Shure SVX Wireless Bedienungsanleitung

SVX

Wireless System

Online user guide for SVX wireless system.

Version: 1.0 (2022-A)

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Table of Contents
SVX   Wireless System 3
SAFETY PRECAUTIONS 3
Quick Setup 3
Shure SVX Wireless 4
Receiver 4
Transmitter 5
System Components 6
All Systems 6
Handheld Transmitter 6
Bodypack Transmitter 6
Power 6
Connecting to a Sound System 7
Channel 7
Bodypack Gain 7
RF Level 7
Squelch 7
Low Battery Indicator 7
Color ID Rings 7
Getting Good Sound 7
Correct Microphone Placement 8
Wearing the Headworn Microphone 8
Wearing the Bodypack Transmitter 9
Wireless Tips to Improve System Performance 9
Troubleshooting 9
Optional Accessories 10
Replacement Parts 10
 10
Frequency Range 10
Australia Warning for Wireless 11
Specifications 11

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SVX 

Wireless System

SAFETY PRECAUTIONS

Thepossibleresultsofincorrectusearemarkedbyoneofthetwosymbols—"WARNING"and"CAUTION"—dependingonthe

imminence of the danger and the severity of the damage.

WARNING: Ignoring these warnings may cause severe injury or death as a result of incorrect operation.

CAUTION:Ignoringthesecautionsmaycausemoderateinjuryorpropertydamageasaresultofincor

rect operation.

WARNING

If water or other foreign objects enter the inside of the device, fire or electric shock may result.

Do not attempt to modify this product. Doing so could result in personal injury and/or product failure.

CAUTION

Never disassemble or modify the device, as failures may result.

Do not subject to extreme force and do not pull on the cable or failures may result.

Keep the microphone dry and avoid exposure to extreme temperatures and humidity.

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Quick Setup

Shure SVX Wireless

Congratulations on purchasing your SVX Wireless system from Shure. Shure professional audio products deliver legendary

sound quality, stage-proven durability and hassle-free setup. The SVX Wireless System comes with your choice of lavalier,

handheld, or headset microphone making it an ideal choice for presentation, karaoke performance, aerobics/fitness instruction

or other applications where the freedom of wireless is desired.

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Receiver

KCX4

KCX88

①Power LED light

②Audio Frequency LED light

③Radio Frequency Diversity lights

④Balanced output (XLR connector)

⑤Unbalanced output (6.35mm connector)

⑥Audio output level (line/mic) switch

⑦Channel selection dial

⑧Squelch dial

⑨Power adapter input

⑩Antennas

Transmitter

①Power button

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•

②Channel selection dial

③Audio input level (line/mic) switch

④Battery compartment

⑤Transmitter gain dial

⑥Belt clip

⑦Mic input (CVL Lavalier or PGA31 Headworn)

⑧Radio Frequency (RF) level switch

⑨Antenna

⑩Color ID rings

⑪Anti-roll ring

⑫Power LED light

System Components

All Systems

SVX Receiver

PS24 Power Supply

Channel Selector Tool

2 AA batteries

Handheld Transmitter

SVX2 Handheld Microphone Transmitter

Microphone Stand Adaptor

Bodypack Transmitter

SVX1 Bodypack Transmitter

Microphone

PG185 Lavalier microphone OR

PG30 Headworn microphone

Power

Plug in the power adapter to turn on the receiver. There is no power switch.

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•

Insert 2 AA batteries into the transmitter. Hold the power button for two seconds to turn on.

Connecting to a Sound System

Connect the balanced XLR output on the receiver to a MIC or LINE input. Set the LINE MIC switch accordingly.

If there is no XLR input, connect the unbalanced 6.35 mm (1/4 inch) receiver output to a LINE input. Set the LINE MIC switch to

LINE.

Channel

Set the transmitter and the receiver to the same frequency using the channel dial.

Note: If using a dual system (or more than one single system), assign each input to a different channel within the same group (channels 1-4 or channels A-D).

For the JB1 band, there are three groups: channels 1-3, 4-6, and 7-8. This ensures the best signal quality.

Bodypack Gain

The gain dial controls the audio volume sent to the receiver.

Turn down the gain if the audio signal sounds distorted.

Turn up the gain if the AF LED light is faint or the audio is too low.

RF Level

This switch sets the RF level of the handheld transmitter. It does not affect the audio volume.

Set to LO to avoid interfering with other receivers when in a building with multiple systems.

Set to HI for transmitting over a greater distance when using a single system.

Squelch

Squelch controls the amount of RF signal that the receiver picks up.

Turn up the squelch dial (clockwise) to remove ambient noise from unwanted RF sources.

Turn down the squelch dial (counterclockwise) if the microphone is not transmitting clearly to the receiver.

Low Battery Indicator

The transmitter power LED flashes to indicate low batteries.

Color ID Rings

Slide these color rings over the handle of the microphone to identify them. (Sold in a package of six as an optional accessory.)

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•

Getting Good Sound

Correct Microphone Placement

Holdthemicrophonewithin12inchesfromthesoundsource.Forawarmersoundwithincreasedbasspresence,move

the microphone closer.

Do not cover grille with hand.

Wearing the Headworn Microphone

Positiontheheadwornmicrophone13mm(1/2in.)fromthecornerofyourmouth.

Positionlavalierandheadwornmicrophonessothatclothing,jewelry,orotheritemsdonotbumporrubagainstthemicro

phone.

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•

Wearing the Bodypack Transmitter

Clip the transmitter to a belt or pocket.

For best results, the belt should be pressed against the base of the clip.

Wireless Tips to Improve System Performance

If you encounter wireless interference or dropouts, try the following suggestions:

Replace the transmitter batteries

Choose a different frequency channel

Reposition the antennas so there is nothing obstructing a line of sight to the transmitter (including the audience)

Avoid placing transmitter and receiver where metal or other dense materials may be present

Move the receiver to the top of the equipment rack

Remove nearby sources of wireless interference, such as cell phones, two-way radios, computers, media players, and

digital signal processors

Keep transmitters more than two meters (6 feet) apart

Keep the transmitter and receiver more than 5 meters (16 feet) apart

Keep them away from large metal objects

During sound check, mark trouble spots and ask presenters or performers to avoid those areas

Troubleshooting

Problem Solution

No sound

Check the power supply of the microphone and receiver.

Ensure that the batteries are inserted correctly.

Set the transmitter and receiver to the same channel.

Check that the receiver is connected to the input on the audio mixer or amplifier.

Check that the transmitter is not too far away from the receiver.

Decrease (counterclockwise) the squelch.

Set the bodypack audio input switch to MIC.

Make sure that the receiver has a clear, line-of-sight path to the transmitter.

Keep the receiver away from metal objects.

Noise from RF

interference

Replace the transmitter batteries.

Checkthereceiverantennalocation.Makesurethereisaclearpathbetweenthereceiverandthetrans

mitter.

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Whenusingtwoormoresystemssimultaneously,chosedifferentchannelswithinthesamegroup(chan

nels 1-4 or channels A-D). For the JB1 band, there are three groups: channels 1-3, 4-6, and 7-8.

Turnofforrelocatepossiblesourcesofinterferencesuchascellphones,radios,orotherelectronicde

vices.

Increase squelch (clockwise) to restrict the receiver from picking up ambient noise.

Unplug any unused receivers

Audio distor

tion

Adjust levels on the mixer board or sound system.

Make sure all cables are securely connected from the receiver to the sound system.

If using a bodypack transmitter, lower the gain settings.

Optional Accessories

Color Rings (6) WACR

Single Channel Rack Mount Kit WASRM

Dual Channel Rack Mount Kit WADRM

Replacement Parts

Channel Key 53A14226

Microphone Stand Adapter 95A14227

Power Supply PS24

See your local Shure distributor for assistance

Frequency Range

Band Frequency Range ( MHz )

P12 698 to 710

P14 710 to 726

P16 726 to 742

Q16 742 to 758

Q18 758 to 774

R23 774 to 787

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