Sony ECM680S Bedienungsanleitung

ECM-680S

ECM-678

ECM-674

ECM-673

Shotgun Microphones

ECM-680S

ECM-678

ECM-674

ECM-673

Reach out and record

Capture the sound of distant subjects effectively and beautifully with Sony shotgun

microphones. Sony mics deliver superb ﬁdelity, reliability and versatility. A choice of

four models enables you to match the mic to your camcorder and your application.

Whether you’re shooting news, events, indie ﬁlms or documentaries; whether you’re in

the studio or in the ﬁeld; whether you’re mounting the mic to a camcorder or a boom

pole; Sony shotgun microphones excel.

Sony and microphones

Sony has a long and deep heritage in mics. In

1957, our classic C-37A condenser microphone

took the recording industry by storm, rapidly

becoming a ﬁxture in the major studios of Los

Angeles and New York. In the 1960s, our electret

condenser designs became de facto standards in

lavaliers and shotguns. Today Sony is a technology

leader in digital wireless microphones, transmitters

and receivers. Of course, Sony is also a world

leader in professional camcorders, making Sony

shotgun mics a perfect ﬁt for Sony camcorders.

Advanced Electret Condenser

capsules

Every microphone in the series takes advantage

of Sony’s latest-generation Electret Condenser

capsule for excellent performance in both

ﬁeld and studio productions. Sensitivity is as

high as -28 dB (ECM-678) while inherent noise

is reduced to a minimum, as low as 16 dB SPL

(ECM-678). Combined with Sony’s super cardioid

pickup pattern, this performance enables you to

successfully capture even faint sounds at long

distances with excellent quality.

Wide, ﬂat response

Professionals trust Sony for accurate sound

reproduction and these microphones deliver.

Typical on-axis frequency response is a wide 40 Hz

to 20 kHz with a smooth characteristic. The result is

open, natural sound reproduction.

Compact design

Every microphone in the series is a slender 13/16

inches in diameter (about 20 mm ). And the

compact ECM-673 is just 7-7/8 inches long (200 mm).

Durable and reliable

Sony knows what happens in a typical day in

production and news. We know you don’t always

have the opportunity to baby your equipment, to

handle it carefully or fully protect it in transit. With

robust mechanical engineering, Sony professional

mics are built to take it.

Low cut ﬁlter

To reduce ambient noise, each Sony shotgun mic

includes a two-position low-cut ﬁlter with settings

for Music (M) and Voice (V).

ECM-680S Stereo Shotgun

Microphone

The ECM-680S incorporates two large-diaphragm

bi-directional capsules, in Mid Side (MS)

conﬁguration. The two signals are matrixed to

create Left and Right channels for a spacious,

natural soundstage. Or switch the mic into

Monaural mode, for highly directional pickup.

The mic can output both channels on a single

XLR-5-pin cable, convenient for either camcorder

or boom pole mounting. For visual conﬁrmation,

Stereo mode is indicated by an LED on the camera

body. Stereo/Mono mode can also be selected

from compatible Sony camcorders, including

the HDW-F900R or 790 HDCAM® camcorders and

PDW-F800, 700, F355, F350, F335 or F330 XDCAM® HD

camcorders.

LINEUP

Stereo / Monaural switchable, with high sensitivity and excellent sound quality

ECM-680S

The ECM-680S attached to a Sony

PDW-F800 XDCAM® HD422

camcorder.

ECM-680S Stereo

Directivity Characteristics Frequency Responce Characteristics

0°

0dB

-20

-40

30°

60°

90°

120°

150°

180°

120°

90°

60°

30°

2 kHz

1 kHz

500 Hz

-30

-20

-10

20 100 1k 10k 20k

Response (dB)

Frequency (Hz)

0°

90°

180°

ECM-680S Monaural

Directivity Characteristics Frequency Responce Characteristics

1 kHz

500 Hz

4 kHz

10 kHz

-10

-20

0dB

0°

60°

90°

120°

150°

180°

150°

120°

90°

60°

30° 30°

-30

-20

-10

20 100 1k 10k 20k

Response (dB)

Frequency (Hz)

0°

90°

180°

ECM-678

LINEUP

ECM-678 Shotgun Microphone

The ECM-678 is superbly sensitive and quiet with

broad, ﬂat response. The mic can even handle

sound pressure to nearly the threshold of pain.

Super-cardioid directional Shotgun with High Sensitivity and Low Inherent Noise

The ECM-678 attached to a Sony

PDW-530 XDCAM camcorder.

ECM-678

Directivity Characteristics Frequency Responce Characteristics

0°

0dB

-5

-10

-15

-20

30°

60°

90°

120°

150°

180°

150°

120°

90°

60°

30°

1 kHz

500 Hz

4 kHz

10 kHz

20 50 100 200 500 1k 2k 5k 10k

0°

90°

180°

20k Hz

Response (dB)

Frequency (Hz)

ECM-674

ECM-673

ECM-674 Dual Power Shotgun

Microphone

The affordable ECM-674 extends your ﬂexibility,

accepting either phantom power over the

XLR-3-pin cable or 1.5 Volt power from an internal

AA battery. Because old batteries can leak and

damage a mic, the ECM-674 incorporates a

protection circuit that detects low battery voltage

and shuts the mic down.

ECM-673 Compact Shotgun

Microphone

The affordable ECM-673 is just 7-7/8 inches long

(200 mm). So it’s perfect for mounting on Sony

HDV™ and XDCAM EX™ camcorders, where it

maintains proper balance.

Compact, Lightweight and Affordable, Suitable for a Compact Camcorder

ECM-674 ECM-673

The ECM-673 attached to a Sony

PMW-EX3 XDCAM EXTM camcorder.

ECM-674

Directivity Characteristics Frequency Responce Characteristics

-10

-5

-15

-20

0dB

0°

30°

60°

90°

120°

150°

180°

150°

120°

90°

60°

30°

1 kHz

500 Hz

4 kHz

10 kHz

+20

+10

–10

–20

–30

20 10050 200 500 1k 2k 5k 10k 20k

Response (dB)

0°

90°

180°

Frequency (Hz)

ECM-673

Directivity Characteristics Frequency Responce Characteristics

-10

-15

-5

-20

0dB

0°

30°

60°

90°

120°

150°

180°

150°

120°

90°

60°

30°

1 kHz

500 Hz

4 kHz

10 kHz

+20

+10

–10

–20

–30

20 10050 200 500 1k 2k 5k 10k 20k

Response (dB)

Frequency (Hz)

0°

90°

180°

ECM-680S ECM-678 ECM-674 ECM-673

Capsule type Electret condenser Electret condenser Electret condenser Electret condenser

Stereo type MS (Mid-Side) – – –

Directivity Stereo: Uni-directional

Monaural: Super-cardioid

Super-cardioid Super-cardioid Super-cardioid

Frequency response Stereo: 50 Hz to 20 kHz

Monaural: 40 Hz to 20 kHz

40 Hz to 20 kHz 40 Hz to 20 kHz 40 Hz to 20 kHz

Sensitivity (at 1 kHz)¹ Stereo: -28 dB ±3 dB

Monaural: -32 dB ±3 dB

-28 dB ±3 dB -36 dB ±3 dB -36 dB ±3 dB

Output impedance (at 1 kHz) 100  ±20% 200  ±20% 220  ±20% 220  ±20%

Dynamic range Stereo: 103 dB or more

Monaural: 104 dB or more

111 dB or more Phantom: 107 dB or more,

Battery: 98 dB or more

107 dB or more

Signal-to-noise ratio (IEC179

A-weighted, 1 kHz, 1Pa)

Stereo: 73 dB or more

Monaural: 74 dB or more

78 dB or more 77 dB or more 77 dB or more

Inherent noise² Stereo: 21 dB SPL or less

Monaural: 20 dB SPL or less

16 dB SPL or less 17 dB SPL or less 17 dB SPL or less

Wind noise² 55 dB SPL or less (with windscreen)

60 dB SPL or less (without windscreen)

60 dB SPL or less (without winscreen) 45 dB SPL or less (with windscreen)

50 dB SPL (without windscreen)

45 dB SPL or less (with windscreen)

50 dB SPL (without windscreen)

Induction noise from

external magnetic ﬁeld²

0 dB SPL or less 0 dB SPL or less 0 dB SPL or less 0 dB SPL or less

Maximum input sound

pressure level²

124 dB SPL 127 dB SPL Phantom: 124 dB SPL or less

Battery: 115 dB SPL

124 dB SPL

Power requirements External DC 40 to 52 V External DC 40 to 52 V External: DC 40 to 52 V,

Battery: 1.5 V

External DC 40 to 52 V

Dimensions (diameter x length) 13/16 x 9 7/8 inches

(20 x 250 mm)

13/16 x 9 7/8 inches

(20 x 250 mm)

13/16 x 10 5/8 inches

(20 x 268 mm)

13/16 x 7 7/8 inches

(20 x 200 mm)

Weight Approx. 3.7 oz (105 g) 7 oz (200 g) Approx. 6.5 oz (185 g) without battery

Approx. 7.3 oz (208 g) with battery

Approx. 4.8 oz (135 g)

Supplied Accessories

Windscreen Yes Yes Yes Yes

Mic holder Yes Yes Yes Yes

Mic spacer x2 x2 x2 x2

Mic cable Yes (XLR-5-pin to XLR-5-pin) Yes (XLR-3-pin to XLR-3-pin) Yes (XLR-3-pin to XLR-3-pin) Yes (XLR-3-pin to XLR-3-pin)

Stand adaptor x2 x2 x2 x2

Carrying case Yes Yes – –

Operating instructions Yes Yes Yes Yes

SPECIFICATIONS

HDW-650

HVR-V1U

HVR-Z7U

HVR-S270U

PMW-EX1R

PMW-EX3

PDW-F800

¹ 0 dB=1 V/Pa., at 1 kHz ² 0 dB=20 Pa.

HXR-NX5U

RECOMMENDED SHOTGUN MICROPHONE FOR CAMCORDERS

ECM-680S ECM-678 ECM-674 ECM-673

Stereo/Mono Mono Mono Mono

HDCAM

HDW-F900R

HDW-750/750P lO*² O O

HDW-730S

O*¹*³ lO O

HDW-650/650F/650P

lO*² O O

XDCAM HD422

PDW-700/F800

lO*² O*² O*²

XDCAM HD

PDW-F355/F335

lO*² O*² O*²

XDCAM EX

PMW-350/320

lO*² O*² O*²

PMW-EX3/EX1R

O*¹ O O l

HXR-NX5U

O*¹ lO O

HDV

HVR-S270U

O*¹ lO O

HVR-Z7U

O*¹ lO O

HVR-Z5U

O*¹ lO O

HVR-V1U

O*¹ O _*4l

HVR-A1U

O*¹ O _*4l

Digital Betacam™

DVW-970/970P

O*¹*³ lO O

XDCAM SD

PDW-530/530P

PDW-510/510P O*¹*³ lO O

MPEG IMX™

MSW-970/970P

O*¹*³ lO O

DVCAM

DSR-400/400P

DSR-450WS/450WSP _*5_*5Ol

*¹ with K-1504, XLR-5P - XLR-3P (2) cable *² with K-1502, XLR-3P - XLR-5P cable *³ Connect to rear panel *4 Since the ECM-674 is relatively long compared to compact camcorders such as the HVR-A1

or the HVR-V1, the microphone might encroach on the camera’s ﬁeld of view.

*5 Due to the high sensitivity of the microphone and headroom of the recorder, sound

recordings may become distorted when excessive audio is input.

l Highly recommended

Recommended

-- Not recommended

NXCAM™

Sony Electronics Inc.

1 Sony Drive

Park Ridge, NJ 07656

sony.com/proaudio

A-1176 (MK10504V1)

Reproduction in whole or in part without written permission is prohibited.

Features and speciﬁcations are subject to change without notice.

Non-metric weights and measurements are approximate.

Sony, HDCAM, XDCAM, XDCAM EX, NXCAM, DVCAM, MPEG IMX, Digital

Betacam, “make.believe” and their respective logos are trademarks of Sony.

HDV is a trademark of Sony Corp. and the Victor Company of Japan, Limited.

Printed in USA (7/10)

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