Shure BETA52A Bedienungsanleitung
BETA52A
Kick Drum Microphone
The Shure dynamic supercardioid kick drum microphone, BETA52A, user guide. Includes how to use and specifications.
Version: 3.1 (2023-I)
Shure Incorporated
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Table of Contents
BETA52A Kick Drum Microphone 3
General Description 3
Features 3
Applications 3
General Rules for Kick Drum Mic Placement 3
Applications and Placement 3
Avoiding Pickup of Unwanted Sound Sources 4
Proximity Effect 4
Using the Stand Adapter 4
Specifications 5
Accessories 6
Furnished Accessories 6
Replacement Parts 7
Certifications 7
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BETA52A
Kick Drum Microphone
General Description
The Beta 52 A is a precision-engineered dynamic microphone with a tailored frequency response designed specifically for kick
drumsandotherbassinstruments.Itprovidessuperbattackand“punch,”anddeliversstudioqualitysoundevenatextremely
high sound pressure levels (SPL). An integrated, locking stand adapter simplifies mounting and adjustments.
Featuringamodifiedsupercardioidpattern,theBeta52Aexhibitsremarkablegainbeforefeedbackandexcellentoff-axisrejec-
tion. A hardened, steel mesh grille and die-cast metal construction withstands years of abuse, making it ideal for touring sound
reinforcement.
Features
Premier live performance microphone with Shure quality, ruggedness, and reliability
Modified supercardioid pick-up pattern for maximum gain before feedback and superior rejection of off-axis sound
Tailored frequency response specifically shaped for kick drums and bass instruments
Neodymium magnet for greater sensitivity and higher output
Advanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration
Dent-resistant, steel mesh grille and enamel coated die-cast metal construction resist wear and abuse
Studio quality performance, even at high SPL
Built-in stand adapter with dynamic locking system and XLR connector simplifies setup and provides greater flexibility
Applications
General Rules for Kick Drum Mic Placement
Make sure microphone does not touch drum head or damping inside of the drum.
Aim the microphone toward the desired sound source and away from unwanted sources.
Place closer to beater head for more attack, further away for more resonance.
Work close to the microphone for extra bass response.
Avoid excessive handling to minimize pickup of mechanical noise and vibration.
Applications and Placement
The following table lists the most common applications and placement techniques. Keep in mind that microphone technique is
largely a matter of personal taste; there is no one "correct" microphone position.
Application Suggested Microphone Placement Tone Quality
Kick Drum
5to7.5cm(2to3in.)awayfrombeat-
er head, slightly off-center from beater.
Sharp attack; maximum bass sound, highest
sound pressure level.
20 to 30 cm (8 to 12 in.) from beater
head, on-axis with beater.
Medium attack; balanced sound.
®
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Application Suggested Microphone Placement Tone Quality
NOTE: To create a tighter sound with more
“punch,” place a pillow or blanket on bot
tom of the drum against the beater head.
Guitar & Bass Amplifiers
2.5 cm (1 in.) from speaker, on-axis
with center of speaker cone. Sharp attack; emphasized bass.
2.5 cm (1 in.) from speaker, at edge
of speaker cone. Sharp attack; higher frequency sound.
60 to 90 cm (2 to 3 ft.) back from
speaker, on-axis with speaker cone. Softer attack; reduced bass.
Avoiding Pickup of Unwanted Sound Sources
Asupercardioidmicrophonehasthegreatestsoundrejectionatpoints120°towardtherearofthemicrophone.Placethemi-
crophone so that unwanted sound sources, such as monitors and loudspeakers, are at these angles, not directly behind it. To
minimizefeedbackandensureoptimumrejectionofunwantedsound,alwaystestmicrophoneplacementbeforeaperfor-
mance.
Recommended Loudspeaker Locations for Supercardioid Microphones
Proximity Effect
Unidirectional (cardioid) microphones progressively boost bass frequencies by 6 to 10 dB below 100 Hz when the microphone
is at a distance of about 6 mm (1/4 in.) from the sound source. This phenomenon, known as proximity effect, can be used to
create a warmer, more powerful sound. To prevent explosive low frequency sound during close-up use, the bass response
gradually rolls off. This provides greater control and helps the user take advantage of proximity effect.
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Using the Stand Adapter
The integrated stand adapter resists slipping when struck or bumped, yet permits adjustments without loosening the knob.
Thread the microphone onto the stand.
Before tightening the adjustment knob, adjust the stand height and position as necessary.
Tighten the adjustment knob to lock the microphone in place. Do NOT use tools or over tighten.
Specifications
Type
Dynamic (moving coil)
Frequency Response
20to10,000Hz
Polar Pattern
Supercardioid
Output Impedance
45Ω
Sensitivity
at 1kHz,open circuit voltage
-64dBV/Pa(0.6mV)[1]
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Maximum SPL
1kHzat1%THD,1kΩload174dB
Polarity
Positive pressure on diaphragm produces positive voltage on pin 2 with respect to pin 3
Weight
0.605kg(1.35lbs)
Connector
Three-pin professional audio (XLR), male, balanced
[1] 1 Pa=94 dB SPL
Typical Frequency Response
Typical Polar Patterns
Accessories
Furnished Accessories
5/8" to 3/8" (Euro) Threaded Adapter 95A2050
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Storage Bag 95A2324
Replacement Parts
Cartridge for BETA52 and BETA52A R175
Grille for BETA52A RK321
Plug (Connector) Assembly 90J1984
Certifications
This product meets the Essential Requirements of all relevant European directives and is eligible for CE marking.
CE Notice
Hereby,ShureIncorporateddeclaresthatthisproductwithCEMarkinghasbeendeterminedtobeincompliancewithEuro-
pean Union requirements.
The full text of the EU declaration of conformity is available at the following site: https://www.shure.com/en-EU/support/declara-
tions-of-conformity.
UKCA Notice
Hereby,ShureIncorporateddeclaresthatthisproductwithUKCAMarkinghasbeendeterminedtobeincompliancewithUK-
CA requirements.
The full text of the UK declaration of conformity is available at the following site: https://www.shure.com/en-GB/support/declara-
tions-of-conformity.
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