Rane MLM 103 Bedienungsanleitung

Manual-1

MLM 103

MIC/LINE MIXER

OPERATORS MANUAL

WEAR PARTS: This product contains no wear parts.

MLM 103 CONNECTION

INPUTS

The MLM 103 has ten balanced Euroblock Inputs. Use

only shielded cable. For best noise rejection use two-conduc-

tor-plus-shielded wire, even for unbalanced operation.

Connect the non-inverting (positive) audio lines to the “+”

terminals, and the inverting (negative) lines to the “–”

terminals. Connect the shields to the “ground” terminals.

For those installations where the MLM 103’s internal

shield-to-chassis connection causes interference, connect the

shields directly to chassis PEM nuts directly above each pair

of Euroblock connectors. Be sure to bite through the paint

with the star washer and keep the shields wrapped around the

audio conductors as much as possible. For the “theoretical”

best ElectroMagnetic Interference (EMI) immunity, connect

the shields at both ends of the cables. (For more information

on connections, see RaneNote 110, “Sound System Intercon-

nection” later in this manual or on Rane’s web site.)

MONO INPUTS 1-6 can accept either mic or line level

sources. When connecting line level signals, push the rear

panel button in for LINE. For mic signals, be sure the button

is in the MIC (out) position.

STEREO INPUTS 7/8 and 9/10 accept line level stereo

and mono sources.

OUTPUTS

The MLM 103’s OUTPUTS (and DIRECT OUTPUTS)

are balanced. The same wiring conventions as the Euroblock

Inputs apply.

QUICK START

If you don't get any further, at least read this section to get the best gain structure out of the MLM 103.

INPUTS 1 through 6may be microphone or line level. The choice between the two is made by setting the Input’s LINE

push-button on the rear panel.

Push the PHANTOM POWER button (when needed) for each pair of Inputs.

Using a screwdriver, adjust the TRIM for each Input so that the front panel OL LED illuminates only occasionally

during extreme peaks. The three-band Equalizer settings will influence this, so keep an eye on the OL when making EQ

adjustments. Now adjust the LEVEL for each Input.

Assign each Input to the desired Output by pushing any combination of the A, B, or AUX ASSIGN buttons.

INPUTS 7/8 and 9/10 are stereo line level Inputs.

Assign each stereo input to the desired output as follows:

When the A/B ASSIGN button is engaged and the MONO button is not engaged, INPUT 7 (or 9) is routed to the A

Output, while INPUT 8 (or 10) is routed to the B Output.

When the both the A/B ASSIGN and MONO buttons are engaged, both Inputs of 7/8 (or 9/10) will route to both the A

and B Output.

The AUX ASSIGN button is always a mono mix of the stereo channel.

Manual-2

FRONT PANEL DESCRIPTION

햲Equalizer level controls are used to contour the frequency response of the desired Input.

햳Mic/Line OUTPUT ASSIGN buttons. When the A button is engaged, the Mic/Line Input’s audio is routed to Output A.

When the B button is engaged, the Mic/Line Input’s audio is routed to Output B. When the AUX button is engaged, the Mic/

Line Input’s audio is routed to the Aux Output. Any (or all) of the ASSIGN buttons can be engaged simultaneously.

햴Mic/Line INPUT LEVEL controls 1-6 determine the amount of signal to be delivered to the assigned Outputs.

햵Mic/Line OVERLOAD LED monitors the signal level before and after the Equalizer.

햶Stereo Line OUTPUT ASSIGN buttons. When the A/B assign button is engaged and the MONO button is not engaged,

Input 7 (or 9) is routed to the A Output, while Input 8 (or 10) is routed to the B Output. When both the A/B ASSIGN and

MONO buttons are engaged, both Inputs of 7 and 8 (or 9 and 10) will be routed to both the A and B Output. The AUX

ASSIGN button is a mono mix of the stereo Inputs.

햷Stereo Line INPUT LEVEL controls 7/8 and 9/10 determine the amount of stereo or mono line signal to be delivered to

the assigned Outputs.

햸Stereo Line OVERLOAD LED monitors the signal levels after the Equalizer and after the line gain stage.

햹Output Meters indicate the overall levels of Outputs A, B and the AUX Output. The Meters are “peak hold”.

햺A, B and AUX OUTPUT LEVEL controls set the Output Level for A, B and AUX Outputs.

햻POWER LED lights whenever adequate power is applied to the unit.

Manual-3

REAR PANEL DESCRIPTION

햲MIC/LINE INPUT TRIM controls 1-6 adjust the input gain of the Mic/Line Inputs. The gain range for Mic level is 12 to

60 dB. The gain range for Line level is -4 to 12 dB.

햳LINE/mic INPUT buttons 1-6 switch the sensitivity and input impedance for either a microphone or line input. Mic level

is selected when the button is in the “out” position. Line level is selected when the button is in the “in” position.

햴MIC/LINE INPUT connectors 1-6 are balanced Euroblocks that connect either microphone or line signals.

햵PHANTOM POWER button applies 12 volt phantom power to each pair of Mic/Line Inputs.

햶STEREO LINE INPUT connectors 7/8 and 9/10 are pairs of balanced Euroblock connectors, to accommodate stereo or

mono line level signals.

햷PRE/post MIX LEVEL DIRECT OUTPUT buttons. When this switch is in the “in” position, the Direct Output signal is

not affected by the Input’s Level control. When this switch is in the “out” position, the Direct Output signal is affected by

the Input’s Level control.

햸DIRECT OUTPUTS are balanced Euroblocks that directly connect each Mic/Line Input signal to other audio devices as

needed. These Direct Outputs are post-Equalizer.

햹A, B and AUX OUTPUT connectors. One 6-post balanced Euroblock connects the A mix and the B mix to other audio

devices as needed. The other 3-post balanced Euroblock connects the AUX mix to other audio devices as needed.

Manual-4

©Rane Corporation 10802 47th Ave. W., Mukilteo WA 98275-5098 TEL (425)-355-6000 FAX (425)-347-7757 WEB http://www.rane.com

104623

MLM 103 OPERATION

MONO MICROPHONE/LINE LEVEL INPUTS 1-6

The rear-panel MIC/LINE INPUT TRIM adjusts the input

gain of these Inputs, before the front panel LEVEL controls.

When an Input’s LINE/mic button is in the “out” position

(Mic Level), the gain range is 12 to 60 dB. When an Input’s

LINE/mic button is in the “in” position (Line Level), the gain

range is -4 to 12 dB.

First, input some “loud” source material (like a pop metal

or disco CD, give a kid a mic, etc.) Then, using a screwdriver,

adjust the TRIM for each Input so that the front panel OL

LED illuminates only occasionally during extreme peaks. The

3-band Equalizer settings will influence this, so keep on eye

on the OL when making EQ adjustments.

Push the PHANTOM POWER button (when needed) for

each pair of Inputs. If the LINE/mic button is engaged (Line

Level), Phantom Power is automatically defeated for that

Input. The PHANTOM POWER button activates 12 volts

which is sufficient power for all but the most esoteric con-

denser mics. If in doubt, check the manufacturer’s micro-

phone specs.

Assign each Input to the desired Output by pushing any

combination of the A, B or AUX ASSIGN buttons.

The LEVEL of each Input can now be adjusted as needed

without danger of blowing your speakers, or scaring the

neighbors, whichever you deem worse.

STEREO LINE LEVEL INPUTS 7/8 and 9/10

When a stereo source (CD, DVD, cassette, etc.) is con-

nected to Inputs 7/8 (or 9/10), the routing is as follows:

When the A/B ASSIGN button is engaged and the MONO

button is not engaged, INPUT 7 (or 9) is routed to the A

Output, while INPUT 8 (or 10) is routed to the B Output.

When both the A/B ASSIGN and MONO buttons are

engaged, a mono mix of INPUTs 7/8 (or 9/10) will be routed

to both the A and B Outputs.

The AUX ASSIGN button is always a mono mix of the

stereo channel.

OUTPUT LEVELS

After all of the Mic/Line and Stereo Input Levels have

been adjusted and routed, adjust the OUTPUT faders so the

Meters peak average around 0 to +2.

SECURITY COVER

The MLM 103 comes with an installed security cover for

the EQ and ASSIGN switches only, leaving the LEVEL

controls and metering exposed for regular operation. This

feature is valuable when you want to protect those painstaking

settings from casual operators.

The cover is removed and replaced by two screws. If the

security cover will not be used, remove the chrome standoffs

from the front panel and replace with the black screws in

these same locations.

Security Cover

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