Electro-Voice RE92H Bedienungsanleitung

Key Features:

• Wide, Smooth Frequency Response

• Cardioid Polar Pattern

• Available in Black or White

• In-line Electronics Module

• 12dB/Octave Switchable High Pass Filter

• Transformerless Differential Output to Drive

Long Cables

General Description:

The Electro-Voice® model RE92H / RE92HW is a

professional quality miniature cardioid, electret condenser

microphone. It’s designed specifically for applications where

themicrophoneneedstobesuspendedfromabovethesound

source. The RE92H / RE92HW has a cardioid polar pattern

for high gain before feedback, and its condenser element

provides clear and natural sound reproduction. Exceptionally

highsensitivity,auniformcardioidpolarresponse,andsmooth

frequency response make the RE92H / RE92HW ideally

suited for distant sound pick-up. The RE92H / RE92HW is

ideal for theatre, houses of worship, or any application where

a small, high quality mic needs to be “heard but not seen”.

The microphone is available in two colors, RE92H (Black),

and RE92HW (White). The integrated wire director can be

easily formed at the proper angle so that the mic points at the

desiredsoundsource.TheRE92H/RE92HWcomessupplied

with25feetofcable.Thecableisattachedtotheinlinemodule

by means of screw terminals, so that if needed, the cable

can be easily shortened.

Technical Specifications:

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RE92H/RE92HW

Unidirectional Condenser

Hanging Microphone

Dimensions:

Inline

Module

Dimensions

Microphone

Dimensions

Frequency Response:

Figure 1: Hanging Mic

Placement

12000 Portland Avenue South, Burnsville, MN 55337

Phone:952/884-4051, Fax:952/884-0043

www.electrovoice.com

©TelexCommunications,Inc. 12/2003

Part Number 38110-289 Rev A

U.S.A. and Canada only. For customer orders, contact Customer Service at:

800/392-3497 Fax: 800/955-6831

Europe, Africa, and Middle East only. For customer orders, contact Customer Service at:

+ 49 9421-706 0 Fax: + 49 9421-706 265

Other International locations. For customer orders, contact Customer Service at:

+ 1 952 884-4051 Fax: + 1 952 736-4212

For warranty repair or service information, contact the Service Repair department at:

800/553-5992 or 402/467-5321

For technical assistance, contact Technical Support at: 800/392-3497 or 952/736-4656

Specifications subject to change without notice.

Figure 2: 3-to-1 Rule

Polar Response:

When hanging one or more microphones to provide coverage for a choir, instrumental or theater group, the best microphone position for optimum sound

quality and feedback control depends on many factors–sound system characteristics, construction of the auditorium or theater, and the size and nature of

the performing group. Two general rules to observe for the best sound coverage are (1) microphone position and (2) the “3-to-1 rule.”

The first rule is to suspend the microphone approximately two to three feet in front of the first row of performers and two to three feet higher than the heads

of the last row of performers. The microphones are usually aimed to point at the last row of performers (see Figure 1). The second rule, the “3-to-1 rule,”

should be applied when more than one microphone is required, and their outputs are combined (as with a mixer). Following the 3-to-1 rule avoids the deep

voids and dips in frequency response that occur when two or more microphones “see” the same signal from slightly different distances. The 3-to-1 rule is

as follows: when multiple microphones are used, place them at least three times as far apart as any one of them is from the nearest sound source. Figure

2 shows a proper application of the 3-to-1 rule. The RE92H/HW may also be used to provide coverage for live theater applications (Figure 3). Most of the

action occurs at center stage, so the microphone should be positioned above and pointed to the center of the stage.

Application Notes:

Figure 3: Live Theater

Placement

Adjusting the Microphone Direction:

For fixed installations, allow the microphone cable to hang for at least 24

hours so the cable can completely relax and establish a set. This allows

themicrophoneto beaccuratelypositionedovera choir,stageororchestra.

If the microphone needs to be pointed downward from its suspended

location, this can be accomplished by bending the wire director as needed.

Ifthemicrophoneneedstobepointedin adifferentdirectionafterinstallation:

1) Loosen the locking nut.

2) Twist the microphone, making sure the cable also rotates in the

wire director.

3) When you release the microphone, the direction it’s pointing will

have changed.

4) Repeat this process until the microphone is positioned properly,

and retighten the locking nut.

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