Sennheiser E614 Bedienungsanleitung

614

Bedienungsanleitung

Instructions for use

Notice d‘emploi

Istruzioni per l‘uso

Instrucciones para el uso

Gebruiksaanwijzing

e 614_511652_0206_Sp6.book Seite 1 Dienstag, 7. Februar 2006 1:41 13

e 614_511652_0206_Sp6.book Seite 2 Dienstag, 7. Februar 2006 1:41 13

Deutsch

English

Français

Italian

Español

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e 614_511652_0206_Sp6.book Seite 183 Dienstag, 7. Februar 2006 1:41 13

e 614_511652_0206_Sp6.book Seite 184 Dienstag, 7. Februar 2006 1:41 13

614

The super-cardioid 614 is a pre-polarised condenser

microphone designed for demanding applications which

require a wide frequency response, high sound pressure

level, fast transient response and a compact design. With

its frequency response of 40 Hz to 20 kHz, the 614 is

able to capture the full sound of the instrument, while its

super-cardioid pick-up pattern isolates the microphone

from other on-stage signals.

An excellent microphone for overheads, hi-hat and

percussions, the 614 is also an ideal choice for wood-

wind and string instruments. Its excellent acoustic

properties also make it a valuable tool for home

recording, the project studio and live stereo pair

recording.

Features

Rugged design

Excellent directivity across the whole frequency range

Full, natural sound

High maximum sound pressure level

Wide frequency response

e 614_511652_0206_Sp6.book Seite 3 Dienstag, 7. Februar 2006 1:41 13

Delivery includes

614 microphone

Pouch

MZQ 100 microphone clamp

Instructions for use

Warranty Certificate

Pin assignment of XLR-3 connector

12 3

XLR

XLRXLR

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Positioning the microphone

Drums / Percussions

In order to prevent interference due to crosstalk between

adjacentsoundsources,trytopositionthemicrophoneso

that the interfering sound source is located in the angle

area of the highest cancellation of the microphone

(approx. 135°; see polar diagram)

Position Resulting sound Commentary

Natural, clear sound Position the microphone

a few centimetres above

the outer edge of the

hi-hat aiming down.

If necessary, remove

unwantedlow-frequency

signal portions by high

pass filtering.

Attention: When closing

the hi-hat, a strong air

current is created on the

edge. If the microphone

is positioned too close to

the edge, interfering

noise due to the air

current can occur.

More fundamental,

little overtones

e 614_511652_0206_Sp6.book Seite 5 Dienstag, 7. Februar 2006 1:41 13

Polar diagram

Frequency response curve

000

8000

6000

500

000

- 7

500

000

5000

0000

5 c

- 4

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Specifications

Transducer principlepre-polarised

condenser microphone

Frequency response 40....20,000 Hz

Pick-up pattern super-cardioid

Sensitivity

(free field, no load at 1 kHz) 3 mV/Pa

Max. sound pressure level

at 1 kHz 139 dB/SPL

Nominal impedance 50 Ω

Min. terminating impedance 1 kΩ

Phantom powering 12 – 52 V / 3 mA

Connector XLR-3

Dimensions Ø 20 mm, L 100 mm

Weight 93 g

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Overview of microphone applications

Variant

Application

e602

e604

e606

e608

e614

e815

e825

e835

e840

e845

e865

Vocals xxxxxx

Choirs x

Studio,

acoustic instruments x

Orchestra x

Brass / Saxophone xx x

Acoustic guitar x

Acoustic bass x

Guitar amplifiers x

Bass amplifiers x

Leslie xxx

Piano, grand piano x

Kick drums x

Snare drums xxx

Rack toms xxx

Floor toms xxx

Congas xxx

Cymbals x

Percussion xxxx

Overheads x

e 614_511652_0206_Sp6.book Seite 8 Dienstag, 7. Februar 2006 1:41 13

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