Marshall Amplification Valvestate VS15 Bedienungsanleitung

VS15, VS15R, VS30R, VS65R,

VS100 & VS102R Combos &

VS100 Head

From Jim Marshall

I would like to personally thank you for selecting

one of our new generation of Valvestate™ amps. From

my early teens, right up to the present day, I have spent

the vast majority of my time working alongside many

great guitarists of all styles. Due to this constant

exposure, I am well aware of what every guitarist wants

to find in an amp; a versatile, durable, high quality unit

that will deliver great tone in every playing situation -

be it gigging, jamming, recording, rehearsing, warming

up backstage or just practicing at home.

Realising this need, we have invested a great deal

of money and time in researching and developing new

and improved guitar amplification concepts. As a result

of this, our critically acclaimed Valvestate™ technology

was born. This breakthrough technology successfully

emulates the warmth, feel and sheer musicality of an all

valve Marshall power stage without the weight and

expense of valves.

The Valvestate combo that you have just purchased

features the very latest advances in Valvestate™

circuitry. It also has a superb range of features and, I

am proud to say, all of the classic Marshall tone that you

could wish for.

In order to get the most out of your new amp I

would suggest that you read this handbook carefully and

then experiment to your hearts content. Do not be afraid

of using radical settings either - Valvestate™ is radical

technology designed for radical players!

I would like to wish you every success with all of

your musical endeavours and also your new Marshall

amp. I am sure that you will find it a pleasure to play

for many years to come.

Yours Sincerely,

ENGLISH

VS15: 15 Watt Combo

VS15R: 15 Watt Combo with Reverb

Front Panel Features

1. Input

Plug your guitar in here. We recommend that

you always use a high quality screened cable to

help prevent noise, interference and unwanted

feedback.

2. Gain Control 1

This controls the amount of input from the

guitar and the amount of input level from the pre-

amp to the power amp. Turning this up to around

half way, i.e. around five, can result in great clean

sounds, either shimmering and contemporary or

reminiscent of a vintage Marshall, depending on

volume and tone settings. Turning this past half

way will result in your guitar sound crunching up

nicely.

WARNING!

PLEASE READ THE FOLLOWING LIST CAREFULLY

A. ALWAYS ensure that a good quality mains plug is fitted to your Valvestate™ conforming

to the latest B.S.I. standards (UK only) lead supplied.

B. ALWAYS ensure that the plug is wired in accordance with the regulations of your country.

C. DO NOT attempt to remove the chassis. There are no user serviceable parts inside your

Valvestate™.

D. ALWAYS have your Valvestate™ serviced or repaired by competent, qualified service

technicians.

E. NEVER use your Valvestate™ in damp or wet conditions.

F. WARNING This apparatus must be earthed.

The concept behind Marshalls’ revolutionary Valvestate™ technology is to simulate the

performance of a Marshall valve power stage without actually using power valves. By providing the

warmth, feel, responsiveness and sheer musicality of a valve amp without involving the cost and

weight, Valvestate™ has placed the classic Marshall sound in the hands of thousands of waiting

guitarists the world over.

With the release of our VS15, VS15R , VS30R, VS65R, VS100R & VS102R combos and

VS100H amplifier head, we have produced a range of amplification ideal for a host of different

playing environments. The VS15, VS15R and VS30R are perfectly suited to home practice with clean

and overdrive options, headphone sockets and on the VS15R and VS30R reverb. You will also find

that with any of these models backstage warm-ups have never been so much fun or as inspiring, and in

the case of the VS30R neither has jamming with your friends.

The VS65R, VS100R, VS102R and VS100H will easily handle any of the above applications but

also boast many additional features plus a single ECC83 valve in the pre-amp to add greater sparkle to

clean and extra grind and dynamics to crunch and overdrive settings. This flexibility in addition to

their increased power ratings make these amps ideal for rehearsal and full live performance.

This handbook is designed to help you to get the most from your Valvestate™ amplifier.

However, we would stress that the simplest way of getting the best from your Valvestate™ is by

experimenting. Don’t be afraid of using radical settings if that is what is required to create the sound

that you want as Valvestate™ is radical technology designed to handle the most gruelling punishment

of any playing situation with ease.

VS15/15R

ENGLISH

3. Gain Control 2

This Gain control takes off where Gain 1

finishes. Having both Gains off will result in no

sound. Turning up Gain 2 will result in a distorted

sound straight away. Turning this control up even

further will result in high gain sounds, ideal for

contemporary styles. Cranking up both Gain 1 and

2 will result in monster distortion.

4. Treble

By adjusting the Treble control you can add or

take away the higher frequencies in your guitar

tone. By turning up the Treble control and

increasing those high frequencies you will make

your guitar sound more cutting.

5. Contour

The Contour control basically shifts the mid-

range frequencies in your guitar tone. By turning

the Contour fully clockwise you will scoop out of

your sound most of the middle frequencies. If you

combine this setting with heavy distortion and high

Treble and Bass settings you can get a killer

‘thrash’ tone, perfect for brutal rhythms and nasty

leads. By turning the Contour fully anti-clockwise

you can get some great fusion type tones.

We would suggest that you spend some time

experimenting with this control to find the

optimum setting for your style, if you’re not sure

simply leave the control set to 12 o’clock.

6. Bass

Turning the Bass control will effect the

amount of low frequencies or bottom end in your

guitar tone. Rotating this control clockwise will

increase the lower tones and, depending on other

settings, will generally make your tone warmer and

heavier if combined with distortion. By turning the

Bass control anti-clockwise you will reduce the

bass frequencies in your tone which will make your

sound sharper, thinner and more cutting.

It should be remembered that your guitar will

probably be the main influence in your overall

sound and a naturally bassy guitar for example will

probably need less bass on the amplifier than a

naturally trebly guitar.

7. Master Volume

This controls the overall volume of the combo.

Bear in mind when setting this, that to some extent

your settings on Gain 1 and Gain 2 will also effect

your volume.

8. Reverb (On VS15R Only)

Adding Reverb to your guitar tone will add

ambience and size, giving the effect of playing in a

large empty room or hall.

9. Headphone Jack

For use when silent practice is the order of the

day. Connection of headphones will automatically

shut down the internal speaker.

10. Line Out Jack

The Line Out Jack can be used for direct

connection to recording equipment or for

connection to a P.A. system.

11. Power Switch

Switches the mains power to the combo.

VS30R: 30 Watt Combo with Reverb

Front Panel Features

1. Footswitch Jack

Channels on the VS30R can be switched via

either the front panel or via a footswitch. This jack

is for connection of the footswitch (model P801).

2. Channel Select Push Switch

For changing channels via the front panel.

3. Input

Plug your guitar in here. We recommend that

you always use a high quality screened cable to

help prevent noise, interference and unwanted

feedback.

4. Volume

This controls the volume of the Clean Channel

and is useful for balancing the level of the

Overdrive and Clean Channels. Once turned past

half way this channel will start to crunch up your

guitar sound for semi-distorted chords and bluesy

leads.

5. Bass

Turning this Bass control will affect the

amount of low frequencies or bottom end in your

guitar tone when on the Clean Channel. Rotating

this control clockwise will increase the lower tones

and, depending on other settings, will generally

make your tone warmer. By turning the Bass

control anti-clockwise you will reduce the amount

of bass in your tone making your sound sharper,

thinner and more cutting.

It should be remembered that your guitar will

probably be the main influence in your overall

sound and a naturally bassy guitar, for example,

will probably need less bass on the amplifier than a

naturally bright sounding guitar.

VS30R

ENGLISH

6. Treble

By adjusting this Treble control you can add or

take away the higher frequencies in your guitar

tone when on the Clean Channel. By turning up

the Treble control and increasing those high

frequencies you will make your guitar sound

brighter and more cutting.

7. Ch.2 On LED

When illuminated this LED indicates that the

Overdrive Channel has been selected.

8. Gain

This effectively controls the amount of

distortion on the Overdrive Channel. Keeping this

control low will result in crunchy vintage type

tones. Turning this dial up will increase the

amount of distortion, fully clockwise giving

maximum distortion providing a gain drenched

tone ideal for heavy chords, wailing solos and

ripping harmonics.

9. Bass

This controls the amount of bottom end or low

frequencies in your guitar tone when on the

Overdrive Channel. When using a heavily

distorted tone, increasing the bass will generally

make the tone darker and heavier.

10. Contour

The Contour control basically shifts the mid-

range frequencies in your guitar tone. By turning

the Contour fully clockwise you will scoop out of

your sound most of the middle frequencies. If you

combine this setting with heavy distortion and high

Treble and Bass settings you can get a killer thrash

tone, perfect for brutal rhythms or solos.

By turning this control fully anti-clockwise

you can get some great fusion type tones. We

would suggest that you spend some time

experimenting with this control to find the

optimum setting for your style, if you’re not sure

simply leave the control set to 12 o’clock.

11. Treble

By adjusting the Treble control you can add or

take away the higher frequencies in your

Overdriven guitar tone. By turning up the Treble

control and increasing those high frequencies you

will give your guitar sound greater cut and more

bite.

12. Volume

This adjusts the overall volume of the

Overdrive Channel, making it possible to balance

levels between the Clean and Overdrive Channels.

13. Reverb

Adding Reverb to your guitar tone will add

ambience and size, giving the effect of playing in a

large empty room or hall.

14. Line Out Jack

The Line Out Jack can be used for direct

connection to recording equipment or for

connection to a P.A. system.

15. Headphone Jack

For use when silent practice is the order of the

day. Connection of headphones will automatically

shut down the internal speaker.

16. Power Switch

Switches the mains power to the combo.

Suggested Settings

Before we look at some suggested settings there are a few points that you should remember;

1- Taste in sound is a very personal thing. What might sound great to one guitar player might not appeal to

another guitarist. Therefore these suggested settings may well need some fine tuning to suit your own

individual tastes.

2- One of the main influences on your sound will be your guitar. Each guitar displays certain

characteristics e.g. solid heavyweight guitars with humbuckers tend to be very warm sounding and generally

speaking exhibit a strong bass response, while lighter weight guitars with single coil type pick-ups tend to have

a much brighter sound.

3- There are a whole range of factors that can influence background noise. You will notice, particularly

when using a heavily overdriven tone, that standing too close to the combo when playing can induce feedback

and hum, as can facing the combo, so select your positioning carefully. There may be occasions where you

actually require feedback, here again your positioning will be important and you will need to experiment to find

the most suitable. Other factors that can create unwanted noise include poor quality guitar leads and certain

types of pick-ups (single coil types particularly).

Overleaf there follows three simple settings, for both guitars fitted with single-coil pick-ups and those

fitted with humbuckers. Though you may find these settings suit your taste perfectly they should be

viewed as a starting point from which to develop your own settings.

ENGLISH

Input

Master

Pre-amp

LINE

OUT

HEAD

PHONES

GAIN 1

0 10

GAIN 2

0 10

TREBLE

0 10

CONTOUR

0 10

BASS

0 10

MASTER

VOLUME

0 10

REVERB

0 10

VS15R

POWER

Power

Humbuckers.

CRUNCH

Channel 2 selected.

LEAD

Channel 2 selected.

Input

Master

Pre-amp

LINE

OUT

HEAD

PHONES

GAIN 1

0 10

GAIN 2

0 10

TREBLE

0 10

CONTOUR

0 10

BASS

0 10

MASTER

VOLUME

0 10

REVERB

0 10

VS15R

POWER

Power

Input

Master

Pre-amp

LINE

OUT

HEAD

PHONES

GAIN 1

0 10

GAIN 2

0 10

TREBLE

0 10

CONTOUR

0 10

BASS

0 10

MASTER

VOLUME

0 10

REVERB

0 10

VS15R

POWER

Power

Input

Master

Pre-amp

LINE

OUT

HEAD

PHONES

GAIN 1

0 10

GAIN 2

0 10

TREBLE

0 10

CONTOUR

0 10

BASS

0 10

MASTER

VOLUME

0 10

REVERB

0 10

VS15R

POWER

Power

Input

Master

Pre-amp

LINE

OUT

HEAD

PHONES

GAIN 1

0 10

GAIN 2

0 10

TREBLE

0 10

CONTOUR

0 10

BASS

0 10

MASTER

VOLUME

0 10

REVERB

0 10

VS15R

POWER

Power

Input

Master

Pre-amp

LINE

OUT

HEAD

PHONES

GAIN 1

0 10

GAIN 2

0 10

TREBLE

0 10

CONTOUR

0 10

BASS

0 10

MASTER

VOLUME

0 10

REVERB

0 10

VS15R

POWER

Power

Input

FOOT

SWITCH

CHANNEL

SELECT

VOLUME BASS TREBLE GAIN BASS CONTOUR TREBLE VOLUME REVERB

0 10 0 10 0 10 0 10 0 10 0 10 0 10 0 10 0 10

VS30R

CH 2

Channel 1 Clean

Channel 2 Overdrive

HEAD

PHONES

LINE

OUT

POWER

Power

Master

Input

FOOT

SWITCH

CHANNEL

SELECT

VOLUME BASS TREBLE GAIN BASS CONTOUR TREBLE VOLUME REVERB

0 10 0 10 0 10 0 10 0 10 0 10 0 10 0 10 0 10

VS30R

CH 2

Channel 1 Clean

Channel 2 Overdrive

HEAD

PHONES

LINE

OUT

POWER

Power

Master

Input

FOOT

SWITCH

CHANNEL

SELECT

VOLUME BASS TREBLE GAIN BASS CONTOUR TREBLE VOLUME REVERB

0 10 0 10 0 10 0 10 0 10 0 10 0 10 0 10 0 10

VS30R

CH 2

Channel 1 Clean

Channel 2 Overdrive

HEAD

PHONES

LINE

OUT

POWER

Power

Master

Input

FOOT

SWITCH

CHANNEL

SELECT

VOLUME BASS TREBLE GAIN BASS CONTOUR TREBLE VOLUME REVERB

0 10 0 10 0 10 0 10 0 10 0 10 0 10 0 10 0 10

VS30R

CH 2

Channel 1 Clean

Channel 2 Overdrive

HEAD

PHONES

LINE

OUT

POWER

Power

Master

Input

FOOT

SWITCH

CHANNEL

SELECT

VOLUME BASS TREBLE GAIN BASS CONTOUR TREBLE VOLUME REVERB

0 10 0 10 0 10 0 10 0 10 0 10 0 10 0 10 0 10

VS30R

CH 2

Channel 1 Clean

Channel 2 Overdrive

HEAD

PHONES

LINE

OUT

POWER

Power

Master

Input

FOOT

SWITCH

CHANNEL

SELECT

VOLUME BASS TREBLE GAIN BASS CONTOUR TREBLE VOLUME REVERB

0 10 0 10 0 10 0 10 0 10 0 10 0 10 0 10 0 10

VS30R

CH 2

Channel 1 Clean

Channel 2 Overdrive

HEAD

PHONES

LINE

OUT

POWER

Power

Master

VS30R

Single Coil Pick-ups.

Humbuckers.

Single Coil Pick-ups.

Humbuckers.

Single Coil

Pick-ups.

Humbuckers.

Single Coil

Pick-ups.

Humbuckers.

Single Coil

Pick-ups.

Humbuckers.

Single Coil Pick-ups.

CLEAN

Channel 1 selected. CRUNCHLEAD CLEAN

*N.B. Reverb settings relate only to model VS15R.

VS15/VS15R

ENGLISH

VS65R: 65 Watt Combo with Reverb

The quality and flexibility of the twin channel

65 Watt VS65R make it ideally suited to a host of

playing situations such as warm-ups, rehearsals,

recording sessions and gigs. The inclusion of a

single ECC 83 valve in the pre-amp section which

operates on both the clean and overdrive channels

helps the VS65R to deliver a truly professional

tone.

Front Panel Features

1. Input

Plug your guitar in here. We recommend that

you always use a high quality screened cable to

help prevent noise, interference and unwanted

feedback.

2. Volume

This controls the volume of the Clean Channel

and is useful for balancing the level of the

Overdrive and Clean Channels. Once turned past

half way this channel will start to add crunch to

your guitar sound for semi-distorted chords and

bluesy leads.

3. Ch1/2 LED

Indicates whether Channel 1 (Clean) or

Channel 2 (Overdrive) has been selected. Red

indicates Channel 2.

4. Bass

Turning the Bass control will affect the

amount of low frequencies or bottom end in your

guitar tone. Rotating this control clockwise will

increase the lower tones and, depending on other

settings, will generally make your tone warmer and

heavier if combined with distortion. By turning the

Bass control anti-clockwise you will reduce the

bass frequencies in your tone which will make your

sound sharper, thinner and more cutting.

It should be remembered that your guitar will

probably be the main influence in your overall

sound and a naturally bassy guitar for example will

probably need less bass on the amplifier than a

naturally trebly guitar.

5. Middle

The middle frequencies are those which

generally affect the size of your sound. By

increasing the amount of middle in your tone your

guitar will sound fatter, conversely reducing the

middle frequencies will make your guitar sound

thinner.

6. Treble

By adjusting this Treble control you can add or

take away the higher frequencies in your guitar

tone when on the Clean Channel. By turning up

the Treble control and increasing those high

frequencies you will make your guitar sound

brighter and more cutting.

7. Ch1/2 Switch

Allows for switching between Channel 1 and

Channel 2 via the front panel.

8. Tone Shift Switch

Re-configures the channel voicing of the Clean

Channel giving the option of a boost in mid-range

frequencies combined with a cut in bass

frequencies.

9. Gain

Controls the input signal from the guitar and

the amount of gain within the pre-amp when on

Channel 2. Increasing the amount of gain will

increase the amount of distortion in your guitar

sound and to some extent will increase the volume.

Having the gain level fairly low will result in

vintage style blues crunch. Increasing this will

result in high gain sounds ideal for more

contemporary distortion tones.

10. Bass

This controls the amount of bottom end or low

frequencies in your guitar tone when on the

Overdrive Channel. When using a heavily

distorted tone, increasing the bass will generally

make the tone darker and heavier.

11. Contour

The Contour control basically shifts the mid-

range frequencies in your guitar tone. By turning

the Contour fully clockwise you will scoop out of

your sound most of the middle frequencies. If you

combine this setting with heavy distortion and high

Treble and Bass settings you can get a killer

‘thrash’ tone, perfect for brutal rhythms and

aggressive leads. By turning the Contour fully

anti-clockwise you can get some great fusion type

tones.

We would suggest that you spend some time

experimenting with this control to find the

optimum setting for your style, if you’re not sure,

simply leave the control set to 12 o’clock.

VS65R

ENGLISH

12. Treble

By adjusting the Treble control you can add or

take away the higher frequencies in your guitar tone.

By turning up the Treble control and increasing

those high frequencies you will make your guitar

sound more cutting.

13. Volume

This controls the volume of Channel 2 and

allows you to balance the volumes of Channel 1 and

Channel 2.

14. FX Mix

When using the FX Loop on the rear panel the

FX Mix allows you to dial in the desired amount of

effected signal into your overall sound. Turning the

control fully clockwise will result in a fully effected

sound, (i.e. no dry signal and turning the control

fully anti-clockwise will result in a fully dry sound).

15. Reverb

Adding Reverb to your guitar tone will add

ambience and size, giving the effect of playing in a

large empty room or hall.

16. Power LED

This will light up when the combo is on.

17. Power Switch

Switches the mains power to the combo.

Rear Panel Features

1. Mains Input

For connection to mains supply. Always ensure

that your plug is wired correctly and fitted with the

correctly rated fuse.

2. Headphones Jack

For connection of headphones. Connecting

headphones will automatically shut off the internal

speaker.

3. Footswitch Jack

It is possible to change channels on the VS65R

by either the front panel switch or via the optional

one way footswitch. This jack is for connection of

the one way footswitch. The optional footswitch,

model PED 801 features an LED to show when

Channel 2 is selected.

- Effects Loop -

The effects loop is used for connecting an

external effects processor or floor pedal. The effects

loop on the Marshall VS65R is sensitive enough to

suit the level of either type (processor or floor pedal)

to ensure that a perfect match is made.

Generally it is advisable to connect time based

effects such as Chorus or Delay through the loop

only and any external distortion type effects directly

between the guitar and the combo.

4. FX Return

For connection to the output of an external

effects processor or floor pedal.

5. FX Send

For connection to the input of an external

effects processor or floor pedal.

6. Line Out Jack

The Line Out Jack can be used for connection

to recording equipment for direct recording or for

connection to a P.A. system.

Suggested Settings

Before we look at some suggested settings there are a few points that you should remember;

1- Taste in sound is a very personal thing. What might sound great to one guitar player might not appeal to another

guitarist. Therefore these suggested settings may well need some fine tuning to suit your own individual tastes.

2- One of the main influences on your sound will be your guitar. Each guitar displays certain characteristics e.g. solid

heavyweight guitars with humbuckers tend to be very warm sounding and generally speaking exhibit a strong bass response,

while lighter weight guitars with single coil type pick-ups tend to have a much brighter sound.

3- There are a whole range of factors that can influence background noise. You will notice, particularly when using a

heavily overdriven tone, that standing too close to the combo when playing can induce feedback and hum, as can facing the

combo, so select your positioning carefully. There may be occasions where you actually require feedback, here again your

positioning will be important and you will need to experiment to find the most suitable. Other factors that can create unwanted

noise include poor quality guitar leads and certain types of pick-ups (single coil types particularly).

Below there follows four simple settings, for both guitars fitted with single-coil pick-ups and those fitted with humbuckers.

Though you may find these settings suit your taste perfectly they should be viewed as a starting point from which to develop your

own settings.

ENGLISH

Channel 2 Overdrive

Channel 1 Clean VS65R

0 10 0 10 0 10 0 10 0 10 0 10 0 10 0 10 0 10 0 10 0 10

BASS MIDDLE

VOLUME

Ch1/2

Tone

Shift

GAIN BASS CONTOUR TREBLE VOLUME FX MIX REVERB

POWER

Power

TREBLE

Input

Channel 2 Overdrive

Channel 1 Clean VS65R

0 10 0 10 0 10 0 10 0 10 0 10 0 10 0 10 0 10 0 10 0 10

BASS MIDDLE

VOLUME

Ch1/2

Tone

Shift

GAIN BASS CONTOUR TREBLE VOLUME FX MIX REVERB

POWER

Power

TREBLE

Input

CRUNCH

Channel 2 selected

BLUES / ROCK

Channel 2 selected

THRASH

Channel 2 selected

Single Coil

Pick-ups.

Humbuckers.

BRIGHT CLEAN

Channel 1 selected.

Tone switch pushed IN.

VS65R

Channel 2 Overdrive

Channel 1 Clean VS65R

0 10 0 10 0 10 0 10 0 10 0 10 0 10 0 10 0 10 0 10 0 10

BASS MIDDLE

VOLUME

Ch1/2

Tone

Shift

GAIN BASS CONTOUR TREBLE VOLUME FX MIX REVERB

POWER

Power

TREBLE

Input

Channel 2 Overdrive

Channel 1 Clean VS65R

0 10 0 10 0 10 0 10 0 10 0 10 0 10 0 10 0 10 0 10 0 10

BASS MIDDLE

VOLUME

Ch1/2

Tone

Shift

GAIN BASS CONTOUR TREBLE VOLUME FX MIX REVERB

POWER

Power

TREBLE

Input

Channel 2 Overdrive

Channel 1 Clean VS65R

0 10 0 10 0 10 0 10 0 10 0 10 0 10 0 10 0 10 0 10 0 10

BASS MIDDLE

VOLUME

Ch1/2

Tone

Shift

GAIN BASS CONTOUR TREBLE VOLUME FX MIX REVERB

POWER

Power

TREBLE

Input

Channel 2 Overdrive

Channel 1 Clean VS65R

0 10 0 10 0 10 0 10 0 10 0 10 0 10 0 10 0 10 0 10 0 10

BASS MIDDLE

VOLUME

Ch1/2

Tone

Shift

GAIN BASS CONTOUR TREBLE VOLUME FX MIX REVERB

POWER

Power

TREBLE

Input

Channel 2 Overdrive

Channel 1 Clean VS65R

0 10 0 10 0 10 0 10 0 10 0 10 0 10 0 10 0 10 0 10 0 10

BASS MIDDLE

VOLUME

Ch1/2

Tone

Shift

GAIN BASS CONTOUR TREBLE VOLUME FX MIX REVERB

POWER

Power

TREBLE

Input

Channel 2 Overdrive

Channel 1 Clean VS65R

0 10 0 10 0 10 0 10 0 10 0 10 0 10 0 10 0 10 0 10 0 10

BASS MIDDLE

VOLUME

Ch1/2

Tone

Shift

GAIN BASS CONTOUR TREBLE VOLUME FX MIX REVERB

POWER

Power

TREBLE

Input

Single Coil

Pick-ups.

Humbuckers.

Single Coil

Pick-ups.

Humbuckers.

Single Coil

Pick-ups.

Humbuckers.

Please Note :

Volume and Reverb should be adjusted to taste.

ENGLISH

VS100R/VS102R: 100 Watt Combo with

Reverb

VS100H: 100 Watt Head with Reverb

By taking full advantage of the advances made by

our Research and Development Department since the

release of our first Valvestate range we have produced

the VS100R & VS102R (combos) and VS100H

(head). Sharing exactly the same facilities these 100

Watt models both feature an ECC 83 valve driven pre-

amp and include a number of brand new functions

such as switching between Clean, Overdrive 1 and

Overdrive 2 channels, making them ideal for the

gigging guitarist. In addition separate reverb controls

for Clean and Overdrive channels and lastly a Power

Dimension Switch specially designed to emulate, at

lower volume levels, the extra saturation found when

playing through a transformer and valve power stage

pushed to the limit, make this amp a real force to be

reckoned with.

Front Panel Features

1. Input

Plug your guitar in here. We recommend that

you always use a high quality screened cable to help

prevent noise, interference and unwanted feedback.

2. Volume

This controls the volume of the Clean Channel

and is useful for balancing the level of the Overdrive

and Clean Channels. Once turned past half way this

channel will start to crunch up your guitar sound for

semi-distorted chords and bluesy leads.

3. CLN/OD LED

Indicates whether Clean or Overdrive has been

selected. Red indicates Overdrive.

4. Bass

Turning the Bass control will effect the amount

of low frequencies or bottom end in your guitar tone.

Rotating this control clockwise will increase the lower

tones and, depending on other settings, will generally

make your tone warmer and heavier if combined with

distortion. By turning the Bass control anti-clockwise

you will reduce the bass frequencies in your tone

which will make your sound sharper, thinner and

more cutting.

It should be remembered that your guitar will

probably be the main influence in your overall sound

and a naturally bassy guitar for example will probably

need less bass on the amplifier than a naturally trebly

guitar.

5. Middle

The middle frequencies are those which generally

affect the size of your sound. By increasing the

amount of middle in your tone your guitar will sound

fatter, conversly reducing the middle frequencies will

make your guitar sound thinner.

6. Treble

By adjusting this Treble control you can add or

take away the higher frequencies in your guitar tone

when on the Clean Channel. By turning up the Treble

control and increasing those high frequencies you will

make your guitar sound brighter and more cutting.

7. Clean / Overdrive Switch

Allows for switching between Clean and

Overdrive via the front panel.

8. Tone Shift Switch

Re-configures the channel voicing of the clean

Channel giving the option of a boost in mid-range

frequencies combined with a cut in bass frequencies.

9. Gain

Controls the input signal from the guitar and the

amount of gain within the pre-amp when on

Overdrive 1 channel. Increasing the amount of gain

will increase the amount of distortion in your guitar

sound and to some extent increase the volume.

Having the gain level fairly low will result in vintage

style blues crunch. Increasing this will result in

higher gain sounds ideal for classic rock tones.

10. Volume

Controls the volume of Overdrive 1 channel.

11. OD 1/2 Switch

Switches between Overdrive 1 channel and

Overdrive 2 channel. Overdrive 1 can be looked at as

the traditional overdrive or distortion channel giving

excellent crunchy blues rock tones, whereas

Overdrive 2 takes off where Overdrive 1 finishes

delivering searing high gain sounds.

12. Gain

This Gain control operates in the same way as the

previous Gain control (item 9). Increasing this Gain

control will increase the amount of distortion on

Overdrive 2.

13. L.E.D.

Indicates selection of Overdrive 1 or Overdrive 2.

14. Contour

The Contour control basically shifts the mid-range

frequencies in your guitar tone when on Overdrive 2. By

turning the Contour fully clockwise you will scoop out of

your sound most of the middle frequencies. If you

VS100R

VS102R

VS100H

ENGLISH

Dieses Handbuch passt für folgende Modelle

Inhaltsverzeichnis

Andere Marshall Amplification Verstärker Handbücher

Marshall Amplification

Marshall Amplification DSL100HR Bedienungsanleitung

Marshall Amplification

Marshall Amplification Class5H Bedienungsanleitung

Marshall Amplification

Marshall Amplification JMP-1 Bedienungsanleitung

Marshall Amplification

Marshall Amplification STUDIO VINTAGE SV20H Bedienungsanleitung

Marshall Amplification

Marshall Amplification DSL100HR Bedienungsanleitung

Marshall Amplification

Marshall Amplification Code 100 Bedienungsanleitung

Marshall Amplification

Marshall Amplification MG10 Bedienungsanleitung

Marshall Amplification

Marshall Amplification MG10 Bedienungsanleitung

Marshall Amplification

Marshall Amplification Acoustic Soloist AS50D Bedienungsanleitung

Marshall Amplification

Marshall Amplification 2205 Bedienungsanleitung

Marshall Amplification

Marshall Amplification Extension Cabinet Bedienungsanleitung

Marshall Amplification

Marshall Amplification STUDIO CLASSIC SC20H Bedienungsanleitung

Marshall Amplification

Marshall Amplification AMPLIFIER LIMITED EDITION JTM45 100 DUAL OUTPUT 100W SUPER LEAD... Bedienungsanleitung

Marshall Amplification

Marshall Amplification PA400 Bedienungsanleitung

Marshall Amplification

Marshall Amplification Valvestate 2000 AVT series Bedienungsanleitung

Marshall Amplification

Marshall Amplification STUDIO CLASSIC SC20H Bedienungsanleitung

Marshall Amplification

Marshall Amplification DSL20CR Bedienungsanleitung

Marshall Amplification

Marshall Amplification JVM410C Bedienungsanleitung

Marshall Amplification

Marshall Amplification JCM900 4100 Bedienungsanleitung

Marshall Amplification

Marshall Amplification MB15 Bedienungsanleitung

Marshall Amplification

Marshall Amplification VALVETEST AVT150HX Bedienungsanleitung

Marshall Amplification

Marshall Amplification MEGASTACK MG15FXMSDM Bedienungsanleitung

Marshall Amplification

Marshall Amplification JVM-1H Bedienungsanleitung

Marshall Amplification

Marshall Amplification BASS STATE B 30 Bedienungsanleitung

Beliebte Verstärker Handbücher anderer Marken

ASTRO

ASTRO HVO V40 P Bedienungsanleitung

Marantz

Marantz SUPERSCOPE BLA-545 Montageanleitung

NAD

NAD CI980 Bedienungsanleitung

Technics

Technics SE-CH770 Bedienungsanleitung

Harman Kardon

Harman Kardon HK6300 Bedienungsanleitung

NAD

NAD T975 Bedienungsanleitung

McIntosh

McIntosh MA6850 Bedienungsanleitung

Electro-Harmonix

Electro-Harmonix ENGLISH MUFF’N Bedienungsanleitung

Viatron

Viatron Autrix Bedienungsanleitung

GME

GME GA9800 Bedienungsanleitung

Atlas

Atlas CP700 Bedienungsanleitung

Roland

Roland KC-1000 Bedienungsanleitung

Pyle

Pyle PFMRA350BW Bedienungsanleitung

Advantage

Advantage S-250 Bedienungsanleitung

IRT Electronics

IRT Electronics DVA-3007 Bedienungsanleitung

Dimavery

Dimavery BA-100 Series Bedienungsanleitung

Sony

Sony XM-S400D Bedienungsanleitung

Schertler

Schertler ROY X Bedienungsanleitung