 25.4 cm)

..........Con Depth 3" (see detail) (7.7 cm)

..........Weight: 9 lb (4.1 kg)

Shipping: Size: 7.75"H x 12.75"W x 19.25"D (19.7 cm x 32.5 cm x 49 cm)

..........Weight: 12 lb (5.5 kg)

EMPATH

MIXERS

Data Sheet-3

AUDIO PRECISION vs

-20

-18

-16

-14

-12

-10

-8

-6

-4

-2

AMPL(dBr)

20 100 1k 10k 50k

FREQ(Hz)

Low +12, High +12

Low 0, High 0

Low -12, High -12

Combined response of the Mic and Headphone Tone controls

AUDIO PRECISION vs

-40

-35

-30

-25

-20

-15

-10

-5

AMPL(dBr)

20 100 1k 10k 50k

FREQ(Hz)

Summed Response

HighMidLow

Low Off,

Mid 0,

High Off

Low 0,

Mid Off,

High Off

Low 0, Mid 0, High 0

Low Off,

Mid Off,

High 0

Three Program EQ lter bands and the at summed response

Interactivity of the Accelerated-Slope™ EQ controls

Fader Response

100

Channel and CrossFader Contour

travel

dB Attenuation

Slowest

Fastest

AUDIO PRECISION AMPL (dBr) vs AMPL (dBr)

-40

-35

-30

-25

-20

-15

-10

-5

FREQUENCY

20 1001k10k 20

LOW–

MID–

HIGH–

LOW+

MID+

HIGH+

AUDIO PRECISION AMPL (dBr) vs AMPL (dBr) 23 MAY 102 13:01:49

-24

-21

-18

-15

-12

-9

-6

-3

-24 -21 -18 -15 -12 -9 -6 -3 036912

INPUT LEVEL

Gain is

increased

Gain is

held below

Threshold Gain is

decreased

-16 dB Threshold

Target

Auto-Gain Response

Auto-Gain looks at the input signal level (black line) and com-

pares it to the ideal or “Target” level (0 dB). With Auto-Gain on,

the gain is increased when it’s above -16 dB, and decreased when

it goes over the 0 dB Target (red line). Once Auto-Gain is active

and falls below -16 dB, it is held indenitely (blue line).

SLOW FAST

EQ Response

These curves represent the

upper and lower limits for

gain response vs fader posi-

tion. Contour controls allow

smooth and continuous

adjustment between a slow

fade and a fast cut.

Data Sheet-4

EMPATH

MIXERS

All features & specications subject to change without notice. DOC 106217

©Rane Corporation 10802 47th Ave. W., Mukilteo WA 98275-5000 TEL 425-355-6000 FAX 425-347-7757 WEB www.rane.com

12.8"

3.0"

13.3"

.7" MAX PROJECTION

(WITHOUT CABLES)

.8" MAX

PROJECTION

.9" MAX

PROJECTION

Side View

SLOW FAST

CONTOUR

CROSSFADER

HEADPHONES POWER

SLOW FAST SLOW FAST

3.1”

3”

9”

10”

STEREO AMPLIFIER

RIGHT MAIN RIGHT BOOTH

STEREO EQUALIZER STEREO EFFECTS PROCESSOR

LEFT MAIN

STEREO AMPLIFIER

LEFT BOOTH

DUAL CD PLAYER

SOUND CARD, SAMPLER OR TAPE DECK

GROOVEBOX

PHONO 3

PHONO 2

PHONO 1

PHONO GROUND

MIC

Example System Wiring Diagram

Rear View Front View

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